Death on Demand explores the polarizing role of Jack Kevorkian—“Dr. Death”—as the most visible leader of the right-to-die movement. From a feature on the cover of Time magazine to interviews on shows like 60 Minutes, Kevorkian was a high-profile figure in the right-to-die movement, capturing constant media attention as he helped more than one hundred people kill themselves. The book opens with the death of Janet Adkins in 1990—Kevorkian’s first assisted suicide—then travels back to Kevorkian’s medical school days and follows his nearly four decades as a lone activist. Death on Demand draws on Kevorkian’s interviews and published work as well as newspaper and magazine articles to describe the doctor’s publicity stunts, criminal trials, years in prison, and activities after he was paroled. Author Michael DeCesare examines Kevorkian’s actions in the context of the right-to-die movement to understand his crucial role in bringing the controversial practice of assisted suicide into the public conversation.

The book describes the movement by African American authors from slave narratives and antebellum newspapers into fiction writing, and the subsequent developments of black genre fiction through the present. It analyzes works by modern African American mystery writers, focusing on sleuths, the social locations of crime, victims and offenders, the notion of "doing justice," and the role of African American cultural vernacular in mystery fiction. A final section focuses on readers and reading, examining African American mystery writers' access to the marketplace and the issue of the "double audience" raised by earlier writers. Instructors considering this book for use in a course may request an examination copy here.

Although academic study of the Grateful Dead began shortly after the group’s formation, the dramatic growth of scholarly literature only occurred after the band’s formal retirement of the name in 1995. One major incubator of much of this work has been the Grateful Dead area of the Southwest/Texas Popular Culture and American Culture Association. Inaugurated as a separate section in 1998 and nicknamed the Grateful Dead Scholars Caucus, it has produced almost three hundred papers over fifteen years, nearly a third of which have been revised for publication. Caucus presenters have also edited a dozen books and periodical volumes, all of which have drawn on Caucus presentations, some almost exclusively. Studying the Dead: The Grateful Dead Scholars Caucus provides an informal history of the Caucus and sketches its significance as a scholarly community, focusing on its increasing self-awareness, its ability to span diverse disciplinary and theoretical perspectives, and most of all, its contribution to our understanding of the Grateful Dead phenomenon. For the academy as a whole, the Caucus is a fascinating model for the development of discourse communities, from the role of orality to its interrogation of the texts that are derived from them. Remarkable for its interdisciplinary dialogue, the Caucus demonstrates how the nature of the art—and the phenomenon that it studies—can shape these discourses. Though ostensibly aimed at scholars of the Grateful Dead, others who will find this book of interest include students and teachers of popular culture, as well as fans of the band.

In this title, Osenton offers readers a comprehensive programme for increasing profits when they can't increase revenue.

The most delectable sleuthing couple since Nick met Nora, Annie and Max Darling manage to find quite a bit of murder in their allegedly safe and serene South Carolina island resort. After all, murder is Annie's business--well sort of. She's the proprietor of the popular Death on Demand mystery bookstore and cafe, and her establishment seems to attract trouble like Annie's pesky felines, Dorothy L. and Agatha, attract furballs. And just when Annie and Max settle down for some quality, and much needed, time together, some corpse always rears its ugly head. Now as they anticipate a festive summer, the irresistible duo watch their Fourth of July holiday explode not only with fun and fireworks, but with murder as well.

This book examines La Santa Muerte's role in people's daily lives and explores how popular religious practices of worship and devotion developed around a figure often associated with illicit activities.

Talking to the Dead is an essay on death and its tenacious hold on Irish culture. There are few traditions in which funerary motifs have been so ubiquitous in literature, popular rituals, folk representations, public rhetorics, even constructions of place. There are even fewer cultures in which funerary genres and preoccupations constitute the central thread of continuity. The Irish Theatrum Mortis is not simply an obsession of writers from the bards to Beckett and Heaney. Nor is it confined to contemporary Republican iconography. It is to be found in the pages of the local press, in acts of ritual resistance to unpopular decisions, in the way in which significant public events are narrated and framed. Though the funerary Ireland presented here may well yield to the new, positive self-image of the Celtic Tiger, it is the authors' contention that at the end of the twentieth century the funerary sign continues to define Irish identity. For good and ill, it is the centre that holds.