From the author of The Agitators, the acclaimed and captivating true story of two restless society girls who left their affluent lives to “rough it” as teachers in the wilds of Colorado in 1916. In the summer of 1916, Dorothy Woodruff and Rosamond Underwood, bored by society luncheons, charity work, and the effete men who courted them, left their families in Auburn, New York, to teach school in the wilds of northwestern Colorado. They lived with a family of homesteaders in the Elkhead Mountains and rode to school on horseback, often in blinding blizzards. Their students walked or skied, in tattered clothes and shoes tied together with string. The young cattle rancher who had lured them west, Ferry Carpenter, had promised them the adventure of a lifetime. He hadn’t let on that they would be considered dazzling prospective brides for the locals. Nearly a hundred years later, Dorothy Wickenden, the granddaughter of Dorothy Woodruff, found the teachers’ buoyant letters home, which captured the voices of the pioneer women, the children, and other unforgettable people the women got to know. In reconstructing their journey, Wickenden has created an exhilarating saga about two intrepid women and the “settling up” of the West.

Stress-free ways to CHOOSE, USE, and MAINTAIN the must-have and want-to-have technology in your life in an all-in-one user-friendly guide

“The queer memoir you’ve been waiting for”—Carmen Maria Machado Grace Lavery is a reformed druggie, an unreformed omnisexual chaos Muppet, and 100 percent, all-natural, synthetic female hormone monster. As soon as she solves her “penis problem,” she begins receiving anonymous letters, seemingly sent by a cult of sinister clowns, and sets out on a magical mystery tour to find the source of these surreal missives. Misadventures abound: Grace performs in a David Lynch remake of Sunset Boulevard and is reprogrammed as a sixties femmebot; she writes a Juggalo Ghostbusters prequel and a socialist manifesto disguised as a porn parody of a quiz show. Or is it vice versa? As Grace fumbles toward a new trans identity, she tries on dozens of different voices, creating a coat of many colors. With more dick jokes than a transsexual should be able to pull off, Please Miss gives us what we came for, then slaps us in the face and orders us to come again.

'Our mother rather lost interest in us after the thirst got hold of her and, although our grandfather was vaguely fond of us, he certainly wasn't interested.'

FINALIST FOR THE CENTER FOR FICTION'S FIRST NOVEL PRIZE "Cain’s small but mighty novel reads like a ghost story and packs the punch of a feminist classic." —The New York Times Book Review A haunted feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams. In "a strangely ageless world somewhere between Emily Dickinson and David Lynch" (Blake Butler), a cleaning woman at a museum of art nurtures aspirations to do more than simply dust the paintings around her. She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary? Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling.

The "lucid, funny and darkly alive" (Daisy Lafarge) debut novel from the Booker-shortlisted, Giller Prize-winning author of Study for Obedience. A woman leaves the man she lives with and moves to a low stone cottage in a university town. She joins an academic department and, high up in her office on the thirteenth floor, begins a research project on the poet Paul Celan. She knows nothing of Celan, still less of her new neighbours or colleagues. She is in self-imposed exile, hoping to find dignity in her loneliness. Like everywhere, the abiding feeling in the city is one of paranoia. The weather is deteriorating, the ordinary lives of women are in peril, and an unexplained curfew has been imposed. But then she meets Clara, a woman who is her exact opposite: decisive, productive, and assured. As their friendship grows in intimacy Clara suggests another way of living—until an act of violence threatens to sever everything between them. A penetrating portrait of feminine vulnerability and cruelty, Sarah Bernstein’s extraordinary debut is intelligent, brutal, sure, and devastatingly funny.

LONGLISTED FOR THE NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE A moving, unforgettable tribute to a Tutsi woman who did everything to protect her children from the Rwandan genocide, by the daughter who refuses to let her family's story be forgotten. The story of the author's mother, a fierce, loving woman who for years protected her family from the violence encroaching upon them in pre-genocide Rwanda. Recording her memories of their life together in spare, wrenching prose, Mukasonga preserves her mother's voice in a haunting work of art.

In 1922 Isobel Miller was a senior at the University of British Columbia -- beautiful, talented, popular -- and so miserable that she wanted to die. In her despair she began a search that was to last a lifetime: the search to know God. Her investigation led to the Bible and to Jesus Christ, and one day God gave her the desire to share what she had learned with the Lisu tribe in southwest China. Ten years passed before Isobel and her husband were finally sent to the Lisu's mountain wilderness. She grew to love the people dearly, and in her adventurous life she experienced the challenges of pioneer living, the perils of war, and the joys of proving the faithfulness of God. - Back cover.

Do you desire deeper freedom? Do you feel restricted by the knots of sin and shame that conceal the true beauty of your feminine heart? Through this collection of raw and redemptive testimonies from real Catholic women, punctuated with guided reflection and contemplative prayer, Carrie Schuchts Daunt of the John Paul II Healing Center offers you an encounter with truth and healing tailored to your specific identities as daughter, sister, bride and mother. Undone ushers you through a vulnerable search for truth through essential spiritual exercises, prayer guides, and reflection material. Sharing personal testimonies of illness, loss of faith, rejection, promiscuity, abortion, broken marriage, infertility, miscarriage, addiction, betrayal, bulimia, and depression, the fifteen women in Undone identify shame and fear as major barriers to their relationships. In their stories, they share how their shame was untangled and their identity restored. This chorus of bold women—including Lisa Brenninkmeyer, founder of Walking with Purpose; Jen Settle, managing director of the Theology of the Body Institute; Debra Herbeck, founder of Be Love Revolution; Judy Bailey, executive director of John Paul II Healing Center; and Jeannie Hannemann, founder and executive director of Elizabeth Ministry International—will encourage you to explore and undo the knots in your own life as well. Daunt shares the same prayer exercises and spiritual reflection material used at the John Paul II Healing Center’s Undone women’s conferences, including inner healing prayers spiritual exercises for identifying core wounds spiritual exercises for renouncing false belief systems reflection questions In Undone, readers find an essential guide to distinctly feminine healing that will leave them willingly and eagerly stripping away the bondage of sin and shame allowing them to become the women God calls them to be.

Most people think of New Jersey as a suburban-industrial corridor that runs between New York and Philadelphia. Yet in the low center of the state is a near wilderness, larger than most national parks, which has been known since the seventeenth century as the Pine Barrens. The term refers to the predominant trees in the vast forests that cover the area and to the quality of the soils below, which are too sandy and acid to be good for farming. On all sides, however, developments of one kind or another have gradually moved in, so that now the central and integral forest is reduced to about a thousand square miles. Although New Jersey has the heaviest population density of any state, huge segments of the Pine Barrens remain uninhabited. The few people who dwell in the region, the "Pineys," are little known and often misunderstood. Here McPhee uses his uncanny skills as a journalist to explore the history of the region and describe the people—and their distinctive folklore—who call it home.