By reading the work of the British modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - through the lens of material culture, this text argues that women's imaginative work is inseparable from their ambivalent, complicated relation to Britain's imperial history.

"The Daughters of England" from Sarah Stickney Ellis. English author (1799-1872).

In Regency England, a woman risks scandal, disgrace, even her own life for a forbidden passion in this “sure-to-please saga” (Kirkus Reviews). From the moment the handsome, raffish stranger with the gold earring throws her a kiss, Jessica Frenshaw is enchanted. Rumored to be a half-Spanish wanderer who can predict the future, Romany Jake is unjustly put on trial for murder. After the verdict banishes him from England, Jessica despairs of ever seeing him again. But one fateful day, Jake Cadorson returns to reclaim what he has lost—including the woman who saved him from the gallows. From the ballrooms and lavish estates of Regency England through the bitter bloodshed of the Napoleonic Wars, Return of the Gypsy weaves a spellbinding tale of blackmail, murder, and illicit passion as a woman risks everything for the man she loves—a man who isn’t what he seems.

Winner of the 2004 Book Award from the Society for the Study of Early Modern Women and the 2003 Roland H. Bainton Prize for Literature from the Sixteenth Century Society and Conference. Our common definition of literacy is the ability to read and write in one language. But as Margaret Ferguson reveals in Dido's Daughters, this description is inadequate, because it fails to help us understand heated conflicts over literacy during the emergence of print culture. The fifteenth through seventeenth centuries, she shows, were a contentious era of transition from Latin and other clerical modes of literacy toward more vernacular forms of speech and writing. Fegurson's aim in this long-awaited work is twofold: to show that what counted as more valuable among these competing literacies had much to do with notions of gender, and to demonstrate how debates about female literacy were critical to the emergence of imperial nations. Looking at writers whom she dubs the figurative daughters of the mythological figure Dido—builder of an empire that threatened to rival Rome—Ferguson traces debates about literacy and empire in the works of Marguerite de Navarre, Christine de Pizan, Elizabeth Cary, and Aphra Behn, as well as male writers such as Shakespeare, Rabelais, and Wyatt. The result is a study that sheds new light on the crucial roles that gender and women played in the modernization of England and France.

Sixteenth-century England was scarcely a paradise for anyone by modern standards. Yet despite huge obstacles, many sixteenth-century women achieved personal success and even personal wealth. This is a resource for all interested in this time-period.

In Tudor England, a dark mystery threatens a marriage. “Carr is a master at creating and sustaining suspense . . . a story that will draw you in” (Regan Romance Review). Linnet Pennlyon, proud daughter of a sea captain, finds herself in a vicious trap: Pregnancy has forced her to marry the cunning Squire Colum Casvellyn. Once their baby is born, she devotes herself to their son. Yet, little by little, against her will, Linnet finds herself drawn to her passionate, mercurial husband. Dark secrets lurk in their castle: The squire’s first wife died amid rumors of foul play. When a beautiful stranger washes up on the shore, Linnet suddenly finds she’s no longer in control of her family—or her life. It falls to Linnet’s daughter, Tamsyn, to uncover the truth about a long-ago night . . . and put to rest the rumors about her beloved mother. Her discovery sets in motion an unstoppable chain of events that will reverberate for decades to come.

DIVWith World War II on the horizon, a British woman risks her life to uncover the truth behind the disappearance of her twin sister/divDIV Violetta Denver and her twin sister Dorabella are inseparable—until Dorabella falls in love with Dermot Tregarland. The newlyweds settle in Dermot’s isolated ancestral home along the Cornish coast, and Dorabella soon has a little boy. But Violetta can’t shake the terrible foreboding she’s felt since her sister’s marriage. When she hears that Dorabella went swimming one morning and was swept out to sea, she refuses to believe that her beloved twin is really gone, so a grief-stricken Violetta travels to the Tregarland estate./divDIV /divDIVThere, against the terrible grandeur of sea-swept cliffs, Violetta learns that Dermot’s first wife also drowned under suspicious circumstances. When death claims another victim, Violetta knows the answer lies in the history of the Tregarlands—and a haunting legacy of madness and bad blood. With the help of Jowan Jermyn, Dermot’s neighbor, Violetta moves closer to the truth . . . and closer to a murderer whose long-awaited revenge is about to come full circle./div

DIVThe riveting Cornwall saga continues with the story of Lucie Lansdon, the sole witness to a horrifying crime much too close to home . . . /divDIV After her father is murdered, Lucie Lansdon’s eyewitness testimony sends a fanatical Irish terrorist to the gallows. Fate claims another victim when Lucie receives news that her fiancé has died in Africa. Reeling from the deaths of the two men she loved most, and convinced that her life is cursed, Lucie finally finds happiness when she marries the gentle Roland Fitzgerald./divDIV /divDIVBut her domestic life with Roland and his sister is not all it should be. Someone is watching—and waiting to carry out a cunningly orchestrated plan of retribution. As Lucie’s life is threatened and she begins to doubt her sanity, she’s visited by someone she believed lost to her forever. On the verge of uncovering the truth about a long-ago night, she places her trust in the wrong person./div

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized – and largely mythical – notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of the great English king, Edward I. The lives of these sisters – Eleanora, Joanna, Margaret, Mary and Elizabeth – ran the full gamut of experiences open to royal women in the Middle Ages. Living as they did in a courtly culture founded on romantic longing and brilliant pageantry, they knew that a princess was to be chaste yet a mother to many children, preferably sons, meek yet able to influence a recalcitrant husband or even command a host of men-at-arms. Edward’s daughters were of course expected to cement alliances and secure lands and territory by making great dynastic marriages, or endow religious houses with royal favour. But they also skilfully managed enormous households, navigated choppy diplomatic waters and promoted their family’s cause throughout Europe – and had the courage to defy their royal father. They might never wear the crown in their own right, but they were utterly confident of their crucial role in the spectacle of medieval kingship. Drawing on a wide range of contemporary sources, Daughters of Chivalry offers a rich portrait of these spirited Plantagenet women. With their libraries of beautifully illustrated psalters and tales of romance, their rich silks and gleaming jewels, we follow these formidable women throughout their lives and see them – at long last – shine from out of the shadows, revealing what it was to be a princess in the Age of Chivalry.