Daniel Defoe's life was packed with incident and drama. Born in the year of the Restoration of the Monarchy after the English Civil War, he remained a nonconformist throughout his life, actively rebelled against James II, travelled the country as a spy for King William and Queen Mary, worked in Scotland on active behalf of the historic Union of Scotland and England, helped launch the South Sea Company, was bankrupted frequently as a businessman, was imprisoned for libel and debt, and died a pauper.

The History of the Plague in London is a historical novel offering an account of the dismal events caused by the Great Plague, which mercilessly struck the city of London in 1665. First published in 1722, the novel illustrates the social disorder triggered by the outbreak, while focusing on human suffering and the mere devastation occupying London at the time. Defoe opens his book with the introduction of his fictional character H.F., a middle-class man who decides to wait out the destruction of the plague instead of fleeing to safety, and is presented only by his initials throughout the novel. Consequently, the narrator records many distressing stories as experienced by London residents, including craze affected people wandering the streets aimlessly, locals trying to escape the disease infected city, and healthy families forced to confine themselves behind closed doors. Apart from these second-hand accounts, the narrator also provides a thorough explanation on how quarantine was managed and kept under control. In addition, he seeks to debunk all squalid rumors which have produced a false interpretation of the bubonic plague. However, not everything is bleak in the account, as the novel offers some affirmative evidence that humanity is still capable of charity, kindness and mercy even in the midst of chaos and confusion. Although regarded as a work of fiction, the author engrosses with his insertion of statistics, government reports and charts which further validate the novel as a precise portrayal the Great Plague.

Daniel Defoe led an exciting and indeed precarious life. A provocative pamphleteer and journalist, a spy and double agent, a revolutionary and a dreamer, he was variously hunted by mobs with murderous intent and treated as a celebrity by the most powerful leaders of the country. Imprisoned many times, pilloried and reviled by his enemies, through it all he managed to produce some of the most significant literature of the eighteenth century. Daniel Defoe: Master of Fictions is the first biography to view Defoe's complex life through the angle of vision that is most important to us as modern readers--his career as a writer. Maximillian Novak, a leading authority on Defoe, ranges from the writer's earliest collection of brief stories, which he presented to his future wife under the sobriquet Bellmour, to his Compleat English Gentleman, left unpublished at his death. Novak illuminates such works as Robinson Crusoe and Moll Flanders, novels that changed the course of fiction in their time and have remained towering classics to this day. And he reveals a writer who was a superb observer of his times--an age of dramatic historical, political, and social change. Indeed, through his many pamphlets, newspapers, books of travel, and works of fiction, Defoe commented on everything from birth control to the price of coal, and from flying machines to the dangers of the plague. Beautifully and authoritatively written, this is the first serious, full-scale biography of Defoe to appear in a decade. It gives us, for the first time, a full understanding of the thought and personal experience that lie behind some of the great works of English literature.

Almost 300 years ago this fascinating novel was published with probably the most long title: The Life and Strange Surprizing Adventures of Robinson Crusoe, of York, Mariner: Who Lived Eight and Twenty Years, All Alone in an Un-inhabited Island on the Coast of America, Near the Mouth of the Great River of Oroonoque; Having Been Cast on Shore by Shipwreck, Wherein All the Men Perished but Himself. With an Account how he was at last as Strangely Deliver’d by Pyrates. Written by Himself. For hundreds of years this book impresses the imagination by displaying of courage, ingenuity, vitality of the person, caught in such a binding that it is difficult to imagine. But still it is so exciting to imagine, while reading a book in a cozy room. Pretty illustrations by Vladislav Kolomoets provide you with new impressions from reading this legendary story.

In this book, Paula Backscheider considers Daniel Defoe's entire canon as related, developing, and in close dynamic relationship to the literature of its time. In so doing, she revises our conception of the contexts of Defoe's work and reassesses his achievement and contribution as a writer. By restoring a literary context for modern criticism, Backscheider argues the intensity and integrity of Defoe's artistic ambitions, demonstrating that everything he wrote rests solidly upon extensive reading of books published in England, his understanding of the reading tastes of his contemporaries, and his engagement with the issues and events of his time. Defoe, the dedicated professional writer and innovator, emerges with a new wholeness, and certain of his novels assume new significance. Defoe's literary status continues to be debated and misunderstood. Even critical studies of the novel often begin with Richardson rather than Defoe. By moving from Defoe's poetry, pamphlets, and histories to the novels, Backscheider offers an argument for the thematic and stylistic coherency of his oeuvre and for a recognition of the dominant place he held in shaping the English novel. For example, Defoe deserves to be recognized as the true originator of the historical novel, for three of his fictions are deeply engaged with just those conceptual and technical issues common to all later historical fiction. And Roxana now appears as Defoe's deliberate attempt to enter the fastest growing market for fiction—that for women readers. What have been powerfully significant for the history of the novel, then, are the very characteristics of his writing that have been held against his literary stature: its contemporaneity, its mixed and untidy form, its formal realism, its concentration on the life of an individual, and its probing of the individual's psychological interaction with the empirical world, making that world representative even as it is referential. It is exactly these characteristics most original, prominent, and subsequently imitated in Defoe's fiction that define the form we call "novel."

The short story is often viewed as an inferior relation to the Novel. But it is an art in itself. To take a story and distil its essence into fewer pages while keeping character and plot rounded and driven is not an easy task. Many try and many fail. In this series we look at short stories from many of our most accomplished writers. Miniature masterpieces with a lot to say. In this volume we examine some of the short stories of Daniel Defoe.Daniel Defoe is most well-known for his classic novels Robinson Crusoe and Moll Flanders. Born circa 1659, he was also a journalist, a pamphleteer, a businessman, a spy ... and a writer of short stories. His life was long and colourful, and the breadth of his work, still highly regarded, is infused with similar vigor.In these short stories, Defoe succinctly emblazons his style upon subjects as diverse as apparitions, pirates, and politics. Defoe unfortunately often ran up large bills which could then not be repaid. He was often most seen on Sundays when bailiffs and the like legally could make no move on him. Allegedly whilst hiding from creditors he died on April 24th 1731. He was interred in Bunhill Fields, London.These stories are also available as an audiobook from our sister company Word Of Mouth. Many samples are at our youtube channel http: //www.youtube.com/user/PortablePoetry?feature=mhee The full volume can be purchased from iTunes, Amazon and other digital stores. They are read for you by Richard Mitchley & Ghizela RoweIndex Of TitlesThe Apparition Of Mrs VealCaptain MissonDickery Cronke

Moll Flanders is a novel by Daniel Defoe, first published in 1722. It purports to be the true account of the life of the eponymous Moll, detailing her exploits from birth until old age.By 1721, Defoe had become a recognised novelist, with the success of Robinson Crusoe in 1719. His political work was tapering off at this point, due to the fall of both Whig and Tory party leaders with whom he had been associated; Robert Walpole was beginning his rise, and Defoe was never fully at home with the Walpole group. Defoe's Whig views are nevertheless evident in the story of Moll, and the novel's full title gives some insight into this and the outline of the plot