An original examination of the ubiquity of glitter—from bodily adornment to activist glitter bombing—and its vibrant and transformational properties. Glitter is everywhere, from crafting to makeup, from vagazelling to glitter-bombing, from fashion to fish. Glitter also gets everywhere. It sticks to what it is and isn't supposed to, and travels beyond its original uses, eliciting reactions ranging from delight to irritation. In Glitterworlds, Rebecca Coleman examines this ubiquity of glitter, following it as it moves across different popular cultural worlds and exploring its effect on understandings and experiences of gender, sexuality, class and race. Coleman investigates how girls engage with glitter in collaging workshops to imagine their futures; how glitter can adorn the outside and the inside of the body; how glitter features in the films Glitter and Precious; and how LGBTQ* activists glitter bomb homophobic and transphobic people. Throughout, Coleman attends to the plurality of politics that glitter generates, approaching this through the concepts of hope, wonder, fabulation, and prefigurative politics—all of which indicate the making of different, better worlds, although often not in ways that are straightforward or conventional. She develops an original account of future politics, where time is nonlinear and sometimes non-progressive. Coleman's argument brings together feminist cultural theory, feminist new materialisms, and theories on futures and temporality, in order to propose that we should understand glitter as a thing—vibrant, processual, transformational, and traversing boundaries between media and material, culture and nature, bodies and environments.

When Lou Reed and Iggy Pop first met David Bowie in the fall of 1971, Bowie was just another English musician passing through New York City. Lou was still recovering from the collapse of the Velvet Underground, and Iggy had already been branded a loser... Yet within two years they completely changed the face of popular music with a decadent glamour and street-level vibe. With Bowie producing, Reed's Transformer album was a worldwide hit, spinning off the sleazy street anthem “Walk on the Wild Side.” Iggy's Raw Power, mixed by Bowie, provided the mean-spirited, high-octane blueprint for Punk. Bowie boosted elements from both Iggy and Reed to create his gender-bending rock idol Ziggy Stardust. Your Pretty Face Is Going to Hell is the story of this friendship and the incredible productivity and debauchery that emerged from it. Presented here for the very first time are their stories interwoven in a triple helix of sexuality, glam rock, and drugs – as seen through the eyes of the people who made it happen.

"Outside the palace of Versailles, it's modern day. Inside, the people dress, eat, and act like it's the eighteenth century. The palace has every indulgence, but for one pretty young thing, it's about to become a very beautiful prison. When Danica witnesses an act of murder by the young king, her mother makes a cruel power play...blackmailing the king into making Dani his queen on her eighteenth birthday. That gives Dani six months to escape her terrifying destiny."--Page [4] of cover.

For hundreds of years, the Dragon Warriors of Althanea have fought against an archaic belief system that enslaved the women of their world. Now, a dangerous outside influence emerges —her name is Brooke St. Claire. Abducted by aliens and genetically modified, Brooke’s life is forever altered. Now, she has become a catalyst for change, but will that change free the women of Althanea —or will it destroy her—and the Dragon Warrior who protected a woman he should never have let live.

Acclaimed as one of SF's most exciting new talents, Thomas Harlan took readers by storm with his remarkable Oath of Empire series, a thrilling blend of alternate history, high fantasy, and military adventure. The books in the series, including The Shadow of Ararat, The Gate of Fire, The Storm of Heaven, and The Dark Lord, not only earned Harlan rave reviews but gained him two nominations for Best New Writer of the Year. Now Thomas Harlan draws upon his extensive knowledge of history, politics, strategy and tactics to create a brilliant new science fiction epic set in an alternate future in which the Aztec Empire rules the earth and an interstellar empire. Led by the ambitions of the powerful, world-girdling Empire of the Méxica, the human race has spread out among the stars, only to discover a perilous universe once ruled by vast interstellar civilizations that suddenly vanished, leaving behind their mysterious artifacts. Dr. Gretchen Andersson, a xeno-archeologist and second-class citizen of the empire, has made a career of searching for those First Sun artifacts. She has suddenly been recalled by her employer and sent to discover the fate of a missing survey team. To her consternation, she discovers that her team is to travel on an imperial warship, under a Japanese commander, instead of using a Company vessel. Worse, an Aztec aristocrat, Green Hummingbird--an imperial judge who is also a brujo, or sorcerer-is in command of the rescue mission. Clearly, there is more to this assignment than rescuing a team of company scientists from a dead world. In the company of Green Hummingbird, Gretchen will discover that there is far more to Ephesus III than meets the eye. For the vast, rocky wasteland of the seemingly dead planet hides a secret life, and may hold treasures far too deadly for the empire to ever allow her to discover. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.