John Rubadeau’s long, white beard; homeless-guy wardrobe; and penchant for dirty jokes belied his lofty status as one of the most popular professors ever at the University of Michigan. He taught writing in Ann Arbor for more than 30 years. The cover of his course pack read: “Grammar: the difference between knowing your shit and knowing you’re shit.” "In A Beard Cut Short: The life and lessons of a legendary professor clipped by a slip of #MeToo," a former student tells the crazy, touching, inspiring, and often funny life story of an eccentric, influential professor. John caught dogs in Wisconsin, sold insurance in Indiana, raised pigs in Tennessee, counseled soldiers in Germany, and had his apartment bugged by the Romanian secret police. He lost a young wife and two baby boys. He was born poor and stayed that way most of his life. But, on his own terms, he met with extraordinary success. "A Beard Cut Short" also shares John’s key lessons on writing, teaching, and life – lessons that have inspired generations of students to watch out for comma splices and follow their dreams. The story is capped by an investigation of an unjust firing that’s a case study in how the misappropriation of #MeToo, a vital social movement, can hurt both the unfairly accused and the movement itself. John Rubadeau's (in)famous Grammar Review is included as a special bonus. Reviews: Rubadeau was an outspoken man of a previous era who taught so long the culture changed around him. As a result, the book is a captivating document on how the language of teaching (and language itself) has changed over the decades, and the ways in which a certain type of larger-than-life educator, once common, has mostly ceased to exist. — Kirkus Former Camera science writer and Colorado Book Award winner (“From Jars to the Stars”) Todd Neff examines the life of his mentor, former University of Michigan Professor John Rubadeau, before plunging in to investigate the unjust #MeToo claims that led to his firing in “A Beard Cut Short: The Life and Lessons of a Legendary Professor Clipped by a Slip of #MeToo.” Rubadeau was an old-school writing teacher who fearlessly created room for students to discuss and debate human differences in the classroom, refusing to coddle or protect them, an effort doomed to fail. “I am here to teach you about the intricacies and nuances of the English language not to coddle you or to support your conviction that you are the next Shakespeare,” Rubadeau informed his students. “If you will be devastated because you receive less than an A in this course, drop this class the first day.” Using his investigative skills to obtain confidential documents, Neff concludes that his mentor’s firing “came about through a poisonous brew of stubbornness, incompetence, misplaced zealotry, hypersensitivity, blinkered perspective, bad faith, personal friction, professional jealousy, and shoddy investigative work — all of which led to over-reaction and injustice.” — The Boulder Daily Camera

Frederick Luis Aldama and graphic artists from Mapache Studios give shape to ugly truths in the most honest way, creating new perceptions, thoughts, and feelings about life in the borderlands of the Américas. Each bilingual prose-art fictional snapshot offers an unsentimentally complex glimpse into what it means to exist at the margins of society today.

In the tradition of Ruth Rendell, Lynda La Plante, Frances Fyfield, and Barbara Vine, Cut Short is a gripping psychological thriller that introduces Detective Inspector Geraldine Steel, a woman whose past is threatening to collide with her future. D.I. Geraldine Steel relocates to the quiet rural town of Woolsmarsh, thinking she’s found a restful place where she can battle her demons in private. But when she finds herself pitted against a twisted killer preying on young local women in the park, she quickly discovers how wrong she is ... When an unwitting bystander comes forward as a witness, she quickly becomes the murderer’s next obsession. And Geraldine Steel is locked in a race against time, determined to find the killer before yet another victim is discovered. But can she save the lives of the town’s young women—or will Geraldine herself become the killer’s ultimate trophy?

'Lays down a transformative path to peace' David Lammy MP 'A devastating and beautifully-drawn tribute to the young boys that the media turns into statistics of knife crime' Candice Carty-Williams 'I came away from this book enraged, enlightened and with a sense of urgency to do something' Annie Mac _________________________ Demetri wants to study criminology at university to understand why people around him carry knives. Jhemar is determined to advocate for his community following the murder of a loved one. Carl's exclusion leaves him vulnerable to the sinister school-to-prison pipeline, but he is resolute to defy expectations. Tony, the tireless manager of a community centre, is fighting not only for the lives of local young people, but to keep the centre's doors open. Drawing on the latest research and interviews with experts, this refreshingly nuanced and beautifully written book interweaves the stories of a cast of characters at the sharp end of the UK's serious youth violence epidemic, with chapters on subjects such as social media, gentrification and criminal justice. Showing how we are all connected to this tragedy, Cut Short is a gripping, urgent, sympathetic and often painful portrait of a society fracturing along lines of race, class and postcode. It is a blueprint for positive change, and a book we desperately need. _________________________ 'Compelling' The Sunday Times; 'Assured' Observer; 'Brilliantly written' Nikesh Shukla 'Makes you stop and think' Nick Robinson, BBC R4's Today programme 'This book strongly gives a voice to the voiceless . . . essential reading' Kenny Allstar 'Angry, impassioned, informed, accurate - the story behind the cutting short of public health and young lives' Danny Dorling 'Ciaran's work is informed by lived experience at the frontline of social change. It takes a sensitive and respectful look at the truths less often told' George the Poet

'A brutal and thrilling page-turner' THE SUN 'Gleefully gory and witty, with a terrific sense of place' SUNDAY MIRROR 'Compelling' HEAT *THREE BRAND NEW SHORT STORIES FROM THE WINNER OF THE CWA BEST CRIME NOVEL OF 2019 AWARD* ________________ In The Killing Field, Poe and Tilly are having breakfast, wondering how to spend the rest of their holiday, when their presence is requested at a Cumbrian airfield. An airfield that, during the 2001 foot and mouth crisis, was known as the killing field . . . In Why Don't Sheep Shrink?, a global pandemic forces Poe and Tilly to self-isolate together. Things don't go well. They're bickering and on the verge of falling out until Poe finds an old case file: a locked room mystery he's been mulling over for years. Step forward, Tilly Bradshaw . . . Dead Man's Fingers sees Poe, Tilly and Edgar, Poe's English springer spaniel, enjoying a picnic at a nature reserve. When Edgar chases a rabbit, and Poe and Tilly chase after him, they stumble upon a twenty-year-old mystery, a mystery that couldn't be solved until now . . . ________________ Praise for M. W. Craven: 'Jaw-droppingly shocking and intense' Women & Home 'Pacy, gory and clever, this is our new fave troubled cop/eccentric buddy duo' Crime Monthly 'An intriguing, fast-moving mystery' The Times 'Superb' Daily Mail 'This series really is something special' Morning Star 'Atmospherically moody' Peterborough Telegraph 'Dark, sharp and compelling' Peter James 'Thrilling' Mick Herron 'Fantastic' Martina Cole 'Brilliantly inventive' William Shaw 'Gripping. Taut. Twisty' Imran Mahmood 'Mind-blowing' A.A. Dhand 'Twisted and terrifying, fresh and funny' Chris Whitaker 'Dazzling' Holly Watt 'Intelligent. Sophisticated. Intriguing' Mari Hannah

Gothic, mysterious, theatrical, fatally flawed, and dazzling, the life of Edgar Allan Poe, one of America’s greatest and most versatile writers, is the ideal subject for Peter Ackroyd. Poe wrote lyrical poetry and macabre psychological melodramas; invented the first fictional detective; and produced pioneering works of science fiction and fantasy. His innovative style, images, and themes had a tremendous impact on European romanticism, symbolism, and surrealism, and continue to influence writers today. In this essential addition to his canon of acclaimed biographies, Peter Ackroyd explores Poe’s literary accomplishments and legacy against the background of his erratic, dramatic, and sometimes sordid life. Ackroyd chronicles Poe’s difficult childhood, his bumpy academic and military careers, and his complex relationships with women, including his marriage to his thirteen-year-old cousin. He describes Poe’s much-written-about problems with gambling and alcohol with sympathy and insight, showing their connections to Poe’s childhood and the trials, as well as the triumphs, of his adult life. Ackroyd’s thoughtful, perceptive examinations of some of Poe’s most famous works shed new light on these classics and on the troubled and brilliant genius who created them.

The Sudan can demonstrate that while there is no short-cut to progress there is one to decay and misery. After eleven years of peace, the second civil war has now lasted for more than ten years. Regional, ethnic and religious conflicts are intensifying all over the country. The economy is in shambles while a small lite is enriching itself.

The fourteen short stories in To Cut a Long Story Short show Jeffrey Archer's great skills with a wide variety of character, of subject and of setting, but all with that trademark twist in the tale. Every reader will have their own favourites: the choices run from love at first sight across the train tracks to the cleverest of confidence tricks, from the quirks of the legal profession – and those who are able to manipulate both sides of the Bar – to the creative financial talents of a member of Her Majesty's diplomatic service – but for a good cause. The last story, The Grass is Always Greener, is possibly the best piece Archer has written, and will haunt you for the rest of your life.

“. . . a compelling tale of a very large family coming from the Netherlands to Canada. It is also a heartbreaking tale of a young woman's struggle with her health and the impact her illness has on her family. It's hard to put down and Vanderkooy is to be congratulated on such a powerful book.” –Ken Setterington, A Guide to Canadian Children’s Books (with Deirdre Baker) and Branded by the Pink Triangle ". . . it’s the inward journey of adolescent Trudy—imprisoned in her sick bed while the world moves on without her—that will grip you the hardest. The interior dialogue is raw, tender and beautiful." —Doug O'Neill, writer, nature guide book author When Truus immigrates to Canada from the Netherlands as the oldest girl among ten siblings, she is just fifteen years old. From the start, she bears outsize responsibility for helping her devout Calvinist family navigate early struggles, even as the family continues to grow. Three years later she is beginning to find her place in the new land when she contracts an incurable illness. What follows is a five-year battle with illness and hospitalizations, along with emotional turmoil as she grapples with the social, psychological and spiritual implications of her condition. This semi-biographical novel is based on the real-life experiences of the author’s oldest sister.

Rake, drunkard, aesthete, gossip, raconteur extraordinaire: the narrator of Bohumil Hrabal’s rambling, rambunctious masterpiece Dancing Lessons for the Advanced in Age is all these and more. Speaking to a group of sunbathing women who remind him of lovers past, this elderly roué tells the story of his life—or at least unburdens himself of a lifetime’s worth of stories. Thus we learn of amatory conquests (and humiliations), of scandals both private and public, of military adventures and domestic feuds, of what things were like “in the days of the monarchy” and how they’ve changed since. As the book tumbles restlessly forward, and the comic tone takes on darker shadings, we realize we are listening to a man talking as much out of desperation as from exuberance. Hrabal, one of the great Czech writers of the twentieth century, as well as an inveterate haunter of Prague’s pubs and football stadiums, developed a unique method which he termed “palavering,” whereby characters gab and soliloquize with abandon. Part drunken boast, part soul-rending confession, part metaphysical poem on the nature of love and time, this astonishing novel (which unfolds in a single monumental sentence) shows why he has earned the admiration of such writers as Milan Kundera, John Banville, and Louise Erdrich.