At age fourteen, Taylor LeBaron was nearly 300 pounds. He had difficulty just getting to the mailbox without becoming short of breath. A chubby kid from birth who was prone to obesity, Taylor allowed his weight to skyrocket through mindless 'whatever' eating and his sedentary techie lifestyle. But a membership to the Y, a keen imagination, and an indomitable spirit changed all that. Approaching proper eating and weight loss as he would a new video game, Taylor made fitness into a fun challenge with his creation of THE ULTIMATE FITNESS GAME (UFG)—a method of tracking calories, avoiding pitfalls, overcoming obstacles, and working out by following hard-andfast rules that literally helped him shed half of his body weight in a matter of a year and a half. Cutting Myself in Half is Taylor's motivational strategy guide to THE ULTIMATE FITNESS GAME.Taylor shows kids who are currently where he was that weight loss and fitness are within reach . . . one workout, one calorie, one 'byte' at a time.

'Whatever Uglow writes about she makes absolutely fascinating.' DIANA ATHILL The story of Sybil Andews and Cyril Power, two artists who changed each other in an age of experiment and turmoil. 'In all her books, she makes us feel the life behind the facts.' GUARDIAN 'Wonderfully sharp and sympathetic . . . Uglow is a perfect biographer.' CRAIG BROWN, MAIL ON SUNDAY In 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts, streamlined, full of movement and brilliant colour, summing up the hectic interwar years. Yet at the same time they looked back, to medieval myths and early music, to country ways disappearing from sight. Cyril & Sybil traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of Futurists, Surrealists and pioneering abstraction, but also of the buzz of the new, of machines and speed, shops and sport and dance, shining against the threat of depression and looming shadows of war.

Godsends is William Desmond’s newest addition to his masterwork on the borderlines between philosophy and theology. For many years, William Desmond has been patiently constructing a philosophical project—replete with its own terminology, idiom, grammar, dialectic, and its metaxological transformation—in an attempt to reopen certain boundaries: between metaphysics and phenomenology, between philosophy of religion and philosophical theology, between the apocalyptic and the speculative, and between religious passion and systematic reasoning. In Godsends, Desmond’s newest addition to his ambitious masterwork, he presents an original reflection on what he calls the “companioning” of philosophy and religion. Throughout the book, he follows an itinerary that has something of an Augustinian likeness: from the exterior to the interior, from the inferior to the superior. The stations along the way include a grappling with the default atheism prevalent in contemporary intellectual culture; an exploration of the middle space, the metaxu between the finite and the infinite; a dwelling with solitudes as thresholds between selving and the sacred; a meditation on idiot wisdom and transcendence in an East-West perspective; an exploration of the different stresses in the mysticisms of Aurobindo and the Arnhem Mystical Sermons; a dream monologue of autonomy, a suite of Kantian and post-Kantian variations on the story of the prodigal son; a meditation on the beatitudes as exceeding virtue, in light of Aquinas’s understanding; and culminating in an exploration of Godsends as telling us something significant about the surprise of revelation in word, idea, and story. Godsends is written for thoughtful persons and scholars perplexed about the place of religion in our time and hopeful for some illuminating companionship from relevant philosophers. It will also interest students of philosophy and religion, especially philosophical theology and philosophical metaphysics.

"Drawing on a decade of fieldwork in the borderlands of northern Bangladesh and eastern India, A Thousand Tiny Cuts chronicles the slow transformation of a connected region into national borderlands and shows the foundational place of gender and sexuality in the meaning and management of threat in relation to mobility. It recasts a singular focus on border fences and border crossings to show, instead, that bordering is an expansive and accumulative reordering of relations of value. Devaluations-of agrarian land and crops, borderland youth undesirable as brides and grooms in their respective national hinterlands, disconnection of regional infrastructures, and social and physical geographies disordered by surveillance-proliferate as the costs of militarization across this ostensibly "friendly" border. Through a textured ethnography of the gendered political economy of mobility across a postcolonial borderlands in South Asia, this ambitious book challenges anthropological understanding of the violence of bordering, migration and citizenship, and transnational inequalities that are based on Euro-American borders and security regimes"--

This monumental, four-volume reference overviews significant events and developments in religious history over the course of more than five millennia. Written for high school students, undergraduates, and general readers interested in the history of world religions, this massive reference chronicles developments in religious history from 3500 BCE through the 21st century. The set comprises four volumes, treating the ancient world from 3500 BCE through 499 CE, 500 through 1399, 1400 through 1849, and 1850 through 2009. Each volume includes hundreds of brief entries, arranged chronologically and then further organized by region and religion. The entries provide fundamental information on topics ranging from the neolithic Ggantija temples near Malta through the election of Mary Douglas Glasspool as bishop of the Episcopal Diocese of Los Angeles in 2009. Global in scope and encyclopedic in breadth, this chronology of world religions is an essential purchase for all libraries concerned with the development of human civilization.

It’s September 2009, one year since the collapse of Lehman Brothers, and Colin has just lost his job. Luckily, he is soon hired as a project manager in a big international investment bank, but quickly finds himself dealing with office politics, dodgy vendors, hostile project sponsors and the difficult task of managing across global time zones. Will his training and skills in project management help him to get this high-risk project over the line, or will his controversial attempts at turning the failing project around lead to his swift dismissal? Through this compelling and suspenseful story, we learn about objective, professional project management and the difference between managing a project and managing a project management career. We are exposed to project management interview techniques. We learn, through Colin’s effective project management, through his mistakes and through the escalation of tension and conflict, about the essential ingredients that drive successful global projects and we learn the tricks of the trade from the inside. The Project is an insider’s guide to developing a career in project management, written in the form of a novel. Insightful and entertaining, it guides the reader through the process of project management by telling the story of Colin’s time working in a global investment bank. This is the perfect book for anyone looking to develop a career in global project management. About the Author David Power was born in Cork, Ireland and studied Finance Computing and Enterprise through Irish at Dublin City University. He completed his MBA at INSEAD in Fontainebleau, France. He has lived and worked in seven countries across four continents, mostly managing projects in global banks. He currently lives with his wife and two children in Zürich, Switzerland.

Cutting Plays for Performance offers a practical guide for cutting a wide variety of classical and modern plays. This essential text offers insight into the various reasons for cutting, methods to serve different purposes (time, audience, story), and suggests ways of communicating cuts to a production team. Dealing with every aspect of the editing process, it covers structural issues, such as plot beats, rhetorical concepts, and legal considerations, why and when to cut, how to cut with a particular goal in mind such as time constraints, audience and storytelling, and ways of communicating cuts to a production team. A set of practical worksheets to assist with the planning and execution of cuts, as well as step-by-step examples of the process from beginning to end in particular plays help to round out the full range of skills and techniques that are required when approaching this key theatre-making task. This is the first systematic guide for those who need to cut play texts. Directors, dramaturgs, and teachers at every level from students to seasoned professionals will find this an indispensable tool throughout their careers.

Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance and bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined.

Heritage, Culture and Society contains the papers presented at the 3rd International Hospitality and Tourism Conference (IHTC2016) & 2nd International Seminar on Tourism (ISOT 2016), Bandung, Indonesia, 10—12 October 2016). The book covers 7 themes: i) Hospitality and tourism management ii) Hospitality and tourism marketing iii) Current trends in hospitality and tourism management iv) Technology and innovation in hospitality and tourism v) Sustainable tourism vi) Gastronomy, foodservice and food safety, and vii) Relevant areas in hospitality and tourism Heritage, Culture and Society is a significant contribution to the literature on Hospitality and Tourism, and will be of interest to professionals and academia in both areas.

Hold On to Your Dreams is the first biography of the musician and composer Arthur Russell, one of the most important but least known contributors to New York's downtown music scene during the 1970s and 1980s. With the exception of a few dance recordings, including "Is It All Over My Face?" and "Go Bang! #5", Russell's pioneering music was largely forgotten until 2004, when the posthumous release of two albums brought new attention to the artist. This revival of interest gained momentum with the issue of additional albums and the documentary film Wild Combination. Based on interviews with more than seventy of his collaborators, family members, and friends, Hold On to Your Dreams provides vital new information about this singular, eccentric musician and his role in the boundary-breaking downtown music scene. Tim Lawrence traces Russell's odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. "He lived in a world in which those walls weren't there." Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell's openness to sound, his commitment to collaboration, and his uncompromising idealism.