Clearer thoughts, steadier nerves, healthier emotions, purer habits, happier homes, greater respect, and eternal optimism are the rewards promised in 100 Bible Verses Everyone Should Know by Heart.

Life is not easy in these last days. When you need help, nothing or nobody is willing to come along side of you. The 948 have build a brick fortress around you life, so you dis-spare and hate the very day you were born. I call it sin justice. They will create so many hurts in your life it seems to you that it is just not worth living. They will bring you to point that you will not know what Normality is. Do you know what a loving marriage is like? Whats a good holiday feel like? How many good days have you had lately, or peaceful nights sleep? Are fear and anxiety in control of your mind? Is doubt ruler of your heart. The 948 are doing this all the time. They are masters at stealing your joy, peace, happiness. But they always give you something back in return. Its call trauma. Welcome to A Devils story as told to Norm

**Winner, 2019 Western Australian Premier's Book Awards, Daisy Utemorrah Award** **Winner, 2021 Australia Books Industry Awards, Small Publishers' Children's Book of the Year** **Winner, 2021 Queensland Literary Awards, Children's Book Award** **Winner, 2021 Speech Pathology, Australia Books of the Year Awards, Eight to ten Years** **Shortlisted, 2022 NSW Premier's Literary Awards, Patricia Wrightson Prize for Children's Literature** **Shortlisted, 2022 Adelaide Festival Awards for Literature, Children's Literature Awards** **Shortlisted, 2022 Ena Noel Award, The IBBY Australia Encouragement Award for a Young Emerging Writer or Illustrator** **Shortlisted, 2021 Children's Book Council of Australia, Book of the Year Awards, Younger Readers** **Shortlisted, 2021 Australian Book Design Awards, Best Designed Children's Fiction Book** **Shortlisted, 2021 Readings Children's Book Prize** **Longlisted, 2021 Colin Roderick Literary Award** Age range 8 to 12 Meet 11-year-old Bindi. She's not really into maths but LOVES art class and playing hockey. Her absolute FAVOURITE thing is adventuring outside with friends or her horse, Nell. A new year starts like normal -- school, family, hockey, dancing. But this year hasn't gone to plan! There's a big art assignment, a drought, a broken wrist AND the biggest bushfires her town has ever seen! Bindi is a verse novel for mid-upper primary students. Written 'for those who plant trees', Bindi explores climate, bush fires, and healing. Written from the point of view of 11-year-old, Bindi and her friends on Gundungurra Country.

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.

A behind-the-scenes look at the creation of a country music masterpiece

First published in 2007, "Oklahoma!": The Making of an American Musical tells the full story of the beloved Rodgers and Hammerstein musical. Author Tim Carter examines archival materials, manuscripts, and journalism, and the lofty aspirations and mythmaking that surrounded the musical from its very inception. The book made for a watershed moment in the study of the American musical: the first well-researched, serious musical analysis of this landmark show by a musicologist, it was also one of the first biographies of a musical, transforming a field that had previously tended to orient itself around creators rather than creations. In this new and fully revised edition, Carter draws further on recently released sources, including the Rouben Mamoulian Papers at the Library of Congress, with additional correspondence, contracts, and even new versions of the working script used - and annotated - throughout the show's rehearsal process. Carter also focuses on the key players and concepts behind the musical, including the original play on which it was based (Lynn Riggs's Green Grow the Lilacs) and the Theatre Guild's Theresa Helburn and Lawrence Langner, who fatefully brought Rodgers and Hammerstein together for their first collaboration. The crucial new perspectives these revisions and additions provide make this edition of Carter's seminal work a compulsory purchase for all teachers, students, and lovers of musical theater.

Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago. Critics and composers have long held the musical to the standards applied to opera, asserting that each piece should work together to create a seamless drama. But McMillin argues that the musical is a different form of theater, requiring the suspension of the plot for song. The musical's success lies not in the smoothness of unity, but in the crackle of difference. While disparate, the dancing, music, dialogue, and songs combine to explore different aspects of the action and the characters. Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today.

Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.

Marcus Marulus or Marko MaruliAe (1450-1524) is known as the Father of Croatian Literature and as the first Croatian Bible scholar. Much of his literary work is inspired by his study of the Sacred Scriptures. This book is an introduction to Marulus' central religious matrix, the Latin Bible, and his use of it. We are fortunate to have access to Marulus' desk copy of the Biblia Latina in four volumes, with introductions and commentaries that customarily accompanied the Bibles in the fifteenth century. This book is the first ever to investigate Marulus' biblical hermeneutics, and it lays the groundwork for further literary and theological studies on Marulus and his time. The book is accompanied by a DVD of the four volumes of the Biblia Latina of 1489 with Marulus' handwritten marginalia.