Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government’s policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American “B” movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement. This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture “travels” not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms—common to cultural studies and ethical theory alike—this book demonstrates that people can do things with mass culture that reinvigorate ethical life. Lily Saint’s new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels.

View the mix of people and cultures that make up South Africa today, including a special section on tradtional beliefs and customs.

Symptomatic of an emergent shift away from prescriptive and deterministic accounts of change in South Africa, Predicaments of culture in South Africa posits an open-ended and speculative approach to the question and agency of culture. The key question, posed by Justice Albie Sachs of the Constitutional Court of South Africa, 'what does it mean to be a South African?' is shifted from its familiar ontological and epistemological habitat, 'what is identity?', the better to embrace its ethical and political rider, 'what are identities for?', and its more pragmatic possibility, 'what can identities do?' These qualifications - Bhabha's - form the building blocks that skew and enrich existing presumptions about South Africa's history, its present moment and its future. Jamal challenges and qualifies the conflicting and contiguous drives of fatalism, positivism and relativism, which are the dominant claimants upon the South African cultural imaginary. It is this critical non-positionality that forms the distinctive trait of an inquiry which, in eschewing allegiance and closure, opens up the debate about what it means to be South African and the role of culture therein. 'In hindsight, and with the hither side of the future before us', Jamal's driving assumption is that 'world society is advancing towards yet another age of ignorance; an age beyond suspicion and irony, in which thought, whether self-critical or not, is no longer the agent of reason'. Jamal calls for an urgent reappraisal of the absence of love - of lovelessness - which he sees as the infected root of South Africa's inability to create a positively affirmative cultural imaginary.

DIVHow should post-apartheid South Africa present its history - in museums, monuments, and parks./div

South Africa has been described as "A World in One Country" and a "Rainbow Nation." Its landscape ranges from miles of glorious beaches to the inland desert of the Karoo, the sweeping grasslands of the Highveld plateau, and the subtropical bush of the Lowveld. Its ethnic makeup is equally varied. There are eleven official languages, nine major black African tribes, two major white tribes, as well as a representation of all the world's major religions. It has a free market economy while communists share in government; one of the world's most liberal constitutions and a deeply patriarchal society; and very rich and very poor people coexisting. South Africa has come through fire, and although there is still considerable heat, it is doing pretty well. This insiders' guide will introduce you to the universal warmth and cultural diversity of its people, explain the backdrop of their troubled past, and familiarize you with their everyday life so that you'll feel comfortable whether you're invited to a shack in the townships, a mansion in the suburbs, or a braai on the beach. You'll learn how to stay safe in potentially dangerous areas, and you'll know where to go if you want to feel like the only person on the planet.

This book captures ground-breaking attempts to utilise culture in territorial development and regeneration processes in the context of South Africa and our 'new normal' brought by COVID-19, the fourth industrial revolution, and climate change the world over. The importance of culture in rural-urban revitalisation has been underestimated in South Africa and the African continent at large. Despite some cultural initiatives that are still at developmental stages in big cities, such as Johannesburg, eThekwini and Cape Town, there is concern about the absence of sustainable policies and plans to support culture, creativity, and indigenous knowledge at national and municipal levels. Showcasing alternative strategies for making culture central to development, this book discusses opportunities to shift culture and indigenous knowledge from the peripheries and place them at the epicentre of sustainable development and the mainstream of cultural planning, which can then be applied in the contexts of Africa and the Global South. Governmental institutions, research councils, civil society organisations, private sector, and higher education institutions come together in a joint effort to explain the nexus between culture, economic development, rural-urban linkages, grassroots and technological innovations. Culture and Rural-Urban Revitalization in South Africa is an ideal read for those interested in rural and urban planning, cultural policy, indigenous knowledge and smart rural village model.

Everyday life in South Africa has been dominated by the politics of racial identities, while such identities form and re-form around a range of cultural activities and practices. This book traces the important dimensions of cultural activity in late twentieth-century South Africa, offering a multidisciplinary assessment between culture and politics. It also explores the ways in which the place of culture is being rethought since South Africa's transition to democracy.

This book examines the ongoing resurgence of traditional power structures in South Africa. Oomen assesses the relation between the changing legal and socio-political position of traditional authority and customary law and what these changes can teach us about the interrelation between law, politics, and culture in the post-modern world.

The South Africa Reader is an extraordinarily rich guide to the history, culture, and politics of South Africa. With more than eighty absorbing selections, the Reader provides many perspectives on the country's diverse peoples, its first two decades as a democracy, and the forces that have shaped its history and continue to pose challenges to its future, particularly violence, inequality, and racial discrimination. Among the selections are folktales passed down through the centuries, statements by seventeenth-century Dutch colonists, the songs of mine workers, a widow's testimony before the Truth and Reconciliation Commission, and a photo essay featuring the acclaimed work of Santu Mofokeng. Cartoons, songs, and fiction are juxtaposed with iconic documents, such as "The Freedom Charter" adopted in 1955 by the African National Congress and its allies and Nelson Mandela's "Statement from the Dock" in 1964. Cacophonous voices—those of slaves and indentured workers, African chiefs and kings, presidents and revolutionaries—invite readers into ongoing debates about South Africa's past and present and what exactly it means to be South African.

In this engaging book, Amber Reed provides a new perspective on South Africa’s democracy by exploring Black residents’ nostalgia for life during apartheid in the rural Eastern Cape. Reed looks at a surprising phenomenon encountered in the post-apartheid nation: despite the Department of Education mandating curricula meant to teach values of civic responsibility and liberal democracy, those who are actually responsible for teaching this material (and the students taking it) often resist what they see as the imposition of “white” values. These teachers and students do not see South African democracy as a type of freedom, but rather as destructive of their own “African culture”—whereas apartheid, at least ostensibly, allowed for cultural expression in the former rural homelands. In the Eastern Cape, Reed observes, resistance to democracy occurs alongside nostalgia for apartheid among the very citizens who were most disenfranchised by the late racist, authoritarian regime. Examining a rural town in the former Transkei homeland and the urban offices of the Sonke Gender Justice Network in Cape Town, Reed argues that nostalgic memories of a time when African culture was not under attack, combined with the socioeconomic failures of the post-apartheid state, set the stage for the current political ambivalence in South Africa. Beyond simply being a case study, however, Nostalgia after Apartheid shows how, in a global context in which nationalism and authoritarianism continue to rise, the threat posed to democracy in South Africa has far wider implications for thinking about enactments of democracy. Nostalgia after Apartheid offers a unique approach to understanding how the attempted post-apartheid reforms have failed rural Black South Africans, and how this failure has led to a nostalgia for the very conditions that once oppressed them. It will interest scholars of African studies, postcolonial studies, anthropology, and education, as well as general readers interested in South African history and politics.