A searing indictment of the American penal system that finds the roots of the recent prisoner abuse at Abu Ghraib and Guantánamo in the steady dismantling of the Eighth Amendment's prohibition of "cruel and unusual" punishment. The revelations of prisoner abuse and torture at Abu Ghraib and more recently at Guantánamo were shocking to most Americans. And those who condemned the treatment of prisoners abroad have focused on U.S. military procedures and abuses of executive powers in the war on terror, or, more specifically, on the now-famous White House legal counsel memos on the acceptable limits of torture. But in The Story of Cruel and Unusual, Colin Dayan argues that anyone who has followed U.S. Supreme Court decisions regarding the Eighth Amendment prohibition of "cruel and unusual" punishment would recognize the prisoners' treatment at Abu Ghraib and Guantánamo as a natural extension of the language of our courts and practices in U.S. prisons. In fact, it was no coincidence that White House legal counsel referred to a series of Supreme Court decisions in the 1980s and 1990s in making its case for torture.Dayan traces the roots of "acceptable" torture to slave codes of the nineteenth century that deeply embedded the dehumanization of the incarcerated in our legal system. Although the Eighth Amendment was interpreted generously during the prisoners' rights movement of the late 1960s and 1970s, this period of judicial concern was an anomaly. Over the last thirty years, Supreme Court decisions have once again dismantled Eighth Amendment protections and rendered such words as "cruel" and "inhuman" meaningless when applied to conditions of confinement and treatment during detention. Prisoners' actual pain and suffering have been explained away in a rhetorical haze—with rationalizations, for example, that measure cruelty not by the pain or suffering inflicted, but by the intent of the person who inflicted it. The Story of Cruel and Unusual is a stunningly original work of legal scholarship, and a searing indictment of the U.S. penal system.

A relation of cruel optimism exists when something you desire is actually an obstacle to your flourishing. Offering bold new ways of conceiving the present, Lauren Berlant describes the cruel optimism that has prevailed since the 1980s, as the social-democratic promise of the postwar period in the United States and Europe has retracted. People have remained attached to unachievable fantasies of the good life—with its promises of upward mobility, job security, political and social equality, and durable intimacy—despite evidence that liberal-capitalist societies can no longer be counted on to provide opportunities for individuals to make their lives “add up to something.” Arguing that the historical present is perceived affectively before it is understood in any other way, Berlant traces affective and aesthetic responses to the dramas of adjustment that unfold amid talk of precarity, contingency, and crisis. She suggests that our stretched-out present is characterized by new modes of temporality, and she explains why trauma theory—with its focus on reactions to the exceptional event that shatters the ordinary—is not useful for understanding the ways that people adjust over time, once crisis itself has become ordinary. Cruel Optimism is a remarkable affective history of the present.

If you’re excited about the upcoming Disney film Beauty and the Beast, starring Emma Watson, don’t miss Cruel Beauty. The romance of Beauty and the Beast meets the adventure of Graceling in this dazzling fantasy novel about our deepest desires and their power to change our destiny. Perfect for fans of bestselling An Ember in the Ashes and A Court of Thorns and Roses, this gorgeously written debut infuses the classic fairy tale with glittering magic, a feisty heroine, and a romance sure to take your breath away. Betrothed to the evil ruler of her kingdom, Nyx has always known that her fate was to marry him, kill him, and free her people from his tyranny. But on her seventeenth birthday when she moves into his castle high on the kingdom's mountaintop, nothing is what she expected—particularly her charming and beguiling new husband. Nyx knows she must save her homeland at all costs, yet she can't resist the pull of her sworn enemy—who's gotten in her way by stealing her heart.

Luis Negrón’s debut collection reveals the intimate world of a small community in Puerto Rico joined together by its transgressive sexuality. The writing straddles the shifting line between pure, unadorned storytelling and satire, exploring the sometimes hilarious and sometimes heartbreaking nature of survival in a decidedly cruel world.

The New York Times bestselling true crime author investigates a shocking case of a wife, mother, and murder in the Iowa suburbs. Iowa housewife Tracey Pittman Roberts seemed to have it all: natural beauty, three loving children, and a fairy tale second marriage to a wealthy businessman. But beneath the happy façade was a woman who used lies, manipulation, sex, ugly allegations, blackmail—and even murder—to serve her own selfish ends. On December 13, 2001, police rushed to Tracey’s home after a shooting left her young neighbor dead. Tracey claimed it was an act of self-defense. Nine gunshot wounds—and a decades-long trail of extortion, fabrication, fraud, and intimidation—said otherwise. Ten years after the crime, Tracey’s case finally went to trial in an explosive courtroom showdown. In a searing exploration of the criminal mind, acclaimed investigative journalist M. William Phelps traces the saga of a psychopath who hid in plain sight—until her wicked ways caught up with her. “Phelps is one of America’s finest true-crime authors.” —Vincent Bugliosi “Phelps is the Harlan Coben of real-life thrillers.” —Allison Brennan

Alpha (noun): 1) Having the highest rank in a dominance hierarchy 2) The most powerful man in a group3) Liam Black He was a stranger to me, a dark and dangerous presence who materialized from the shadows one rainy night to save me from a vicious attack. I didn't know his name or where he was from. All I knew was that the only place I'd ever felt safe was in his arms. But safety is an illusion. And not every savior is a hero. And-as I'd soon find out-having an alpha save your life comes with a price. Liam Black wanted something from me in return.

Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.

Anti-hero (noun): 1) A powerful and charismatic man lacking moral character 2) A magnificent bastard 3) Killian Black You don't know me. You think you do, but you don't. The only thing you know is my name, and even that's a lie. I'm king of Boston, lord of criminals, ruler of an underworld empire.Or am I? Only one thing's for sure: I operate alone. Until I cross paths with a brazen little thief who sets my whole kingdom on fire. Just as two wrongs don't make a right, two villains don't belong together. Especially since she's the daughter of my most deadly enemy. Taking her would start a war. Keeping her would be suicide. Making her mine would break every code of honor and defy all common sense. Then again, where's the fun in following the rules?

Natalie gets revenge in her new dark and glamorous life on the Upper East Side in the conclusion to USA Today bestselling author K.A. Linde's billionaire romance Cruel Trilogy. Darkness swept in. Smothering everything in its inky black. I have turned into their worst nightmares. And I will not rest until they pay. For everything.