Bringing new research from true crime writers, scholars, and media practitioners around the world, this book offers fresh perspectives on how women read, write, and are portrayed in true crime stories across different platforms, including documentaries, podcasts, and TikToks. The genre of true crime is flourishing, and it is overwhelmingly consumed by women. Despite this, there is much we do not know about how women consume true crime and are represented in true crime stories of various kinds. This edited volume helps to fill this gap in our knowledge. Across ten chapters and using a variety of study methods, including creative practice, interviews, surveys, archival research, and case studies, the book reveals the multifaceted ways that true crime matters to women and suggests areas of future research. It also offers new insights on a diverse range of topics, such as racial identities, fraudsters, activism, victimisation, and deviance, as well as highlighting major cases from past to present which have influenced criminal justice responses. True Crime and Women is intended for researchers and students of criminology, literary studies, gender studies, media and journalism studies, and rhetorical studies, as well as media practitioners and writers.

This volume provides an analysis of American Charles Whitman (1941-1966), an American engineering student and former U.S. Marine, who killed seventeen people and wounded thirty-two others in a mass shooting rampage in and around the Tower of the University of Texas in Austin on the afternoon of August 1, 1966. Prior to the shootings at the University of Texas, Whitman had murdered his wife and mother the night before. The author attempts to answer the question "why?" with this historical analysis of the event. Using primary sources and photographs, the author details the significant events in Whitman's life that led to the massacre. The author details the life of Whitman, his relationships with his friends, mother and father, brothers and wife. He writes about the victims and where and what they were doing when they were gunned down. The author describes how civilians used their own guns to shoot back at Whitman and how an air attack from a helicopter was unsuccessful in gunning down the killer, but how Austin police were finally able to end the massacre by sneaking up to the Tower and catching Whitman off guard.

The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.

If you like first person accounts of true crime stories, you will love this book. I invite the reader to follow me through my investigation of the Leslie Barry murder; the trial of Art Anzures for the murder; the evidence that led me to my 3 suspects; how my investigation of the Barry murder led me to the defense of Angelo Buono in the Hillside Strangler case; and what happened in my personal life as a result of my attempts to expose the systematic cover-up in California V. Angelo Buono. The single most important clue in the case came from the statement of a 14 year old boy on the night of the Barry murder. I wasn't at the crime scene that night, but would read the statement in police reports a week and a half later. When I read it, I was astonished that the police seemed to be showing no interest in this remarkable 16 word statement from a friend of the victim. The cops ignoring evidence that could help crack a case that had baffled them for 18 months, caused me to wonder if they were so stupid they couldn't connect these two simple dots or if something more sinister was going on. A dozen books or more have been written about the Hillside Strangler case, and taking a cue from the books, screenwriters have used the case in movies and TV cop shows to lend an air of credibility to their fictitious story lines. The Irony hasn't escaped me that these writers are using a fiction to give credibility to a fiction. However, these movies and cop shows have kept the myth that Kenneth Bianchi and Angelo Buono were the Hillside Stranglers alive. I've heard rumors that in recent years the LAPD destroyed all the evidence from their Hillside Strangler investigation. If these rumors are true, you can bet the farm that it wasn't done to save space, but to protect the guilty. I've reduce that statement by the 14 year old boy to 4 words and made it the title of this book. A Crossing of Paths is the true story of the Hillside Strangler case.

Bring your love of true crime into the kitchen with meals ranging from the bizarre (a single unpitted black olive) to the gluttonous (a dozen deep-fried shrimp, a bucket of fried chicken, French fries, and a pound of strawberries), inspired by Ted Bundy, John Wayne Gacy, and other notorious death row inmates. The perfect gift for murderinos and true crime fans, The Serial Killer Cookbook: Last Meals pairs serial killer trivia with the recipes of the meals these killers ate during their final hours. With full-color photos, chilling true crime facts, and easy-to-follow steps, you’ll be cooking up killer meals in no time. This collection of recipes is both delicious and surprising, and spans breakfast staples to indulgent desserts, including: Seared Steak, Hash Browns, Toast, and Fried Eggs (given to but not eaten by Ted Bundy, serial killer) Chicken Parmesan and Alfredo Pasta (eaten by Ruth Snyder, murderer) Justice, Equality, and World Peace (eaten by Odell Barnes, murderer) Mac and Cheese (eaten by Gustavo Julian Garcia, murderer) And much more!

The Rough Guide to True Crime tells the stories of criminal acts ranging from the absurd to the appalling, using a light touch with the former and illuminating the psychology in play behind the crimes. A compilation of crime's greatest hits, preposterous occurrences and heinous acts, the Rough Guide to True Crime will satisfy the armchair voyeur and amateur criminologist alike.

In the heat of the city, a man is out of time: speeding in a beat-up Ford Tempo, blasting easy-listening music. Reporter Steve Everett drinks too much, makes love to his boss's wife, and has just stumbled upon a shocking truth: a convicted killer is about to be executed for a crime he didn't commit. In the cold confines of Death Row, Frank Beachum is also out of time. Ready to say good-bye to the wife and child he loves and hello to the God he still believes in, Beachum knows he did not kill a convenience store clerk six years ago. But in a few hours—if Steve Everett can't find the evidence to stop it—a needle is going to pierce Frank Beachum's skin. The killing machine is primed. The executioner is waiting. And so is the priest. Now the clock is ticking down and the race is on—between the reporter and his demons, between the system and its lethal flaws, between the last innocent man and society's ultimate crime. . . .

This book comprises details, not only interesting to every person concerned for the welfare of society, but useful to the world in pointing out the consequences of guilt to be equally dreadful and inevitable. The author noticed that in most of the works published before its release, little attention was paid to the ultimate moral or beneficial effects to be produced by them upon the public mind; and that while every effort is made to afford amusement, no care was taken to produce those general impressions, so necessary to the maintenance of virtue and good order. The advantages of precept are everywhere admitted and extolled; but still more effectual are the lessons which are taught through the influence of example, whose results are but too frequently fatal. The representation of guilt with its painful and degrading consequences, has been universally considered to be the best means of warning youth against the danger of temptation; the benefits to be expected from example are too plainly exhibited by the infliction of punishment to need repetition; and the more generally the effects of crime are shown, and the more the horrors which precede detection and the deplorable fate of the guilty are made known, the greater is the probability that the atrocity of vice may be abated and the security of the public promoted.