Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.

In this haunting debut collection of short stories, Sam Weller, authorized biographer of the legendary Ray Bradbury, blurs the boundaries between the weird, the outre, the paranormal, the Gothic, and old school punk rock. Dark Black features 20 tales, at turns chilling, melancholy, hilarious, and nightmarish.A marine biologist at the end of his career embarks on his greatest field study to find the mythical sea beast he believes he witnessed as a young man, long ago.A writing professor discovers the Clutter murder house, made infamous in Truman Capote's 1966 classic, In Cold Blood, is available on a vacation rental site. He books the home to finish his latest book with unexpected results.A group of kids use a Ouija board to contact their beloved, deceased friend.A punk rock musician writes a groundbreaking album, collaborating with the ghost of a musical legend.A college student with subtle telekinetic abilities attempts to use her powers in the midst of a horrifying school shooting. Sam Weller worked side by side with Ray Bradbury for over a decade. No surprise, then, that Dark Black is deeply inspired by Bradbury's dark and enduring 1955 collection, The October Country, mashed-up with modern influences, such as anthology television program The Black Mirror" and "American Horror Story." Dark Black 's 20 short stories are made up of evanescent ghosts and inner demons, lost souls and lost love.Featuring striking, original color artwork by renowned artist and printmaker Dan Grzeca, known for his concert prints for The Black Keys, Sharon Van Etten, U2, among others, Dark Black is art object as book, in this case of haunting new American Gothic fiction."

'Watching Ellen investigate... on her own is thoroughly fascinating. Brett fans, along with readers who liked Richard Roper's How Not to Die Alone (2019), will love this quirky, warmhearted mystery' - Booklist Starred Review Introducing an engaging new amateur sleuth, declutterer Ellen Curtis, in the first of a brilliant new mystery series. Ellen Curtis runs her own business helping people who are running out of space. As a declutterer, she is used to encountering all sorts of weird and wonderful objects in the course of her work. What she has never before encountered is a dead body. When Ellen stumbles across the body of a young woman in an over-cluttered flat, suspicion immediately falls on the deceased homeowner's son, who has recently absconded from prison. No doubt Nate Ogden is guilty of many things – but is he really the killer? Discovering a link between the victim and her own past, Ellen sets out to uncover the truth. But where has her best friend disappeared to? And is Ellen really prepared for the shocking revelations to follow?

“A brilliant and beautiful meditation on the nature of our attachment to things. Reading Clutter made me long for a life without clutter.” —Malcolm Gladwell, New York Times–bestselling author and host of the Revisionist History podcast “I’m sitting on the floor in my mother’s house, surrounded by stuff.” So begins Jennifer Howard’s Clutter, an expansive assessment of our relationship to the things that share and shape our lives. Sparked by the painful two-year process of cleaning out her mother’s house in the wake of a devastating physical and emotional collapse, Howard sets her own personal struggle with clutter against a meticulously researched history of just how the developed world came to drown in material goods. With sharp prose and an eye for telling detail, she connects the dots between the Industrial Revolution, the Sears & Roebuck catalog, and the Container Store, and shines unsparing light on clutter’s darker connections to environmental devastation and hoarding disorder. In a confounding age when Amazon can deliver anything at the click of a mouse and decluttering guru Marie Kondo can become a reality TV star, Howard’s bracing analysis has never been timelier. “In her stern and wide-ranging new manifesto, Clutter: An Untidy History, journalist Jennifer Howard takes the anti-clutter message a step further. Howard argues that decluttering is not just a personally liberating ritual, but a moral imperative, a duty we owe both to our children and to the planet.” —Jennifer Reese, The Washington Post “Blending her personal experience and her research, Howard creates an engaging narrative that is colored by her investment in understanding hoarding in all of its complexities.” —Linda Levitt, PopMatters

A young adult, fictional reimagining of Truman Capote's In Cold Blood and the brutal murders that inspired it. Gripping and fast-paced, this meticulously researched historical fiction will reinvigorate a new generation to Capote. November is usually quiet in Holcomb, Kansas, but in 1959, the town is shattered by the quadruple murder of the Clutter family. Suspicion falls on Nancy Clutter’s boyfriend, Bobby Rupp, the last one to see them alive. New Yorker Carly Fleming, new to the small Midwestern town, is an outsider. She tutored Nancy, and (in private, at least) they were close. Carly and Bobby were the only ones who saw that Nancy was always performing, and that she was cracking under the pressure of being Holcomb’s golden girl. This secret connected Carly and Bobby. Now that Bobby is an outsider, too, they’re bound closer than ever. Determined to clear Bobby’s name, Carly dives into the murder investigation and ends up in trouble with the local authorities. But that’s nothing compared to the wrath she faces from Holcomb once the real perpetrators are caught. When her father is appointed to defend the killers of the Clutter family, the entire town labels the Flemings as traitors. Now Carly must fight for what she knows is right.

After 40 years of marriage, Olivia's husband unexpectedly passes away. But when Ben's will reveals a life-altering secret, she suffers a blow no widow should ever experience. Olivia learns that she gave birth to a baby who later died in the nursery. Instead of telling his wife what happened, Ben switched the child with another. And as if that's not enough, Ben's will doesn't reveal which of their five sons is truly not hers. Olivia visits each of her sons to share a final connection before facing the truth that will change their family, and discovers that each of them has been harboring a painful secret, just like their father. But will the secrets destroy their family, or bring them closer together?

Truman Capote's compelling and harrowing account of the murder of the Clutter family and the subsequent trial and execution of the killers made a huge impact when first published in 1965, and continues to provoke controversy, find readers, and generate critical debate. This volume offers a rich range of perspectives on Capote's major work, exploring it as a "non-fiction novel" and as a "true crime" story, tracing its reception by reviewers, critics and the general public, discussing its impact on the real-life community and individuals it describes, and examining the crucial ethical, judicial and penal issues it raises.

When the body of a prospective client is discovered in her burned-out home, declutterer Ellen Curtis is drawn into a baffling investigation where nothing is as it first appears. “My mother’s going to kill herself . . . That is, if I don’t kill her first.” When Alexandra Richards approaches professional declutterer Ellen Curtis to ask her to help sort out her mother’s chaotic flat, Ellen gets the impression Alexandra doesn’t like her mother very much. But when Ingrid Richards’ body is discovered in her burned-out home, Alexandra’s exasperated words don’t seem such a joke. Due to the hazardous state of the victim’s over-cluttered residence, the police are inclined to dismiss her death as an unfortunate accident. Ellen’s not so sure. Could Alexandra’s resentment towards her mother have escalated into outright violence? The more she discovers about the dead woman’s remarkable past, the more convinced Ellen becomes that there’s something decidedly suspicious about her death. At least she can console herself that clearing out widower Edward Finch’s bungalow will be a straightforward job in comparison. But in this assumption, Ellen couldn’t be more wrong . . .

Dave Hickock never pulled the trigger of a gun or held a knife to murder another person, but he was sentenced to a lifetime of shame, ostracism, guilt, and psychological anguish because of the actions of one man—his brother. On November 15, 1959, Richard Hickock drove to a bus station in Kansas City and picked up Perry Smith, a prison buddy. Together, they drove to Emporia, Kansas, and purchased rubber gloves, nylon cord, and black stockings. Before day's end, four innocent members of the Clutter family in a town across the state of Kansas would have their throats slashed and Richard and his buddy would be arrested and charged with one of the most brutal and infamous murders ever. As the brother of a cold-blooded killer, Dave's life would never be the same. In this compelling narrative told to Linda LeBert-Corbello, Dave shares his journey from the depths of a family tragedy to how he eventually found the kind of inner-peace that accompanies acceptance of the truth and forgiveness. I do not just want to forget and live happily ever after. I want to be forgiven. —David Hickock

Reading The Power of Talking: Stories from the Therapy Room feels as though you have joined author Stelios Kiosses at his favourite coffee shop for a chat whilst enjoying a cappuccino and slice of cake. It is a joy to read, inviting you into the psychotherapeutic world as a welcome guest to discover the process of psychotherapy, the role of the therapist, and the psychological defences we all employ. 'Being a therapist is truly a lifelong journey which we share with others towards healing.' So says Stelios Kiosses and here he presents his journey so far. Along the way, we meet Gareth, suffering from depression for many years. Then there is Helen, dealing with unresolved childhood trauma. John and Alice, experiencing difficulties in their relationship, hoping couple therapy will help. David, successfully treated for burnout / work-related stress over a decade ago, but now struggling with suicidal thoughts after the loss of his job and his mother. This case has the added resonance of the backdrop of the coronavirus pandemic and the need to work remotely via video. And finally, Abigail, who is struggling with hoarding and the memories and pain of sexual abuse. These stories come to life in an engaging, enthralling, and enjoyable read for therapists and the public alike.