*LONGLISTED FOR THE 2024 BOOKER PRIZE* Named a Most Anticipated Book of 2024 by LitHub, The Millions, Vogue, Harper’s Bazaar, The Guardian, Publishers Weekly, and more! “At last I get to say how deeply, madly, irrecoverably I loved Creation Lake...it was all stylish and cool, and then somehow the book struck a blow to my heart.” —Louise Erdrich, Kirkus From Rachel Kushner, a Booker Prize finalist, two-time National Book Award finalist, and “one of the most gifted authors of her generation” (The New York Times Book Review), comes a new novel about a seductive and cunning American woman who infiltrates an anarchist collective in France—a propulsive page-turner of glittering insights and dark humor. Creation Lake is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics, bold opinions, and clean beauty, who is sent to do dirty work in France. “Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct. First, these contacts want her to incite provocation. Then they want more. In this region of centuries-old farms and ancient caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who communicates only by email. Bruno believes that the path to emancipation from what ails modern life is not revolt, but a return to the ancient past. Just as Sadie is certain she’s the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Written in short, vaulting sections, Rachel Kushner’s rendition of “noir” is taut and dazzling. Creation Lake is Kushner’s finest achievement yet as a novelist, a work of high art, high comedy, and unforgettable pleasure.

"'Sadie Smith' is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. We never learn her real name. Sadie has met her lover Lucien, a young and well-born Parisian, by 'cold bump'--making him believe the encounter was accidental. And like everyone she chooses to interact with, Lucien is useful to her. ... Sadie operates on strategy and dissimulation, based on what her 'contacts,'--shadowy figures in business and government--instruct. First, these contacts want her to incite provocation. Then they want more"

Arriving in New York to pursue a creative career in the raucous 1970s art scene, Reno joins a group of dreamers and raconteurs before falling in love with the estranged son of an Italian motorcycle scion and succumbing to a radical social movement in 1977 Italy.

For much of the last half of the twentieth century, W. G. Lambert devoted much of his research energy and effort to the study of Babylonian texts dealing with Mesopotamian ideas regarding creation, including especially Enuma Elish. This volume, which appears almost exactly 2 years after Lambert’s death, distills a lifetime of learning by the world’s foremost expert on these texts. Lambert provides a full transliteration and translation of the 7 tablets of Enuma Elish, based on the known exemplars, as well as coverage of a number of other texts that bear on, or are thought to bear on, Mesopotamian notions of the origin of the world, mankind, and the gods. New editions of seventeen additional “creation tales” are provided, including “Enmesharra’s Defeat,” “Enki and Ninmah,” “The Slaying of Labbu,” and “The Theogony of Dunnu.” Lambert pays special attention, of course, to the connection of the main epic, Enuma Elish, with the rise and place of Marduk in the Babylonian pantheon. He traces the development of this deity’s origin and rise to prominence and elaborates the relationship of this text, and the others discussed, to the religious and political climate Babylonia. The volume includes 70 plates (primarily hand-copies of the various exemplars of Enuma Elish) and extensive indexes.

In a world filled with breathtaking beauty, we have often overlooked the elusive magic of certain landscapes. A cloudy river flows into an Arctic wetland where sandhill cranes and muskoxen dwell. Further south, cypress branches hang low over dismal swamps. Places like these-collectively known as swamplands or peatlands-often go unnoticed for their ecological splendor. They are as globally significant as rainforests, yet, because of their reputation as wastelands, they are being systematically drained and degraded. Swamplands celebrates these wild places, as journalist Edward Struzik highlights the unappreciated struggle to save peatlands by scientists, conservationists, and landowners around the world. An ode to peaty landscapes in all their offbeat glory, the book is also a demand for awareness of the myriad threats they face. It inspires us to see the beauty and importance in these least likely of places­. Our planet's survival might depend on it.

New York Times bestselling author Carol Edgarian delivers “an all-encompassing and enthralling” (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention. Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her. On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie with the injured, orphaned, and starving, Vera and her guileless sister, Pie, are cast adrift. Disregarding societal norms and prejudices, Vera begins to imagine a new kind of life. She collaborates with Tan, her former rival, and forges an unlikely family of survivors, navigating through the disaster together. “A character-driven novel about family, power, and loyalty, (San Francisco Chronicle), Vera brings to life legendary characters—tenor Enrico Caruso, indicted mayor Eugene Schmitz and boss Abe Ruef, tabloid celebrity Alma Spreckels. This “brilliantly conceived and beautifully realized” (Booklist, starred review) tale of improbable outcomes and alliances takes hold from the first page, with remarkable scenes of devastation, renewal, and joy. Vera celebrates the audacious fortitude of its young heroine, who discovers an unexpected strength in unprecedented times.