A Missing Princess. A City Under Siege. A Compendium Of The Blackest Sorcery. The Grand Mage of Caragol is the most dangerous man in the realm, so when Kerstin steals his spellbook right out of his tower she lights up a firestorm of trouble. His fury rages through the city of Klomm. Houses burn. Innocents lie slaughtered in the streets. Yet countless lives are a petty sum for such great deal of power. With the spellbook, Kerstin can contend with the unspeakable horrors conjured by the Grand Mage. But she is dancing on a spider's thread. Meanwhile on the other side of the kingdom, fifteen-year-old Hinkle walks a tightrope of her own, spinning a web of dangerous lies around her new master, Sir Gilkrist of Lothellae. When Sir Gilkrist’s quest brings them to Klomm, she discovers the secrets she’s been hiding are darker than she ever imagined. A diabolical scheme threatens to engulf the world in shadow and blood - and it has everything to do with her Aunt Kerstin. But can Sir Gilkrist help her ... or will he devise a dark purpose of his own?

"This book will make a profound difference for the church in this moment in history." — The Most Reverend Michael B. Curry Sometimes it takes disruption and loss to break us open and call us home to God. It’s not surprising that a global pandemic and once-in-a-generation reckoning with white supremacy—on top of decades of systemic decline—have spurred Christians everywhere to ask who we are, why God placed us here and what difference that makes to the world. In this critical yet loving book, the author explores the American story and the Episcopal story in order to find out how communities steeped in racism, establishment, and privilege can at last fall in love with Jesus, walk humbly with the most vulnerable and embody beloved community in our own broken but beautiful way. The Church Cracked Open invites us to surrender privilege and redefine church, not just for the sake of others, but for our own salvation and liberation.

Crack in the Sky continues the development of the young Titus Bass as he gradually learns the lore of the mountain man. From a raucous rendezvous of trappers to a searing fight with Comanche, from a frigid winter's chill to the angry heat of a chase with horse thieves, Titus Bass's West comes alive in the pages of this remarkable novel--and in its final scene, Titus Bass will meet young Josiah Paddock and form the deep friendship explored in the pagers of Carry the Wind.

Like Conrad's Marlow, whose tale of journeying into the "heart of darkness" gives us as much insight into one man's personality as it does into the mysteries of the dark world he explored, so the anthropologist's record of another culture contains more than objective, scientific data about his investigation. Embedded within it are clues to the "personality" of anthropology itself: the attitudes, approaches, even prejudices that at any given stage in history are inextricable from the ideology of the anthropologist. Therefore, the mirror he holds up to show us another culture can never be a perfect one. His own professional attitude toward his subject, as well as his choice of medium, are factors that create "cracks" in the mirror of anthropology through which we believe we view the life of other cultures. Hence, the concept of "reflexivity" and the striving to recognize how it warps in the portrayal of anthropological truth lie at the core of the twelve finely wrought essays collected in this volume. Wide ranging in geography as well as viewpoint, they highlight various methods and media (film, ethnography, text) through which an anthropologist chooses to portray a culture, and the various forms, such as art, theater, and ritual, through which a culture portrays itself. Recognizing the link between these two processes provides the key to cultural and methodological self awareness. Reflexivity is defined and clarified in the introduction and in three of the essays, and the remaining nine essays evince the principle through fieldwork and startling case studies. Essays by Jay Ruby and Eric Michaels shed new light on the enormous potential of film and video, showing how a form generally thought to be "nonscientific" can in fact give fresh insight into the scientific premises underlying the discipline's methodology. Essays by Barbara Babcock and Carol Ann Parssinen focus on the novel and ethnography, examining existing works. Anthropologists, as well as students of film, art, and theater, will find that this intriguing work begins to redefine traditional distinctions between science and the arts and brings to light fresh resources that are utilized in the search for anthropological truth. Contributors: Richard Schechner, Victor Turner, Barbara Myerhoff, Jay Ruby, Eric Michaels, Dennis Tedlock, George Marcus, Paul Rabinow, Barbara Babcock, Carol Ann Parssinen, and Dan Rose.