Don Juan Manuel, nephew of King Alfonso X, The Wise, knew well the appeal of exempla (moralized tales), which he believed should entertain if they were to provide ways and means for solving life's problems. His fourteenth-century book, known as El Conde lucanor, is considered by many to be the purest Spanish prose before the immortal Don Quixote of Cervantes written two centuries later. He found inspiration for his tales in classical and eastern literatures, Spanish history, and folklore. His stories are not translations, but are his retelling of some of the best stories in existence. The translation succeeds in making the author speak as clearly to the modern reader as to readers of his own time.

Don Juan Manuel, nephew of King Alfonso X, The Wise, knew well the appeal of exempla (moralized tales), which he believed should entertain if they were to provide ways and means for solving life's problems. His fourteenth-century book, known as El Conde lucanor, is considered by many to be the purest Spanish prose before the immortal Don Quixote of Cervantes written two centuries later. He found inspiration for his tales in classical and eastern literatures, Spanish history, and folklore. His stories are not translations, but are his retelling of some of the best stories in existence. The translation succeeds in making the author speak as clearly to the modern reader as to readers of his own time.

While much of the literature has focused on explaining diachronic variation and change, the fact that sometimes change does not seem to happen has received much less attention. The current volume unites ten contributions that look for the determinants of diachronic stability, mainly in the areas of morphology and (morpho)syntax. The relevant question is approached from different angles, both empirical and theoretical. Empirically, the contributions deal with the absence of change where one may expect it, uncover underlying stability where traditionally diachronic change was postulated, and, inversely, superficial stability that disguises underlying change. Determining factors ranging from internal causes to language contact are explored. Theoretically, the questions of whether stable variation is possible, and how it can be modeled are addressed. The volume will be of interest to linguists working on the causes of language change, and to scholars working on the history of Germanic, Romance, and Sinitic languages.

This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.

All societies are constructed, based on specific rules, norms, and laws. Hence, all ethics and morality are predicated on perceived right or wrong behavior, and much of human culture proves to be the result of a larger discourse on vices and virtues, transgression and ideals, right and wrong. The topics covered in this volume, addressing fundamental concerns of the premodern world, deal with allegedly criminal, or simply wrong behavior which demanded punishment. Sometimes this affected whole groups of people, such as the innocently persecuted Jews, sometimes individuals, such as violent and evil princes. The issue at stake here embraces all of society since it can only survive if a general framework is observed that is based in some way on justice and peace. But literature and the visual arts provide many examples of open and public protests against wrongdoings, ill-conceived ideas and concepts, and stark crimes, such as theft, rape, and murder. In fact, poetic statements or paintings could carry significant potentials against those who deliberately transgressed moral and ethical norms, or who even targeted themselves.

Wide-ranging stories offer glimpse into witchcraft, magic, Crusaders, astrology, alchemy, pacts with the Devil, chivalry, trial by torture, church councils, mercantile life, other elements of Middle Ages.

This volume provides the first book-length study of the controversial topic of Verb Second and related properties in a range of Medieval Romance varieties. The findings have widespread implications for the understanding of both the key typological property of Verb Second and the development of Latin into the modern Romance languages.