A FULL-COLOR GUIDE FOR ARCHITECTS AND DESIGN PROFESSIONALS TO THE SELECTION AND APPLICATION OF COPPER, BRASS, AND BRONZE Copper, Brass, and Bronze Surfaces, third in Zahner's Architectural Metals Series, provides a comprehensive and authoritative treatment of copper, brass, and bronze applications in architecture and art. If offers architecture and design professionals the information they need to ensure proper maintenance and fabrication techniques through detailed information and full-color images. It covers everything from the history of the metals and choosing the right alloy, to detailed information on a variety of surface and chemical finishes and corrosion resistance. The book also features case studies that offer strategies for designing and executing successful projects using copper, brass, and bronze. Copper, Brass, and Bronze Surfaces is filled with illustrated case studies that present comprehensive coverage of how each metal is used in creating surfaces for building exteriors, interiors, and art finishes. All the books in Zahner's Architectural Metals Series offer in-depth coverage of today's most commonly used metals in architecture and art. This visual guide: Features full-color images of a variety of copper, brass, and bronze finishes, colors, textures, and forms Includes case studies with performance data that feature strategies on how to design and execute successful projects using copper, brass, and bronze Offers methods to address corrosion, before and after it occurs Explains the significance of the different alloys and the forms available to the designer Discusses what to expect when using copper, brass, and bronze in various exposures Written for architecture professionals, metal fabricators and developers, architecture students, designers, and artists working with metals, Copper, Brass, and Bronze Surfaces offers a logical framework for the selection and application of copper, brass, and bronze in all aspects of architecture.

In Western Europe the Golden Age of Islamic metalwork in Iran was (and is) generally considered to be the earlier period, and later metalwork was collected almost by accident and has been correspondingly little studied and poorly published, though in recent decades the imbalance has been somewhat modified. The Hermitage Collection, which numbers 162 pieces is the largest collection in the world of later Iranian Islamic metalwork, from the West of Iran as far as the Punjab. The great majority of these are household utensils, and their manufacture is characteristic of the middling levels of urban societies, though in Khurasan in the late-15th and early 16th centuries brasses or bronzes inlaid with gold and silver were made for its Timurid rulers. The substantial numbers of Iranian copper-alloy astronomical instruments of this period were made by different craftsmen, for a different public, and deserve separate treatment, though not magic bowls, used in folk-medicine and divination, which are noticed in this volume. In his Introduction, Anatolii Ivanov gives a valuable directoryof museums and other institutions of the former Soviet Union with significant collections, which complement the holdings of the Hermitage and together amount to a truly substantial corpus. The latter were acquired from private collections, but the core of the collection, from the museum attached to the school of industrial drawing founded by Baron Stieglitz, came to the Hermitage in the 1920s, when this was broken up. As well as minutely detailed descriptions of each piece and analyses of their decoration, Ivanov presents a detailed critical survey of the limited documentary evidence afforded by the inscriptions many pieces bear, which is of permanent value as a basis for further scholars working on later Islamic metalwork in general.

Utilizing stringing and wireworking techniques accessible to beginners, this mixed metal jewelry guide also offers boutique-style designs that will captivate the more experienced beader. With no metalworking required, detailed instructions are provided for 30 unique projects incorporating various metals such as silver, gold, copper, brass, PMC, and more. Techniques for distressing metal--such as using liver of sulfur, other patinas, and hammering--are included, as well as ideas for mixing metals and using faux metals. Background information is given on each type of metal, from common properties to shopping tips, care, and cleaning.

S. A. Chakraborty continues the sweeping adventure begun in The City of Brass—"the best adult fantasy I’ve read since The Name of the Wind" (#1 New York Times bestselling author Sabaa Tahir)—conjuring a world where djinn summon flames with the snap of a finger and waters run deep with old magic; where blood can be dangerous as any spell, and a clever con artist from Cairo will alter the fate of a kingdom. Nahri’s life changed forever the moment she accidentally summoned Dara, a formidable, mysterious djinn, during one of her schemes. Whisked from her home in Cairo, she was thrust into the dazzling royal court of Daevabad—and quickly discovered she would need all her grifter instincts to survive there. Now, with Daevabad entrenched in the dark aftermath of a devastating battle, Nahri must forge a new path for herself. But even as she embraces her heritage and the power it holds, she knows she’s been trapped in a gilded cage, watched by a king who rules from the throne that once belonged to her family—and one misstep will doom her tribe.. Meanwhile, Ali has been exiled for daring to defy his father. Hunted by assassins, adrift on the unforgiving copper sands of his ancestral land, he is forced to rely on the frightening abilities the marid—the unpredictable water spirits—have gifted him. But in doing so, he threatens to unearth a terrible secret his family has long kept buried. And as a new century approaches and the djinn gather within Daevabad's towering brass walls for celebrations, a threat brews unseen in the desolate north. It’s a force that would bring a storm of fire straight to the city’s gates . . . and one that seeks the aid of a warrior trapped between worlds, torn between a violent duty he can never escape and a peace he fears he will never deserve.

60 easy projects in silver, copper & brass.

THE NATIONAL BESTSELLER A sensational compilation of the most striking images taken from the Morphia series has been gathered together in a celebration of Kerby Rosanes's talent. Colormorphia is a selection of Kerby Rosanes's most remarkable artwork, featuring a stunning, full-color sixteen-page section at the beginning of the book that displays some of the most accomplished completed artworks produced by Kerby's fans. These demonstrate the range of approaches colorists can experiment with when coloring. Kerby comments on the styles and the results, describing why they work so well. The artwork displayed in the color section are included in the black-and-white section of the book, too, giving the reader the opportunity to duplicate the approach should they wish. In addition, there are a variety of images to color featuring the very best from Kerby's Morphia portfolio. These include show-stopping spreads, such as the tiger from Animorphia and the camel from Imagimorphia, among others.

Developing microscale chemistry experiments, using small quantities of chemicals and simple equipment, has been a recent initiative in the UK. Microscale chemistry experiments have several advantages over conventional experiments: They use small quantities of chemicals and simple equipment which reduces costs; The disposal of chemicals is easier due to the small quantities; Safety hazards are often reduced and many experiments can be done quickly; Using plastic apparatus means glassware breakages are minimised; Practical work is possible outside a laboratory. Microscale Chemistry is a book of such experiments designed for use in schools and colleges, and the ideas behind the experiments in it come from many sources, including chemistry teachers from all around the world. Current trends indicate that with the likelihood of further environmental legislation, the need for microscale chemistry teaching techniques and experiments is likely to grow. This book should serve as a guide in this process.

An explosion of patination methods from beginner to advanced skill levels! Patina offers a collection of over 300 metal patination recipes, application instructions, and full-sized samples for anyone working in metals, including jewelers, sculptors, and metal artisans. This all-skill-level book covers steel, stainless steel, copper, brass, bronze, silver, and aluminum. Neatly organized by metal type then by color for ease of reference. Patina discusses variables that affect the overall metal coloration such as surface preparation, chemical formula, application method, and more. Cross-references take you to the variety of patination techniques offered, including immersion, brush application, spraying, fuming, layering, using resists, hot and cold applications, and more. All recipes feature step-by-step illustrated instructions. Patina also discusses safety issues and handling and disposing of hazardous or corrosive materials as well as proper ventilation. This book is an inspirational resource, a how-to guide, and a book that you have long been waiting for.