With over 150 photographs and insightful text, this Thai design book showcases some of the best interiors in the country. Known for its beautiful traditional and contemporary handicrafts, it's no wonder that Thailand is home to some of the most beautifully decorated houses in the world. Elegant, innovative and versatile, Contemporary Thai is overflowing with an amazing array of design ideas. From modernist furniture, table settings, light fixtures and furnishings combining old traditions with new styles, Contemporary Thai is the perfect book for anyone looking to add a distinctive touch to their home decor.

The Routledge Handbook of Contemporary Thailand is a timely survey and assessment of the state of contemporary Thailand. While Thailand has changed much in the past decades, this handbook proposes that many of its problems have remained intact or even persistent, particularly problems related to domestic politics. It underlines emerging issues at this critical juncture in the kingdom and focuses on the history, politics, economy, society, culture, religion and international relations of the country. A multidisciplinary approach, with chapters written by experts on Thailand, this handbook is divided into the following sections. History Political and economic landscape Social development International relations Designed for academics, students, libraries, policymakers and general readers in the field of Asian studies, political science, economics and sociology, this invaluable reference work provides an up-to-date account of Thailand and initiates new discussion for future research activities.

Heritage and Identity in Contemporary Thailand explores the intersections of memory, place, power and tourism in the production of Thai heritage and identity. The author shows that underlying officially promulgated ideas is a much deeper, richer and sometimes darker substratum of memories and practices that both undermine and enrich conventional ideas of Thailand as a Kingdom, a nation and a culture. The book views Thai culture and its heritage from a variety of perspectives that are derived from the work of Thai scholars but refracted through a more Western epistemology and its attendant critical theory. Through a juxtaposition of Thai and Western critical scholarship, it highlights key elements of Thai identity or, more accurately, the diversity of Thai identities. In the process, the book raises questions about both Thai and Western thinking about knowledge and its production.

Essential Desires: Contemporary Art in Thailand is the first major, fully illustrated survey of Thai art in thirty years. Brian Curtin shows how Thai artists negotiated their emergence on the global art stage while dealing with pan-Asian regionalism and nationalism at home. This book traces the influences on contemporary Thai artists, from the impact of consumerism in Bangkok in the 1990s to the waning legacies of tradition, and their relationship to the nation's often-volatile political stage. Curtin, in his exploration of Thailand's fascinating art scene, shows how Thai artists are generating new ideas about their country.

Beginning with a history of the country and its cultural influences, this book describes and illustrates a range of structures, from Thai houses to elaborate temples and even crematoriums. It concludes with a look at contemporary Thai architecture and how traditional architecture practices have been adapted to suit modern needs.

This volume examines contemporary Thailand. It captures aspects of Thai society that have changed dramatically over the past years and that have turned Thailand into a society that is different from what most people outside the country know and expect. The social transition of Thailand has been marked by economic growth, population restructuring, social and cultural development, political movements, and many reforms including the national health care system. The book covers the social, cultural, and economic changes as well as political situations. It discusses both historical contexts and emerging issues. It includes chapters on social and public health concerns, and on ethnicity, gender, sexuality and social class. Most chapters use information from empirical-based and historical research. They describe real life experiences of the contributors and Thai people who participated in the research.

The interplay of the local and the global in contemporary Thai art, as artists strive for international recognition and a new meaning of the national. Since the 1990s, Thai contemporary art has achieved international recognition, circulating globally by way of biennials, museums, and commercial galleries. Many Thai artists have shed identification with their nation; but “Thainess” remains an interpretive crutch for understanding their work. In this book, the curator and critic David Teh examines the tension between the global and the local in Thai contemporary art. Writing the first serious study of Thai art since 1992 (and noting that art history and criticism have lagged behind the market in recognizing it), he describes the competing claims to contemporaneity, as staked in Thailand and on behalf of Thai art elsewhere. He shows how the values of the global art world are exchanged with local ones, how they do and don't correspond, and how these discrepancies have been exploited. How can we make sense of globally circulating art without forgoing the interpretive resources of the local, national, or regional context? Teh examines the work of artists who straddle the local and the global, becoming willing agents of assimilation yet resisting homogenization. He describes the transition from an artistic subjectivity couched in terms of national community to a more qualified, postnational one, against the backdrop of the singular but waning sovereignty of the Thai monarchy and sustained political and economic turmoil. Among the national currencies of Thai art that Teh identifies are an agricultural symbology, a Siamese poetics of distance and itinerancy, and Hindu-Buddhist conceptions of charismatic power. Each of these currencies has been converted to a legal tender in global art—signifying sustainability, utopia, the conceptual, and the relational—but what is lost, and what may be gained, in such exchanges?

The making of modern Thailand is grounded in specific political institutions, Brahmanical tropes, and sacred Buddhist traditions stylized with Hindu rituals. Over and above these mysterious practices and ancient customs, modern Thailand is a product of the late Great Rama IX Bhumibol Adulyadej. Most Thai people have only known one King. Born in Europe and educated during World War II, Bhumibol was the son of a Harvard medical doctor who had a penchant for jazz music and fast cars. When he returned to Thailand in 1951 to assume his royal duties, he could hardly speak Thai but his French and German were remarkable. Bhumibol had inherited an impoverished country with nothing but a symbolic role as a figurehead monarch. He was surrounded by envious courtiers and royals from other families now sidelined by the rise of the Chakri. Scheming generals and authoritarian field marshals were emptying the Kingdom’s coffers. Using guile and wit, Bhumibol had turned the tide by 1973. He became the most powerful modern warlord in the history of the Kingdom. He survived attempted murder, crafty politicians, corrupt generals, sycophantic courtiers and impoverished masses. When he died on October 13 2016, Bhumibol was already the longest standing monarch in the world. King Bhumibol was deeply respected and well-liked by farang and locals alike. Despite his massive social and economic achievements many problems continue to plague the Kingdom. These are prostitution, human rights issues, pollution, corruption, cronyism in Chinese businesses, border conflicts with Cambodia, and the refugee problem. This book examines the role of Rama IX and the variegated set of problems that persist in life under the great white elephant and mango trees. Rappa draws from his primary research that includes interviews, surveys and first-hand observations of a remarkable kingdom and a uniquely remarkable king to reveal the internal security threats to democracy and civil society in the oldest Southeast Asian kingdom in late modernity.

The first of the Asian Science Series, this book explores the question: Who are the Chinese in Thailand? Are they "assimilated Thais" or are they "Chinese" living in Thailand? Does their being "in" Thailand make them "of" Thailand? Through a collection of authoritative essays, this book explores how the Chinese of Thailand constantly alternate their positions within the fabric of the Thai society. For those seeking the composite image of what it means to be a Chinese, this book holds up many intriguing mirrors. This is a co-publication with Times Academic Press

'Flavours' offers a taste of the contemporary art scene in Thailand, a country with strong traditions but which is rapidly modernising. The text includes career profiles of 23 artists.