(Chu) Tao-sheng stands out in history as a unique and preeminent thinker whose paradigmatic, original ideas paved the way for the advent of Chinese Buddhism. The universality of Buddha-nature, which Tao-sheng championed at the cost of excommunication, was to become a cornerstone of the Chinese Buddhist ideology. This book presents a comprehensive study of the only complete document by Tao-sheng still in existence.

Ames demonstrates that the political theory contained in The Art of Rulership shares an underlying sympathy with precepts of Taoist and Confucian origin, and contains a systematic political philosophy that is not only unique but compelling. The book presents a political theory that tempers lofty ideals with functional practicability.

Just about everyone likes to listen to music to put them "in the mood," and these techniques get you "out" of a mood! The "Tao" part is about accepting what you're feeling, and dealing with it, by using Dr. Ortiz's methods. Includes musical menus that you can use to create your own program for dealing with issues, koans for meditation, and various other fun exercises to make music a part of your holistic health program. Appendix, bibliography, index.

Everything was about to change. In less than forty-eight hours guy'd be taking the stage in Vancouver, owning an audience meant for some all-hype-no-talent young-money rapper, spitting next-level truths that'd have A&Rs scrapping for him coast to coast. He'd ink some paper and drop an album on the world it didn't even know it had been waiting for. All with game and swag to spare. This was the edge, the almost there, and we knew it. Chinksta rap is all the rage in small-town Alberta. And the king of Chinksta is King Kwong, high-schooler Run's older brother. Run isn't a fan of Kwong's music—or personality, really. But when Kwong goes missing the night before his crowning performance and his mom gets wounded in crossfire, Run finds himself, with his sidekick, Ali, in the middle of a violent battle between rival Chinese rap gangs, on the run from his crush's behemoth brother, and rethinking his feelings about his family and their history, his hatred of "rice-rap," and what it means to be Asian. With imaginAsian and a flair for the rap lyric, Jon Chan Simpson mashes up the (graphicless) graphic novel and the second-generation-immigrant narrative to forge a bold new vision of what the novel can be. Jonathan Chan Simpson grew up in Red Deer, Alberta, and lives in Toronto, Ontario. He is a graduate of the University of Toronto's MA creative writing program, and his work has been featured in Ricepaper magazine.

This eclectic collection of essays focuses on a number of intriguing issues in translation: some of these "polemic" essays challenge certain widespread beliefs and practices: for example, the belief that humor is untranslatable; the assumption that translations are always inferior to the originals; the spread of translations that are more impenetrable to the target audience than the originals ever were to the source language audience; above all, the notion that translation is a marginal rather than a major area of study: indeed, as one essay suggests, translation may represent a model of thought, and translating a mode of thinking. These essays also consider the international trade in translations, the ratio of translations out of the language and of translations into the language, as a possible index to historical development; analyze the humor that can be translated as well as the humor that cannot be translated; uncover the implicit indicators of time and place in traditional Chinese poetry (offering thereby a study in comparative deictics); examine the hermeneutics of Old Testament exegeses, which -- unlike the modern world -- privileged the oral over the written word; discuss the subtle but definable differences between translations that appropriate previous versions by way of allusion and quotation, and translations that merely plagiarize. In the final section, entitled "Divertissements", Eugene Eoyang provides an exposition of his translation of a poem, first published in the People's Daily (and since banned), that contained a hidden -- and decidedly hostile -- acrostic, in which the challenge was not only to convey the original meaning but also to preserve the disguise of the original meaning in the Chinese text. (The translation appeared in The New York Times.) He also offers a wry typology of translators, comparing them -- metaphorically and paronomastically -- to different species of birds; in a concluding coda, he excavates the place-names in bicultural and multilingual Hong Kong, uncovering not only translations and transliterations, but also "heteronyms" (different names for the same place) as well as, remarkably, "phononyms" (names where the pronunciation of a word in one language happens to coincide with a word in another language with the same meaning). The result is a provocative potpourri of fascinating insights into the cultural and semiotic complexities of translation that will surely interest students of translation, literature, linguistics, and history, as well as the informed general reader.

This is the first investigation of the roles of autobiography in teacher education to be informed by concepts and examples from China, Europe, and North and South America. Unique and timely, this volume addresses multiple movements of teacher education reform worldwide.

Containing sixty translations from a large variety of texts, this is an accessible yet thorough introduction to the major concepts, doctrines, and practices of Taoism. It presents the philosophy, rituals, and health techniques of the ancients as well as the practices and ideas of Taoists today. Divided into four sections, it follows the Taoist Path: The Tao, Long Life, Eternal Vision, and Immortality. It shows how the world of the Tao is perceived from within the tradition, what fervent Taoists did, and how practitioners saw their path and goals. The Taoist Experience is unique in that it presents the whole of Taoist tradition in the very words of its active practitioners. It conveys not only a sense of the depth of the Taoist religious experience but also of the underlying unity of the various schools and strands.

The I Ching , or "Book of Change," is considered the oldest of the Chinese classics and has throughout history commanded unsurpassed prestige and popularity. Containing several layers of text and given numerous levels of interpretation, it has captured continuous attention for well over two thousand years. It has been considered a book of fundamental principles by philosophers, politicians, mystics, alchemists, yogins, diviners, sorcerers, and more recently by scientists and mathematicians. This first part of the present volume is the text of the I Ching proper—the sixty-four hexagrams plus sayings on the hexagrams and their lines—with the commentary composed by Liu I-ming, a Taoist adept, in 1796. The second part is Liu I-ming's commentary on the two sections added to the I Ching by earlier commentators, believed to be members of the original Confucian school; these two sections are known as the Overall Images and the Mixed Hexagrams. In total, the book illuminates the Taoist inner teachings as practiced in the School of Complete Reality. Well versed in Buddhism and Confucianism as well as Taoism, Liu I-ming intended his work to be read as a guide to comprehensive self-realization while living an ordinary life in the world. In his attempt to lift the veil of mystery from the esoteric language of the I Ching , he employs the terminology of psychology, sociology, history, myth, and religion. This commentary on the I Ching stands as a major contribution to the elucidation of Chinese spiritual genius.

P.K. Page writes ... poetry unencumbered by the freight of biography or gossip, poems that don't invite speculation about the poet or her personae, but arise from a bigger sense of the world, and our more universal concerns. ... She's a poet with great empathy for humanity. Her poems reach always for the light in darkness; in this sense they are moral poems. --The New Brunswick Reader.