A historical and theoretical analysis of corporate architecture in the United States after the Second World War. The Organizational Complex is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social relations and transformed the postwar landscape. In-depth case studies of architect Eero Saarinen's work for General Motors, IBM, and Bell Laboratories and analyses of office buildings designed by Skidmore, Owings & Merrill trace the emergence of a systems-based model of organization in architecture, in which the modular curtain wall acts as both an organizational device and a carrier of the corporate image. Such an image—of the corporation as a flexible, integrated system—is seen to correspond with a "humanization" of corporate life, as corporations decentralize both spatially and administratively. Parallel analyses follow the assimilation of cybernetics into aesthetics in the writings of artist and visual theorist Gyorgy Kepes, as art merges with techno-science in the service of a dynamic new "pattern-seeing." Image and system thus converge in the organizational complex, while top-down power dissolves into networked, pattern-based control. Architecture, as one among many media technologies, supplies the patterns—images of organic integration designed to regulate new and unstable human-machine assemblages.

In 1987 Judge Russell Clark mandated tax increases to help pay for improvements to the Kansas City, Missouri, School District in an effort to lure white students and quality teachers back to the inner-city district. Yet even after increasing employee salaries and constructing elaborate facilities at a cost of more than $2 billion, the district remained overwhelmingly segregated and student achievement remained far below national averages. Just eight years later the U.S. Supreme Court began reversing these initiatives, signifying a major retreat from Brown v. Board of Education. In Kansas City, African American families opposed to the district court's efforts organized a takeover of the school board and requested that the court case be closed. Joshua Dunn argues that Judge Clark's ruling was not the result of tyrannical "judicial activism" but was rather the logical outcome of previous contradictory Supreme Court doctrines. High Court decisions, Dunn explains, necessarily limit the policy choices available to lower court judges, introducing complications the Supreme Court would not anticipate. He demonstrates that the Kansas City case is a model lesson for the types of problems that develop for lower courts in any area in which the Supreme Court attempts to create significant change. Dunn's exploration of this landmark case deepens our understanding of when courts can and cannot successfully create and manage public policy.

Here is the story of the most influential men in the world--Ross Perot, Steven Jobs, Ted Turner, James Rouse, Daniel Ludwig, and Robert Swanson, men who set out to possess the world on their own terms. Readers can see what makes th ese extraordinary men tick, including the downfalls of being so driven to success.

Here is the new, hip, high-tech military-industrial complex--an omnipresent, hidden-in-plain-sight system of systems that penetrates all our lives. From iPods to Starbucks to Oakley sunglasses, historian Nick Turse explores the Pentagon's little-noticed contacts (and contracts) with the products and companies that now form the fabric of America. Turse investigates the remarkable range of military incursions into the civilian world: the Pentagon's collaborations with Hollywood filmmakers; its outlandish schemes to weaponize the wild kingdom; its joint ventures with the World Wrestling Federation and NASCAR. He shows the inventive ways the military, desperate for new recruits, now targets children and young adults, tapping into the "culture of cool" by making "friends" on MySpace. We are a long way from Eisenhower's military-industrial complex: this is its twenty-first-century progeny.--From publisher description.

*USA Today and Toronto Star bestseller* Full of romance, hijinks, and longing, Good Girl Complex is Elle Kennedy at her very best. She does everything right. So what could go wrong? Mackenzie “Mac” Cabot is a people pleaser. Her demanding parents. Her prep school friends. Her long-time boyfriend. It’s exhausting, really, always following the rules. All she wants to do is focus on growing her internet business, but first she must get a college degree at her parents’ insistence. That means moving to the beachside town of Avalon Bay, a community made up of locals and the wealthy students of Garnet College. Twenty-year-old Mac has had plenty of practice suppressing her wilder impulses, but when she meets local bad boy Cooper Hartley, that ability is suddenly tested. Cooper is rough around the edges. Raw. Candid. A threat to her ordered existence. Their friendship soon becomes the realest thing in her life. Despite his disdain for the trust-fund kids he sees coming and going from his town, Cooper soon realizes Mac isn’t just another rich clone and falls for her. Hard. But as Mac finally starts feeling accepted by Cooper and his friends, the secret he’s been keeping from her threatens the only place she’s ever felt at home.

In The Wedding Complex Elizabeth Freeman explores the significance of the wedding ceremony by asking what the wedding becomes when you separate it from the idea of marriage. Freeman finds that weddings—as performances, fantasies, and rituals of transformation—are sites for imagining and enacting forms of social intimacy other than monogamous heterosexuality. Looking at the history of Anglo-American weddings and their depictions in American literature and popular culture from the antebellum era to the present, she reveals the cluster of queer desires at the heart of the "wedding complex"—longings not for marriage necessarily but for public forms of attachment, ceremony, pageantry, and celebration. Freeman draws on queer theory and social history to focus on a range of texts where weddings do not necessarily lead to legal marriage but instead reflect yearnings for intimate arrangements other than long-term, state-sanctioned, domestic couplehood. Beginning with a look at the debates over gay marriage, she proceeds to consider literary works by Nathaniel Hawthorne, William Faulkner, Carson McCullers, Vladimir Nabokov, and Edgar Allan Poe, along with such Hollywood films as Father of the Bride, The Graduate, and The Godfather. She also discusses less well-known texts such as Su Friedrich’s experimental film First Comes Love and the off-Broadway, interactive dinner play Tony ‘n’ Tina’s Wedding. Offering bold new ways to imagine attachment and belonging, and the public performance and recognition of social intimacy, The Wedding Complex is a major contribution to American studies, queer theory, and cultural studies.

Eighty-seven years ago, superhumans saved the world from disaster. But the golden age of heroes is over.Growing up in the shadow of superheroes, Gabriel sets off to college hoping to use his gift to help the world. However, on campus things start to turn dangerous. Will Gabriel answer the call?Allies are few. Enemies are many. What will Gabriel do when a dangerous foe hurts his friends?In the end, Gabriel is offered a chance he can't ignore. If you like superheroes and spies, you will love this book.

This book covers all important nomenclature, theories of bonding and stereochemistry of coordination complexes. The authors have made an effort to inscribe the ideas knowledge, clearly and in an interesting way to benefit the readers. The complexities of Molecular Orbital theory have been explained in a very simple and easy manner. It also deals with transition and inner transition metals. Conceptually, all transition and inner transition elements form complexes which have definite geometry and show interesting properties. General and specific methods of preparation, physical and chemical properties of each element has been discussed at length. Group wise study of elements in d-block series have been explained. Important compounds, complexes and organometallic compounds of metals in different oxidation states have been given explicitly. Note: T&F does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

Having a father can be hard. Being a good one might be even harder. The call-out for the double homicide, when it comes, is a strange one: two men gunned down in a motel room, no witnesses, no real clues. Even stranger, the men were enemies, and no one seems to know why they were in that motel room together. And stranger still, people won’t stop calling John-Henry Somerset, telling him he needs to find some answers—preferably nice, easy ones—fast. Hazard and Somers set out to learn what happened, but they quickly find themselves mired in shifting factions: the ultraconservative political machine of the Ozark Volunteers; a liberal activist group protesting the local gun show; a reclusive fundamentalist church; even a hint of Mexican drug cartels. The further they press their investigation, the clearer it becomes that the killer—or killers—wants something, and they’ll stop at nothing to get it. As Hazard and Somers struggle to find the truth, they face trouble at home as well. Their foster-son, Colt, has received a letter from his estranged father, the same man who attacked Colt and Somers in their home. Worse, Colt seems open to more communication, which leaves Hazard grappling with his fears for Colt and his helplessness against a world that seems to be conspiring to take his foster-son away. But when a pair of gunmen come after Hazard at home, two things are crystal clear: he’s going to get to the bottom of these murders, and he’ll do anything to keep his family together.