With the move of cinema away from film, the adoption of electronic-based production throughout all media is now complete. In order to exploit its advantages, the accurate definition, measurement and reproduction of colour has become more important than ever to achieve the best fidelity of colour reproduction. This book is concerned with providing readers with all they need to know about colour: how it is perceived and described, how it is measured and generated and how it is reproduced in colour systems. It serves as both a tutorial and a reference book, defining what we mean by colour and providing an explanation of the proper derivation of chromaticity charts and through to the means of ensuring accurate colour management. Key Features: Addresses important theory and common misconceptions in colour science and reproduction, from the perception and characteristics of colour to the practicalities of its rendering in the fields of television, photography and cinematography Offers a clear treatment of the CIE chromaticity charts and their related calculations, supporting discussion on system primaries, their colour gamuts and the derivation of their contingent red, green and blue camera spectral sensitivities Reviews the next state-of-the-art developments in colour reproduction beyond current solutions, from Ultra-High Definition Television for the 2020s to laser projectors with unprecedented colour range for the digital cinema Includes a companion website hosting a workbook consisting of invaluable macro-enabled data worksheets; JPEG files containing images referred to in the book, including colour bars and grey scale charts to establish perceived contrast range under different environmental conditions; and, guides to both the workbook and JPEG files

This paperback reprint of a classic book deals with all phases of light, color, and color vision, providing comprehensive data, formulas, concepts, and procedures needed in basic and applied research in color vision, colorimetry, and photometry.

This book outlines the underlying principles on which interior lighting should be based, provides detailed information on the lighting hardware available today and gives guidance for the design of interior lighting installations resulting in good visual performance and comfort, alertness and health. The book is divided into three parts. Part One discusses the fundamentals of the visual and non-visual mechanisms and the practical consequences for visual performance and comfort, for sleep, daytime alertness and performance, and includes chapters on age effects, therapeutic effects and hazardous effects of lighting. Part Two deals with the lighting hardware: lamps (with emphasis on LEDs), gear, drivers and luminaires including chapters about lighting controls and LEDs beyond lighting. Part Three is the application part, providing the link between theory and practice and supplying the reader with the knowledge needed for lighting design. It describes the relevant lighting criteria for good and efficient interior lighting and discusses the International, European and North American standards and recommendations for interior lighting. A particular focus is on solid state light sources (LEDs) and the possibility to design innovative, truly-sustainable lighting installations that are adaptable to changing circumstances. The design of such installations is difficult and the book offers details of the typical characteristics of the many different solid state light sources, and of the aspects determining the final quality of interior lighting. Essential reading for interior lighting designers, lighting engineers and architects, the book will also be a useful reference for researchers and students. Reviews of Road Lighting by the same author: "If you are going to design streetlighting, you must read this book....a solid, comprehensive textbook written by an acknowledged expert in the field – if you have a query about any aspect of streetlighting design, you will find the answer here.” – LUX, August 2015 “...a realy comprehensive book dealing with every aspect of the subject well...essential text for reference on this subject” – Lighting Journal, March 2015

The availability of electric lighting has changed the lives of people the world over, yet as a major user of electricity it has come under increasing scrutiny in recent years. This scrutiny has focused largely on the environmental consequences, with little consideration of the benefits of lighting. Human Factors in Lighting, Third Edition restores some balance to the discussion by examining the ways in which people interact with lighting. These interactions influence the ability to perform visual tasks; the perception of people, objects, and spaces; human comfort and behavior; as well as human health and safety. It is only by understanding how to use light to achieve these ends that lighting can be provided effectively and efficiently to the benefit of all. See What’s New in the Third Edition: New chapters on the non-image-forming system, lighting for pedestrians, light pollution, and lighting and electricity use Revision of all other chapters to update them to take into account the advances that have been made in our understanding of the effects of light on people over the last decade Integration of the combined effects of light via the visual and non-image-forming systems on performance and perception The book covers both the visual and the non-visual effects of light on people as well as the benefits of lighting and the costs it imposes on the environment. It details the consequences of exposure to lighting or lighting technology and the role of exposure to light on such basic functions of the body as circadian rhythms. The author combines information from many different sources and integrates them into a coherent overview of lighting practice that can be used to develop better lighting solutions at a lower environmental cost.

Light Vision Color takes a well-balanced, interdisciplinary approach to our most important sensory system. The book successfully combines basics in vision sciences with recent developments from different areas such as neuroscience, biophysics, sensory psychology and philosophy. Originally published in 1998 this edition has been extensively revised and updated to include new chapters on clinical problems and eye diseases, low vision rehabilitation and the basic molecular biology and genetics of colour vision. Takes a broad interdisciplinary approach combining basics in vision sciences with the most recent developments in the area Includes an extensive list of technical terms and explanations to encourage student understanding Successfully brings together the most important areas of the subject in to one volume

The study of colour attracts researchers from a wide range of disciplines from both the sciences and the arts. Along with its companion volume, Progress in Colour Studies 1: Language and Culture, this book offers a fascinating insight into current issues and research into colour. Most of the papers originated in a 2004 conference entitled ‘Progress in Colour Studies’ held in the University of Glasgow, U.K. Some additional invited papers are included from investigators exploring new and exciting avenues of colour research. The contributions to both books represent reviews of state-of-the-art colour research in various disciplines, and some new research findings are reported. This volume, principally psychological in content, focuses on the development of colour perception and colour language, from infancy into adulthood, across a diverse range of cultures, including English, Himba, Chinese, and Mexican, and on the intriguing yet perplexing condition of synaesthesia, thus bridging research from the physiology, psychology and anthropology of colour.

This volume presents some of the latest research in colour studies by specialists across a wide range of academic disciplines. Many are represented here, including anthropology, archaeology, the fine arts, linguistics, onomastics, philosophy, psychology and vision science. The chapters have been developed from papers and posters presented at the Progress in Colour Studies (PICS12) conference held at the University of Glasgow. Papers from the earlier PICS04 and PICS08 conferences were published by John Benjamins as Progress in Colour Studies, 2 volumes, 2006 and New Directions in Colour Studies, 2011, respectively. The opening chapter of this new volume stems from the conference keynote talk on prehistoric colour semantics by Carole P. Biggam. The remaining chapters are grouped into three sections: colour and linguistics; colour categorization, naming and preference; and colour and the world. Each section is preceded by a short preface drawing together the themes of the chapters within it. There are thirty-one colour illustrations.

This volume on Visual Psychophysics documents the current status of research aimed toward understanding the intricacies of the visual mechanism and its laws of operation in intact human perceivers. As can be seen from the list of contributors, the problems of vision engage the interest and experimental ingenuity of investi gators from a variety of disciplines. Thus we find authors affiliated with depart ments of biology, medical and physiological physics, ophthalmology, physics, physiology and anatomy, psychology, laboratories of neurophysiology, medical clinics, schools of optometry, visual and othcr types of research institutes. A continuing interplay between psychophysical studies and physiological work is everywhere evident. As more information about the physiological basis of vision accumulates, and new studies and analyses of receptor photochemistry and the neurophysiology of retina and brain appear, psychophysical studies of the intact organism become more sharply focused, sometimes more complex, and often more specialized. Technological advances have increased the variety and precision of the stimulus controls, and advances in measurement techniques have reopened old problems and stimulated the investigation of new ones. In some cases, new concepts are being drawn in to help further our under standing of the laws by which the visual mechanism operates; in other cases, ideas enunciated long ago have been reevaluated, developed more fully, and reified in terms of converging evidence from both psychophysical experiments and unit recordings from visual cells.

The Eye: Basic Sciences in Practice provides highly accessible, concise coverage of all the essential basic science required by today's ophthalmologists and optometrists in training. It is also essential reading for those embarking on a career in visual and ophthalmic science, as well as an invaluable, current refresher for the range of practitioners working in this area. This new fourth edition has now been fully revised and updated in line with current curricula, key research developments and clinical best practice. It succinctly incorporates the massive strides being made by genetics and functional genomics based on the Human Genome Project, the new understanding of how the microbiome affects all aspects of immunology, the remarkable progress in imaging technology now applied to anatomy and neurophysiology, as well as exciting new molecular and other diagnostic methodologies now being used in microbiology and pathology. All this and more collectively brings a wealth of new knowledge to students and practitioners in the fields of ophthalmology and visual science. For the first time, this (print) edition also now comes with bonus access to the complete, fully searchable electronic text - including carefully selected additional information and new video content to further explain and expand on key concepts - making The Eye a more flexible, comprehensive and engaging learning package than ever before. The only all-embracing textbook of basic science suitable for trainee ophthalmologists, optometrists and vision scientists - other books concentrate on the individual areas such as anatomy. Attractive page design with clear, colour diagrams and text boxes make this a much more accessible book to learn from than many postgraduate textbooks. Presents in a readable form an account of all the basic sciences necessary for an understanding of the eye - anatomy, embryology, genetics, biochemistry, physiology, pharmacology, immunology, microbiology and infection and pathology. More on molecular pathology. Thorough updating of the sections on pathology, immunology, pharmacology and immunology. Revision of all other chapters. More colour illustrations Comes with complete electronic version

The Eye: Basic Sciences in Practice provides highly accessible, one-stop coverage of all the essential basic science required by today's ophthalmologists and optometrists in training. It is also core reading for those embarking on a career in visual and ophthalmic science, as well as an invaluable, current refresher for the range of practitioners working in this area. Building on previous success, this fifth edition has been fully revised in line with current curricula, key research developments and clinical best practice. It succinctly incorporates critical developments in fast-moving fields related to the eye and vision, including genetics, pharmacology, microbiology, immunology, pathology, neurophysiology, neuroanatomy and imaging. Topical coverage includes: - Major advances in the search for new genes underpinning disease in ophthalmology - The emergence of new infections such as Ebola, Zika and COVID-19 - The importance of the gastrointestinal tract as an immune organ and its functional dependence on the microbiome - Key aspects of melanopsin, melatonin and new ways of light sensing Also, (print purchasers) benefit from access to the complete, fully searchable electronic text, with integrated video and other bonus materials to further explain and expand on key concepts. This combines to make The Eye a more flexible, comprehensive and engaging learning package than ever before. - The only all-embracing textbook of the basic sciences suitable for trainee ophthalmologists, optometrists and vision scientists. - Utilising an attractive page design with over 300 colour drawings and 200 photographs this is an attractive and accessible text to learn from. - The text presents in a readable form an account of all the basic sciences necessary for an understanding of the eye – anatomy, embryology, genetics, biochemistry, physiology, pharmacology, immunology, microbiology and infection and pathology.