A major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy. 'My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic. This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.

This edition contains all Shelley's poetry, from his juvenilia to his great works such as "The Revolt of Islam" and "Ode to the West Wind", and his only completed verse drama "The Cenci", a melodramatic Venetian tale of incest, murder and revenge.

THREE ROMANTIC POETS: EMILY BRONTE, JOHN KEATS, PERCY BYSSHE SHELLEY SELECTED POEMS Edited and introduced by L.M. Poole Three great Romantics poets are featured in this anthology - Percy Bysshe Shelley, John Keats and Emily Bronte. The book includes all of their famous poems. Emily Bronte as a poet is still neglected today. Her novel Wuthering Heights, however, remains one of the great English novels. It continues to sell, continues to be adapted for radio, theatre, film and television, continues to inspire readers and be cited by critics. The wind whistling through the heather in Winter is indeed the atmosphere of Wuthering Heights, and also of Bronte's poetry. In poem after poem we find loving evocations of the moors: we hear of 'the breezy moor' (in "The starry night shall tidings bring"), the 'flowerless moors' (in "How still, how happy! Those are words"), and of 'the moors where the linnet was trilling/ Its song on the old granite stone' (in "Loud without the wind was roaring," the most powerful of Bronte's moor-poems). John Keats is one of the few British poets who is truly ecstatic andwild. Despite the overly-ornate language, the often awkwardphrases ('made sweet moan' in 'La Belle Dame Sans Merci'), despite the Romantic indulgences and the sometimes chauvinist views, theoften over-simplification of natural and human processes andexperiences, and despite the tendency to gush and exaggerate, Keats is one of the few poets who write in English who is truly furious and shamanic. This book gathers the most potent passages from John Keats together, including the famous 'Odes', the sonnets, the luxuriously sensuous 'Eve of St Agnes', the mysterious and atmospheric 'La Belle Dame Sans Merci', and extracts from 'Lamia', Endymion and Hyperion. Percy Shelley is one of the major British poets, seen by many people as the breathless, hyper-lyrical, angelic yet anarchic poet of the Romantic era, out-doing Lord Byron and John Keats in terms of sheer brilliance. His personality, as with Keats and Byron, is a crucial component in the Shelley legend. Shelley has a cult built up around him. The book includes a selection of Shelley's odes, hymns and paeans of England's breathless, angelic, anarchic poet. Famous poems, such as 'Ode to the West Wind' and 'The Cloud', are set beside extracts from Prometheus Unbound and Epipsychidion. With an introduction and bibliography for each poet. Plus a portrait gallery for each poet. www.crmoon.com."

Winners of an Honorable Mention from the Modern Language Association's Prize for a Distinguished Scholarly Edition Writing to his publisher in 1813, Shelley expressed the hope that two of his major works "should form one volume"; nearly two centuries later, the second volume of the Johns Hopkins edition of The Complete Poetry fulfills that wish for the first time. This volume collects two important pieces: Queen Mab and The Esdaile Notebook. Privately issued in 1813, Queen Mab was perhaps Shelley's most intellectually ambitious work, articulating his views of science, politics, history, religion, society, and individual human relations. Subtitled A Philosophical Poem: With Notes, it became his most influential—and pirated—poem during much of the nineteenth century, a favorite among reformers and radicals. The Esdaile Notebook, a cycle of fifty-eight early poems, exhibits an astonishing range of verse forms. Unpublished until 1964, this sequence is vital in understanding how the poet mastered his craft. As in the acclaimed first volume, these works have been critically edited by Donald H. Reiman and Neil Fraistat. The poems are presented as Shelley intended, with textual variants included in footnotes. Following the poems are extensive discussions of the circumstances of their composition and the influences they reflect; their publication or circulation by other means; their reception at the time of publication and in the decades since; their re-publication, both authorized and unauthorized; and their place in Shelley's intellectual and aesthetic development.

Rich selection of 123 poems by six great English Romantic poets: William Blake (24 poems), William Wordsworth (27 poems), Samuel Taylor Coleridge (10 poems), Lord Byron (16 poems), Percy Bysshe Shelley (24 poems) and John Keats (22 poems). Introduction and brief commentaries on the poets. Includes 2 selections from the Common Core State Standards Initiative: "Ozymandias" and "Ode on a Grecian Urn."