World vintage movie poster expert Tony Nourmand shares his personal selection of the 100 essential movie posters of all time. Features stunning images from designers such as Saul Bass, Paul Rand and Bill Gold and classic movie titles like Man With the Golden Arm, Breakfast at Tiffanys, Goldfinger and Metropolis, which holds the world record for the most expensive poster ever sold at $690,000, in a sale brokered by Tony in 2005. Beautiful and diverse imagery from around the world with accompanying photographs and text.

Experience the incredible pop culture art of Mondo, beloved by fans and iconic filmmakers alike. Based in Austin, Texas, Mondo is an art gallery and online store devoted to the love of film, art, music, and collectibles. Over the years, the company has received global recognition for its incredible art posters that bring to life classic films, television shows, and comics in a refreshing and utterly striking new way, offering a unique perspective on everything from Star Wars to Robocop, Back to the Future, Jurassic Park, Game of Thrones, Godzilla, Kill Bill, and many, many more. For the first time, The Art of Mondo brings together this highly sought-after art in one deluxe volume that showcases the incredible ingenuity of the studio’s diverse stable of artists whose vastly different styles are united by one guiding principle: limitless passion for their subject matter. Adored by the creative talents to whom Mondo’s art pays tribute—including Paul Thomas Anderson, Guillermo del Toro, Zack Snyder, Quentin Tarantino, and Edgar Wright, to name but a few—this richly imaginative work is fueled by a love of pop culture that fans recognize and identify with, giving Mondo’s output a rare and valuable synergy with its audience. While these posters are normally produced in a limited quantity and sell out in minutes, The Art of Mondo allows fans to explore the studio’s remarkable back catalog, including Olly Moss’s iconic Star Wars trilogy work, Laurent Durieux’s brilliantly subtle Jaws poster, and Tyler Stout’s evocative Guardians of the Galaxy art. Other key Mondo artists such as Jock, Martin Ansin, and Aaron Horkey will also feature. Definitive, visually stunning, and filled with art that celebrates some of the biggest and best-loved properties in pop culture, The Art of Mondo is the ultimate book for cult art fans everywhere.

Collectors have trusted the Overstreet name for 45 years, and now Gemstone Publishing's new "How To" series expands further with a trip to the cinema in The Overstreet Guide To Collecting Movie Posters. From beginner steps in purchasing, displaying, storing and grading your movie posters, to advanced insight in how to collect by stars, directors, series and genre, and from identifying different standard types of movie posters to evaluating the stars and film properties with long term mass appeal, the guide book also spotlights great poster artists from Drew Struzan and Jack Davis to Saul Bass and Robert McGinnis.

Way before the advent of social networks, the first, and sometimes only, visual contact you may have had with a movie was its poster. To return to this enlightened approach and escape the hard selling, marketing campaigns of today's releases, this book pays tribute to the artists who celebrate the era when cinematographic posters made us dream. Presented by ARTtitude, this collaboration features the contemporary work of 58 different artists from the PosterSpy art community, one of the most influential groups devoted to alternative posters. The nearly 300 posters presented here cover a diverse range of genres and eras, from pop culture favorites like Star Wars and Goonies to the Wes Andersen filmography to horror and sci-fi classics. Each piece reveals intensely creative and detailed representations of films that ask the viewer to see the film in a new way and challenges the visual package included with the original release.

A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick’s collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962. In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick’s firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany’s (1961). By showcasing several posters for each performer—such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn—Resnick offers a unique method of charting the evolution of each movie star’s career. Organizing his account both chronologically and thematically, in later chapters Resnick discusses some of Hollywood’s legendary directors and films, and critiques fantastic graphic art from little-known films. Bonus material includes a list of Resnick’s fifty favorite one-sheets, helpful tips for the collector, and a glossary of terms and poster sizes. A must-have book for every collector and film buff, Starstruck offers a beautifully illustrated, personal tour of a bygone age of the motion picture advertising industry.

The guns, the girls, the gadgets, all the key ingredients of Bond--James Bond--are captured in this one-of-a-kind collection of movie posters. These images have become some of the most memorable visual teasers in cinematic history and are now one of the hottest items of memorabilia among both Bond aficionados and movie collectors. This collection features over 200 original posters, including posters that were never released, limited edition festival posters, and rare advance posters. They are all meticulously reproduced in this oversized.

In the 1980s a group of entrepreneurs in Ghana created small-scale, mobile film-distribution empires, hitting the road with videocassettes, television monitors, portable gas-powered generators and rolled-up, hand-painted, artist-signed canvas posters. This new medium created the first opportunity for some of the best young painters in Ghana to express themselves on a public scale. In the frequent absence of an original image upon which to base the work they had been commissioned to produce, the artists inevitably created cinematic paintings that were largely interpretive and imagination-driven. In the book's four major essays, author Ernie Wolfe III recounts the rise and fall of the mobile cinema tradition, while noted African art scholar Roy Sieber follows two-dimensional art in Africa from rock paintings in the Sahara to contemporary manuals, wall paintings, and barber board paintings as well as the canvas movie posters themselves; Paul Hayes Tucker compares the phenomenon to 19th century European utility-based painting; and poet and art critic John Yau contributes the perspective of an American art historian. In addition, Hollywood film notables such as horror auteur Clive Barker, actor LeVar Burton, actress Anjelica Huston, and director Gus Van Sant contribute chapter introductions.

One of the world’s premier collections of horror and sci-fi movie posters amassed, not altogether surprisingly, by the dark mind of Metallica’s lead guitarist, Kirk Hammett. Before Kirk Hammett assumed the heavy metal mantle of one of the most successful and beloved bands in rock history, he was a geek for the imaginative universe of horror. This generously illustrated book highlights the finest examples from Hammett’s personal collection—an astonishing trove of horror and sci-fi film posters that span the history of the genre. The guitarist credits his musical force to a lifelong fascination with the gothic fantasy developed in these films and their original posters. In this volume, several intriguing essays cover the history of the film poster, the brain’s response to fear, and Hammett’s own contributions to the world of the macabre.