Chris Anyokwu's new creative offerings are snapshots of a the quotidian reality in the playwrights homeland, Nigeria, where polygamy and its associated evils, crass materialism and its classless followers still predominate. Even the ivory towers are not left out as petty rivalry, dirty politics and even fetishism seem to be the name of the game.

Winner of the ANA Drama Prize, 2014, Maybe Tomorrow is a drama that conveys the searing anger of a new generation in Nigeria.

The play depicts a troubled and violent society stoked by a vicious and violent culture of intolerance and extremism. It is about restiveness, puritanism and the politics of religiosity. The play gives a glimpse of the views and frustrations of young people, the supercilious and hateful perceptions of some clerics and the brigandage of law enforcers in such a given situation. The play points to the role courageous individuals could play in speaking out for peace and standing up to violence and in defiance of fear and for preservation of freedom.

Iredi War was the winner of The Nigeria Prize for Literature 2014. The playwright introduces the notion of 'folk script' with its special stamp. The use of the oral literature genre allows for the full exploitation of the creative licence which allows for the swings from the historical to the oral, the natural to the supernatural, the real to the fantastic.

Musa runs from death but not far enough from its canny sting. His heart of stone is so cold that his suicide mission radar stringently points at a large gathering of his family and friends. Kaka Patu his grandmother and Amina his fiancee are unavoidably absent but Kaka Vero and Gladys are unlucky. Musa is apprehended and his death becomes inevitable, either subtle or hard. Yerima brings this ugly social reality to stage in Heart of Stone to unveil the depth of man's heart of darkness and the visceral vicissitudes of scripture misinterpretation and misappropriation.

Ahmed Yerima's play celebrates the phenomenon of twins among the Yoruba people. Orisa Ibeji is also about man's fear of death and love of life; destiny and reincarnation; and the place of the gods in human affairs. Yerima employs simple and beautiful language, dynamic characters and deft skill to navigate the labyrinth that is Orisa Ibeji

Death and the King’s Grey Hair and Other Plays is a collection of three plays, ‘Death and the King’s Grey Hair,’ ‘Truce with the Devil,’ and ‘Fringe Benefits,’ which are all experimental plays from the early period of the writing career of Denja Abdullahi, who is presently renowned as a poet of populist expressions. ‘Death and the King’s Grey Hair’ examines the use and misuse of absolute power based on an ancient Jukun myth of young kings and short reigns. ‘Truce with the Devil’ is a satire on the later abandonment of the creed of Marxism by its adherents, a kind of mockery of turncoat revolutionaries in the grip of practical social realities. ‘Fringe Benefits’, a radio play, is an expose of the happening in Nigeria’s ivory towers, seen from the eyes of a participant-observer.

Copper Ashcroft is an accomplished D'Anu witch, but the magic she wields is a potent force—strong enough to hurl her into a mysterious Otherworld when a spell backfires. Before Copper can escape, another being is pulled into her realm—Tiernan, a powerfully virile Tuatha D'Danann warrior. Blond, blue-eyed, and shamelessly seductive, Tiernan could be Copper's savior...and his touch sets her body on fire. Like others of his kind, Tiernan stands alongside the D'Anu witches to battle the demons of the Underworld. Obligation to his cause and his people cautions against any entanglement with Copper, yet each second spent with this beautiful, uninhibited woman stirs an insatiable hunger. Desire explodes into carnal bliss, but the visions that haunt Copper's dreams are growing stronger, and they foretell a terrifying evil waiting to be unleashed... Saving the city will take more than brute strength...more than witchcraft. Only together can Copper and Tiernan find a way to overcome the dark forces—and seize a passion that has bewitched them both.