'The book is well-illustrated, earlier chapters with monochrome portraits of Mandelbrot, his family and those who influenced him, and later ones with striking colour pictures not only of the Mandelbrot set and other computer generated fractals, but also of ‘real’ fractals including cloud formations and rural and mountain scenes … This celebration of Mandelbrot’s scientific life is largely based on interviews that the author had with him when making films on his work … A challenge for historians of mathematics and science in coming years will be to produce a more broadly contextual and rounded account of the advent of fractals.'London Math SocietyThe time is right, following Benoît Mandelbrot's death in 2010, to publish this landmark book about the life and work of this maverick math genius.This compact book celebrates the life and achievements of Benoît Mandelbrot with the ideas of fractals presented in a way that can be understood by the interested lay-person. Mathematics is largely avoided. Instead, Mandelbrot's ideas and insights are described using a combination of intuition and pictures. The early part of the book is largely biographical, but it portrays well how Mandelbrot's life and ideas developed and led to the fractal notions that are surveyed in the latter parts of the book.

Here is the remarkable life story of Benoit Mandelbrot, the creator of fractal geometry, and his unparalleled contributions to science mathematics, the financial world, and the arts. Mandelbrot recounts his early years in Warsaw and in Paris, where he was mentored by an eminent mathematician uncle, through his days evading the Nazis in occupied France, to his education at Caltech, Princeton, and MIT, and his illustrious career at the IBM Thomas J. Watson Research Center. An outside to mainstream scientific research, he managed to do what others had thought impossible: develop a new geometry that combines revelatory beauty with a radical way of unfolding formerly hidden scientific laws. In the process he was able to use geometry to solve fresh, real-world problems. With exuberance and an eloquent fluency, Benoit Mandelbrot recounts the high points of his fascinating life, offering us a glimpse into the evolution of his extraordinary mind. With full-color inserts and black-and-white photographs throughout.

Written in a style that is accessible to a wide audience, The Fractal Geometry of Nature inspired popular interest in this emerging field. Mandelbrot's unique style, and rich illustrations will inspire readers of all backgrounds.

A geometry able to include mountains and clouds now exists. I put it together in 1975, but of course it incorporates numerous pieces that have been around for a very long time. Like everything in science, this new geometry has very, very deep and long roots. Benoît B. Mandelbrot Introduction This enhanced and expanded edition of THE COLOURS OF INFINITY features an additional chapter on the money markets by the fractal master himself, Professor Benoît Mandelbrot. The DVD of the film associated with this book has been re-mastered especially for this edition with exquisite new fractal animations, which will take your breath away! Driven by the curious enthusiasm that engulfs many fractalistas, in 1994, Nigel Lesmoir-Gordon overcame enormous obstacles to raise the finance for, then shoot and edit the groundbreaking TV documentary from which this book takes its name. The film has been transmitted on TV channels in over fifty countries around the world. This book is not just a celebration of the discovery of the Mandelbrot set, it also brings fractal geometry up to date with a gathering of the thoughts and enthusiasms of the foremost writers and researchers in the field. As Ian Stewart makes clear in the opening chapter, there were antecedents for fractal geometry before 1975 when Mandelbrot gave the subject its name and began to develop the underlying theory.

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author’s basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: the cloud. On a literal level, this could be represented by the absence of the sky, as in Brunelleschi’s legendary first experiments with panels using perspective. Or it could be the vaporous swathes that Correggio uses to mediate between the viewer on earth and the heavenly prospect in his frescoed domes at Parma. Insofar as the cloud is a semiotic operator, interacting with the linear order of perspective, it also becomes a dynamic agent facilitating the creation of new types of pictorial space. (Damisch puts the signifer cloud between slashes to indicate that he deals with clouds as signs instead of realistic elements.) This way of looking at the history of painting is especially fruitful for the Renaissance and Baroque periods, but it is also valuable for looking at such junctures as the nineteenth century. For example, Damisch invokes Ruskin and Turner, who carry out both in theory and in practice a revision of the conditions of appearances of the cloud as a landscape feature. Even for the twentieth century, he has illuminating things to say about how his reading of cloud applies to the painters Leger and Batthus. In short, Damisch achieves a brilliant and systematic demonstration of a concept of semiotic interaction that touches some of the most crucial features of the Western art tradition.

Many are familiar with the beauty and ubiquity of fractal forms within nature. Unlike the study of smooth forms such as spheres, fractal geometry describes more familiar shapes and patterns, such as the complex contours of coastlines, the outlines of clouds, and the branching of trees. In this Very Short Introduction, Kenneth Falconer looks at the roots of the 'fractal revolution' that occurred in mathematics in the 20th century, presents the 'new geometry' of fractals, explains the basic concepts, and explores the wide range of applications in science, and in aspects of economics. This is essential introductory reading for students of mathematics and science, and those interested in popular science and mathematics. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

In this time of ecological crisis, all that is holy calls us into a more intimate partnership with the diverse and beautiful beings of this earth. In Finding Our Way Home, Myke Johnson reflects on her personal journey into such a partnership and offers a guide for others to begin this path. Lyrically expressed, it weaves together lessons from a chamomile flower, a small bird, a copper beech tree, a garden slug, and a forest fern, along with insights from Indigenous philosophy, environmental science, fractal geometry, childhood Catholic mysticism, the prophet Elijah, fairy tales, and permaculture design. This eco-spiritual journey also wrestles with the history of our society's destruction of the natural world, and its roots in the original theft of the land from Indigenous peoples. Exploring the spiritual dimensions of our brokenness, it offers tools to create healing. Finding Our Way Home is a ceremony to remember our essential unity with all of life.

Just 23 years ago Benoit Mandelbrot published his famous picture of the Mandelbrot set, but that picture has changed our view of the mathematical and physical universe. In this text, Mandelbrot offers 25 papers from the past 25 years, many related to the famous inkblot figure. Of historical interest are some early images of this fractal object produced with a crude dot-matrix printer. The text includes some items not previously published.

Publisher Description

In 1795 London, Jonathan Absey of the Home Office pursues dual investigations into French espionage in Britain and the still unsolved murder of his teenage daughter, a pursuit that leads to a bizarre society of astronomers called the Company of Titius whose quest for a long-lost star leads ever closer to his own probe. A first novel. 75,000 first printing.