The papers illustrate the different ways in which the Renaissance made use of its classical heritage.

This volume consists of original papers first read at Kings College, Cambridge, in 1969 at the International Conference on Classical Influences. The contributors are distinguished in a wide range of academic disciplines but all are concerned in one way or another with the spread and influence of classical, particularly Roman, civilisation through a number of European cultures from AD 500 to 1500. The book begins with the manuscript tradition - the contents, location and history of the literary remains that provide the basic evidence on which all research in this subject must to some extent rely. This leads naturally to a discussion of what classical texts were actually read and studied, when, where and by whom. The majority of contributors go on to examine the Roman tradition as a positive cultural on language, literature, philosophy and art. Classical civilisation is shown to be a live historical force whose survival consists rather in the creative responses and developments it has inspired than in the mere preservation of its physical relics.

Deals with the reality of the indigenous peoples of Europe - Thracians, Scythians, Celts, Germans, Etruscans, and other peoples of Italy, the Alps, and beyond.

This volume examines the progress of classical studies to the general history of ideas from 1650 to 1870.

Studies on the reception of the classical tradition are an indispensable part of classical studies. Understanding the importance of ancient civilization means also studying how it was used subsequently. This kind of approach is still relatively rare in the field of Byzantine Studies. This volume, which is the result of the range of interests in (mostly) non-English-speaking research communities, takes an important step to filling this gap by investigating the place and dimensions of ‘Byzantium after Byzantium’. This collection of essays uses the idea of ‘reception-theory’ and expands it to show how European societies after Byzantium have responded to both the reality, and the idea of Byzantine Civilisation. The authors discuss various forms of Byzantine influence in the post-Byzantine world from architecture to literature to music to the place of Byzantium in modern political debates (e.g. in Russia). The intentional focus of the present volume is on those aspects of Byzantine reception less well-known to English-reading audiences, which accounts for the inclusion of Bulgarian, Czech, Polish and Russian perspectives. As a result this book shows that although so-called 'Byzantinism' is a pan-European phenomenon, it is made manifest in local/national versions. The volume brings together specialists from various countries, mainly Byzantinists, whose works focus not only on Byzantine Studies (that is history, literature and culture of the Byzantine Empire), but also on the influence of Byzantine culture on the world after the Fall of Constantinople.

The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.