Written like a detective story, this book explores the spirituality of one of the world's most beloved artists, Vincent van Gogh, through one of Western art's most mysterious paintings, The Night Café. Done in almost garish colors, the work depicts a late night in a café serving a poorer element of society, and Van Gogh himself saw both destructive forces and gaiety in the work. With author Cliff Edwards, we follow a trail of clues from a Yale art gallery to a neighborhood in Arles, from a novel by Émile Zola to a largely forgotten image of Jesus that hung in Van Gogh's bedroom. We enter the imagination of Van Gogh through the books he read, the art he admired, and the people with whom he identified, and arrive at startling conclusions that include a new and deeply spiritual understanding of a café after midnight and the "night prowlers" who inhabit it.

Vincent van Gogh’s life and work are so intertwined that it is hardly possible to see his pictures without reading in them the story of his life, a life which has been described so many times that it is by now the stuff of legend. Van Gogh is the incarnation of the suffering, the misunderstood martyr of modern art, the emblem of the artist as an outsider. “When one lives with others and is bound by feelings of affection, then one realises that one has a reason for living, that one may not be utterly worthless and expendable, but is perhaps good for something, since we need one another and are journeying together as compagnons de voyage. But our proper sense of self-esteem is also highly dependent upon our relationship with others. A prisoner who is condemned to solitude, who is prevented from working, etc., will in the long run, especially if the run is too long, suffer from the effects as surely as one who has gone hungry too long. Like everyone else, I need friendly or affectionate relationships or intimate companionship, and am not made of stone or iron like a pump or a lamppost…”

One of the most significant and revealing paintings by the world famous artist Vincent van Gogh was never seen by anyone but the artist himself. The painting was so important to the artist that he painted it twice. He was so conflicted about the painting that he destroyed it twice. Cliff Edwards argues these two unique paintings Vincent created and destroyed are at least as important to understanding the artist and his work as are the two thousand or more paintings and drawings that do exist. In Van Gogh's Ghost Paintings, Edwards invites his readers on a journey that begins in a Zen master's room in Japan and ends at a favorite site of the artist, a ruined monastery and its garden in the south of France. Recovering the intent of van Gogh and the nature of his "ghost paintings" becomes a "zen koan" waiting to be solved. The solution offers access to the deepest levels of the artist's life as painter and spiritual pilgrim. The journey leads to the artist's choice of the biblical theme of the Garden of Gethsemane. The answer to the mystery of the lost paintings illuminates the relationship of joy and suffering, discovery and creation, religion and the arts in van Gogh's life and work. In this fascinating book Edwards solves a long-ignored mystery that provides a critical key to the relation of van Gogh's religion and art.

The compelling story of how Vincent van Gogh developed his audacious, iconic style by immersing himself in the work of others, featuring hundreds of paintings by Van Gogh as well as the artists who inspired him—from the New York Times bestselling co-author of Van Gogh: The Life “Important . . . inspires us to look at Van Gogh and his art afresh.”—Dr. Chris Stolwijk, general director, RKD–Netherlands Institute for Art History Vincent van Gogh’s paintings look utterly unique—his vivid palette and boldly interpretive portraits are unmistakably his. Yet however revolutionary his style may have been, it was actually built on a strong foundation of paintings by other artists, both his contemporaries and those who came before him. Now, drawing on Van Gogh’s own thoughtful and often profound comments about the painters he venerated, Steven Naifeh gives a gripping account of the artist’s deep engagement with their work. We see Van Gogh’s gradual discovery of the subjects he would make famous, from wheat fields to sunflowers. We watch him experimenting with the loose brushwork and bright colors used by Édouard Manet, studying the Pointillist dots used by Georges Seurat, and emulating the powerful depictions of the peasant farmers painted by Jean-François Millet, all vividly illustrated in nearly three hundred full-color images of works by Van Gogh and a variety of other major artists, including Claude Monet, Paul Gauguin, and Henri de Toulouse-Lautrec, positioned side by side. Thanks to the vast correspondence from Van Gogh to his beloved brother, Theo, Naifeh, a Pulitzer Prize winner, is able to reconstruct Van Gogh’s artistic world from within. Observed in eloquent prose that is as compelling as it is authoritative, Van Gogh and the Artists He Loved enables us to share the artist’s journey as he created his own daring, influential, and widely beloved body of work.