The descent of Jesus Christ to the dead has been a fundamental tenet of the Christian faith, as indicated by its inclusion in both the Apostles' and Athanasian Creeds. But it has also been the subject of suspicion and scrutiny, especially from evangelicals. Led by the mystery and wonder of Holy Saturday, Matthew Emerson offers an exploration of the biblical, historical, theological, and practical implications of the descent.

This in-depth study on the realm of death presents a message of hope held by the first generation of Christians and the early church. Using Scripture, patristic tradition, early Christian poetry, and liturgical texts, Archbishop Hilarion explores the mysterious and enigmatic event of Christ⿿s descent into Hades and its consequences for the human race. Insisting that Christ entered Sheol as Conqueror and not as victim, the author depicts the Lord⿿s descent as an event of cosmic significance opening the path to universal salvation. He also reveals Hades as a place of divine presence, a place where the spiritual fate of a person may still change. Reminding readers that self-will remains the only hindrance to life in Christ, he presents the gospel message anew, even in the shadow of death.

Born in controversy and raised in university settings, the Lutheran reform movement was embroiled immediately, publicly, and perennially in theological disputes and political battles. While controversies during Martin Luther's lifetime centered on disagreements with Rome and Geneva, present and later differences emerged over interpreting Luther's and Melanchthon's theologies on such issues as governmental interference, liturgical practices, justification's implications for good works and sin, the Lord's supper, and election. It is this defining dis-concord, alternating with attempts at concord and conciliation, that is reflected in the documents newly translated in this indispensable documentary companion to The Book of Concord, which includes the works of Agricola, Eck, Chemnitz, Melanchthon, and Luther.

Where was Christ's soul between his death and resurrection? Was it in heaven? Did it descend to the dead? This book answers that question, in two parts. The first half of the book is dedicated to exegesis, looking at what the Scriptures tell us about this important issue. The second half of the book is dedicated to historical sources relating to the doctrine of the descent in Protestant Churches in the sixteenth and seventeenth centuries.

The credal affirmation, 'he descended to the dead', has attracted a plethora of views over the centuries and many Christians today struggle to explain the meaning of these words. This book explores various interpretations of the doctrine of Christ's descent to the dead, both within particular historical contexts and within contemporary theology. Laufer argues that the descensus clause, Christ's descent, is integral to Christian faith, specifically to the doctrine of the incarnation. If we are to affirm that, in Christ, God became truly human then that affirmation must include his sharing in the state of being dead that is the ultimate consequence of being human. Laufer concludes that, since the Son has experienced genuine human death and the separation from God which is the essence of hell, there is no longer any human condition from which God is absent, either in this life or in eternity. Christ's descent means that he is truly 'hell's destruction'. Drawing on a treasure trove of writings from the western theological tradition, including Luther, Calvin, Maurice, Balthasar, Moltmann and others, and attending to historical, theological, exegetical, philosophical and pastoral issues, this book explores an often-ignored doctrine which lies at the core of Christian life, death and faith.

He descended into hell. Hans Urs von Balthasar, one of the most influential theologians of the twentieth century, placed this affirmation of the Nicene Creed at the heart of his reflection on the world-altering events of Holy Week, asserting that this identification of God with the human experience is at the "absolute center" of the Christian faith. Yet is such a descent to suffering really the essence of Catholic belief about the mystery of Holy Saturday? Alyssa Lyra Pitstick's Light in Darkness -- the first comprehensive treatment of Balthasar's theology of Holy Saturday -- draws on the multiple yet unified resources of authoritative Catholic teaching on Christ's descent to challenge Balthasar's conclusions. Pitstick conducts a thorough investigation of Balthasar's position that Christ suffered in his descent into hell and asks whether that is compatible with traditional teaching about Christ. Light in Darkness is a thorough argument for the existence and authority of a traditional Catholic doctrine of Christ's descent as manifested in creeds, statements of popes and councils, Scripture, and art from Eastern and Western traditions. Pitstick's carefully argued, contrarian work is sure to spur debate across the theological spectrum.

In this provocative, classic metaphysical thriller, a group of suburban amateur actors plagued by personal demons and terrors explore the pathways to heaven and hell Certain inhabitants of Battle Hill, a small community on the outskirts of London, are preparing to mount a new play by the neighborhood’s most illustrious resident, the writer Peter Stanhope. Each actor struggles with self-absorption, doubt, fear, and sin. But “the Hill” is not like other places. Here the past and present intermingle, ghosts walk among the living, and reality is often clouded by dreams and the dark fantastic. For young Pauline Anstruther, who is caring for an aging grandmother and frightened by the specter of a doppelgänger who gets closer with each visitation, the prospect of heaven exists in the renowned playwright’s willingness to bear the burden of her terror. For eminent historian Lawrence Wentworth, the rejection of his desire pulls him deeper inside himself, leaving him vulnerable to the lure of the succubus and opening wide the entrance to hell. A brilliant theological thriller, Descent into Hell is an extraordinary fictional meditation on sin and personal salvation by one of the twentieth century’s most original and provocative literary artists. Charles Williams, a member of the Inklings alongside fellow Oxfordians C. S. Lewis, J. R. R. Tolkien, and Owen Barfield, has written a powerful work at once profoundly disturbing and gloriously uplifting, an ingenious amalgam of metaphysics, religious thought, and darkest fantasy.

Gustaf Aulen's classic work, 'Christus Victor', has long been a standard text on the atonement. Aulen applies history of ideas' methodology to historical theology in tracing the development of three views of the atonement. Aulen asserts that in traditional histories of the doctrine of the atonement only two views have usually been presented, the objective/Anselmian and the subjective/Aberlardian views. According to Aulen, however, there is another type of atonement doctrine in which Christ overcomes the hostile powers that hold humanity in subjection, at the same time that God in Christ reconciles the world to Himself. This view he calls the "classic" idea of the atonement. Because of its predominance in the New Testament, in patristic writings, and in the theology of Luther, Aulen holds that the classic type may be called the distinctively Christian idea of the atonement.

Not since Betty Eadie’s Embraced by the Light has a personal account of a Near-Death Experience (NDE) been so utterly different from most others—or nearly as compelling. "This is a book you devour from cover to cover, and pass on to others. This is a book you will quote in your daily conversation. Storm was meant to write it and we were meant to read it." —from the foreword by Anne Rice In the thirty years since Raymond Moody’s Life After Life appeared, a familiar pattern of NDEs has emerged: suddenly floating over one’s own body, usually in a hospital setting, then a sudden hurtling through a tunnel of light toward a presence of love. Not so in Howard Storm’s case. Storm, an avowed atheist, was awaiting emergency surgery when he realized that he was at death’s door. Storm found himself out of his own body, looking down on the hospital room scene below. Next, rather than going “toward the light,” he found himself being torturously dragged to excruciating realms of darkness and death, where he was physically assaulted by monstrous beings of evil. His description of his pure terror and torture is unnerving in its utter originality and convincing detail. Finally, drawn away from death and transported to the realm of heaven, Storm met angelic beings as well as the God of Creation. In this fascinating account, Storm tells of his “life review,” his conversation with God, even answers to age-old questions such as why the Holocaust was allowed to take place. Storm was sent back to his body with a new knowledge of the purpose of life here on earth. This book is his message of hope.

What does it mean to affirm that Jesus "descended into hell?" What actually happened to Jesus between Good Friday and Easter? Was this "descent" part of his suffering or part of his triumph? And why does it matter today?With a theologian's research, a pastor's heart and a poet's sensibility, Gerrit Dawson explores the answers given through the centuries to these questions. By using a narrative approach, Dawson achieves a unique synthesis of previously competing views. He shows that the ancient idea of the harrowing of hell, the Reformed view of "hell on the cross" and the 20th century recognition of the darkness of Holy Saturday can all work together. Far from being a discardable doctrine, the descent offers a unique window on the person and work of Christ, one we urgently need to open for the worship and mission of the Church today.