of the Pope." --Book Jacket.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now, Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are. Penguin's Great Ideas series features twelve groundbreaking works by some of history's most prodigious thinkers, and each volume is beautifully packaged with a unique type-drive design that highlights the bookmaker's art. Offering great literature in great packages at great prices, this series is ideal for those readers who want to explore and savor the Great Ideas that have shaped the world. Edward Gibbon's subversive and iconoclastic description of the rise of Christianity inspired outrage upon publication, and remains one of the most eloquent and damning indictments of the delusory nature of faith.

This biographical narrative is a detailed portrayal of the life and career of the first Christian emperor Constantine the Great (273 – 337). Combining vivid narrative and historical analysis, Charles Odahl relates the rise of Constantine amid the crises of the late Roman world, his dramatic conversion to and public patronage of Christianity, and his church building programs in Rome, Jerusalem and Constantinople which transformed the pagan state of Roman antiquity into the Christian empire medieval Byzantium. The author’s comprehensive knowledge of the literary sources and his extensive research into the material remains of the period mean that this volume provides a more rounded and accurate portrait of Constantine than previously available. This revised second edition includes: An expanded and revised final chapter A new Genealogy and an expanded Chronology New illustrations Revised and updated Notes and Bibliography A landmark publication in Roman Imperial, early Christian, and Byzantine history, Constantine and the Christian Empire will remain the standard account of the subject for years to come.

This “knowledgeable account” of the emperor who brought Christianity to Rome “provides valuable insight into Constantine’s era” (Kirkus Reviews). “By this sign conquer.” So began the reign of Constantine. In 312 A.D. a cross appeared in the sky above his army as he marched on Rome. In answer, Constantine bade his soldiers to inscribe the cross on their shield, and so fortified, they drove their rivals into the Tiber and claimed Rome for themselves. Constantine led Christianity and its adherents out of the shadow of persecution. He united the western and eastern halves of the Roman Empire, raising a new city center in the east. When barbarian hordes consumed Rome itself, Constantinople remained as a beacon of Roman Christianity. Constantine is a fascinating survey of the life and enduring legacy of perhaps the greatest and most unjustly ignored of the Roman emperors—written by a richly gifted historian. Paul Stephenson offers a nuanced and deeply satisfying account of a man whose cultural and spiritual renewal of the Roman Empire gave birth to the idea of a unified Christian Europe underpinned by a commitment to religious tolerance. “Successfully combines historical documents, examples of Roman art, sculpture, and coinage with the lessons of geopolitics to produce a complex biography of the Emperor Constantine.” —Publishers Weekly

A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.

Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford

Cover -- Contents -- List of Illustrations -- Introduction. A Forgotten Empress -- 1 The "Most Noble" Princess: 379-395 -- 2 Orphan Princess in Stilicho's Shadow: 395-408 -- 3 Held Hostage by the Goths: 408-412 -- 4 Queen of the Visigoths: 411-416 -- 5 Wife and Mother in Ravenna: 416-424 -- 6 Empress of the Romans: 424-437 -- 7 The Empress Mother and Her Children: 438-455 -- Epilogue. The Fall of the Western Empire: 455-476 -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z.

Do the terms 'pagan' and 'Christian,' 'transition from paganism to Christianity' still hold as explanatory devices to apply to the political, religious and cultural transformation experienced Empire-wise? Revisiting 'pagans' and 'Christians' in Late Antiquity has been a fertile site of scholarship in recent years: the paradigm shift in the interpretation of the relations between 'pagans' and 'Christians' replaced the old 'conflict model' with a subtler, complex approach and triggered the upsurge of new explanatory models such as multiculturalism, cohabitation, cooperation, identity, or group cohesion. This collection of essays, inscribes itself into the revisionist discussion of pagan-Christian relations over a broad territory and time-span, the Roman Empire from the fourth to the eighth century. A set of papers argues that if 'paganism' had never been fully extirpated or denied by the multiethnic educated elite that managed the Roman Empire, 'Christianity' came to be presented by the same elite as providing a way for a wider group of people to combine true philosophy and right religion. The speed with which this happened is just as remarkable as the long persistence of paganism after the sea-change of the fourth century that made Christianity the official religion of the State. For a long time afterwards, 'pagans' and 'Christians' lived 'in between' polytheistic and monotheist traditions and disputed Classical and non-Classical legacies.

Completely revised and updated for the modern-day pilgrom. The author's intimate knowledge of Rome and his readable style offer both pilgrims and ordinary visitors a chance to explore this fascinating city in detail. COmplete with simplified route maps and information on trips from Rome, together with black-and-white photographs.