For the first thirteen years of her life, Flor Edwards grew up in the Children of God. The group's nomadic existence was based on the belief that, as God's chosen people, they would be saved in the impending apocalypse that would envelop the rest of the world in 1993. Flor would be thirteen years old. The group's charismatic leader, Father David, kept the family on the move, from Los Angeles to Bangkok to Chicago, where they would eventually disband, leaving Flor to make sense of the foreign world of mainstream society around her. Apocalypse Child is a cathartic journey through Flor's memories of growing up within a group with unconventional views on education, religion, and sex. Whimsically referring to herself as a real life Kimmy Schmidt, Edwards's clear-eyed memoir is a story of survival in a childhood lived on the fringes.

On a beautiful spring afternoon in San Francisco a deadly toxin is released. A small group of survivors, desperate to stay alive, must travel through a gauntlet of raging corpses.Through a priest, they gain access to a partial antidote. Holing up in a hospital in an attempt to create a safe zone, everything they believe in will be questioned. Faith will be lost. Lives will be surrendered. Heroes will rise.

This is not the Africa of Isak Dinesen, nor the Africa of Joy Adamson. This is the Africa of civil wars and tribal massacres, where the Lord’s Resistance Army recruits child-soldiers after forcing them to kill their parents and eat their hearts. The aid workers who voluntarily subject themselves to life here are a breed of their own. Meet Hickey, an American school teacher in his late thirties, an American school teacher who burns his bridges with the school board and goes to Africa as an aid worker. Working for an agency in Nairobi, one of his jobs is to drive food and medical supplies to Southern Sudan to an aid station run by Ruth, a middle-aged woman, who acts as nurse, doctor, hospice worker, feeder of starving children, and witness. Ruth is gruff but efficient, and Hickey, who is usually drawn to youth and beauty, is struck by her devotion. Returning to Nairobi, he can’t forget what he has seen. When the violence and chaos in the region increase to a fever pitch and aid workers are being slaughtered or evacuated, Hickey is asked to save Ruth overland by Jeep. What happens to them and the children that have joined their journey is the searing climax of this novel. Hoagland paints an unflinching portrait of a living hell at its worst, and yet amid that suffering there is hope in the form of humility, sacrifice, and life-affirming friendship.

Ellen White's two thousand visions, revered by her twenty million disciples, were doctrinally inspired by William Miller, who fathered the largest millennial movement in US history. He and Samuel Snow, during the movement's climax, the "Midnight Cry," predicted Christ's Second Coming for exactly October 22, 1844, on the basis of fifteen proof-texts. Ellen was twelve, suffering from severe brain trauma and the conviction that she was hell-bound, when Miller converted her. By sixteen she became convicted that she was having divine dreams and visions confirming Miller's prophetic role and message. When Miller's predictions failed and he repudiated his own predictions, Ellen announced that God had commanded her to endorse Miller's failed "Midnight Cry" as divinely inspired, and her authority replaced Miller's in the "shut-door" faction of ex-Millerites who evolved into the Seventh-day Adventist church. Miller claimed that his dogmas were the result of merely allowing the Bible to interpret itself and that his method was literal commonsense. White seconded this claim and said God's angels routinely guided Miller's interpretations. However, not only were his interpretations falsified, but examination reveals them to be farfetched allegorical treatments of parables. Nonetheless, White's visions and SDA theology still retain many of Miller's falsified predictions.

A manifesto for the despairing children of the eleventh hour, this book deals with the issues that are tearing apart the fabric of innocence: suicide, insanity, drugs, violence, the occult, the apocalypse, and finally our salvation, suffering, and resurrection our of the depths of the modern wasteland. It offers a painfully honest appraisal of society form the perspective of the young who are hurt and in despair, and shows how many of their "punk values" become much more meaningful when viewed in the context of authentic Eastern Orthodox Christianity -- particularly within monasticism.

Sid, Axl, and Ivan volunteer to make a late-night fast-food run for the high school theater crew, and when they return, they find themselves. Not in a deep, metaphoric sense: They find copies of themselves onstage. As they look closer, they begin to realize that the world around them isn’t quite right. Turns out, when they went to the taco place across town, they actually crossed into an alien dimension that’s eerily similar to their world. The aliens have made sinister copies of cars, buildings, and people—and they all want to get Sid, Axl, and Ivan. Now the group will have to use their wits, their truck, and even their windshield scraper to escape! But they may be too late. They may now be copies themselves . . .

When Sam agrees to take his little sister, Lexie, to see the world's most popular boy band, Apocalips, he expects it to be bad. But he doesn't expect to get locked in a cupboard, to overhear the band plotting to destroy the world and to witness them disintegrate one of their own members. When no one believes him but his best friend, Milo, Sam is left with no option but to take part in a contest to join the band to try and save the world from Armageddon. To do this Sam will have to become someone he's never been before. With help from Milo and Lexi, he'll have to overcome the Four Horsewomen of the Apocalypse, pop Svengali Nigel Cruul, a dodgy haircut, and his complete inability to sing or dance. Still, it's not the end of the world. Not yet anyway.

Trapped in the shower by the monster that was once her husband, Morgan's survival hinges on her willingness to kill the man she loves. Realizing that his family needs him, Max takes a risk and runs away from his post in the army, effectively becoming a deserter. In the shadowy streets of Johannesburg, Captain Breytenbach and his team stumble across a horrific scene. One that will haunt his dreams forever, but also lead to a love he could never have imagined. As the sun sets against the backdrop of the Free State veldt and living nightmares walk the streets in the shape of their loved one's bodies, humanity's last hope rests in the hands of ordinary men and women called to do extraordinary things. Can they Last Another Day?

A powerful post-nuclear holocaust novel described by the author as, 'my cry against the monstrous weapons men have made'. Everyone thought, when the alarm bell rang, that it was just another fire practice. But the first bombs had fallen on Hamburg and Leningrad, the headmaster said, and a full-scale nuclear attack was imminent . . . It's a real-life nightmare. Sarah and her family have to stay cooped up in the tightly-sealed kitchen for days on end, dreading the inevitable radioactive fall-out and the subsequent slow, torturous death, which seems almost preferable to surviving in a grey, dead world, choked by dust. But then, from out of the dust and the ruins and the desolation, comes new life, a new future, and a whole brave new world...

Monsters aren’t real. Everyone knows that. Full of creepy-cool atmosphere and monstrous magic, this gripping middle grade debut will sink its claws into fans of supernatural adventures like Holly Black’s Doll Bones and Ellen Oh’s Spirit Hunters. When a sudden earthquake strands Celia’s parents out of town, she finds herself on her own in a shaken city. She tries to reach out to other kids around her apartment building. Some of them, like the sad boy named Demetri, seem wary of letting her too close. The others call themselves Hunters. They claim the earthquake was caused by monsters only kids can see. And they think Celia is destined to save the city. Celia doesn’t feel destined to save anything—but for the first time, she feels like maybe she’s seeing things as they really are….