French Connections examines how the movement of people, ideas, and social practices contributed to the complex processes and negotiations involved in being and becoming French in North America and the Atlantic World between the years 1600 and 1875. Engaging a wide range of topics, from religious and diplomatic performance to labor migration, racialization, and both imagined and real conceptualizations of “Frenchness” and “Frenchification,” this volume argues that cultural mobility was fundamental to the development of French colonial societies and the collective identities they housed. Cases of cultural formation and dislocation in places as diverse as Quebec, the Illinois Country, Detroit, Haiti, Acadia, New England, and France itself demonstrate the broad variability of French cultural mobility that took place throughout this massive geographical space. Nevertheless, these communities shared the same cultural root in the midst of socially and politically fluid landscapes, where cultural mobility came to define, and indeed sustain, communal and individual identities in French North America and the Atlantic World. Drawing on innovative new scholarship on Louisiana and New Orleans, the editors and contributors to French Connections look to refocus the conversation surrounding French colonial interconnectivity by thinking about mobility as a constitutive condition of culture; from this perspective, separate “spheres” of French colonial culture merge to reveal a broader, more cohesive cultural world. The comprehensive scope of this collection will attract scholars of French North America, early American history, Atlantic World history, Caribbean studies, Canadian studies, and frontier studies. With essays from established, award-winning scholars such as Brett Rushforth, Leslie Choquette, Jay Gitlin, and Christopher Hodson as well as from new, progressive thinkers such as Mairi Cowan, William Brown, Karen L. Marrero, and Robert D. Taber, French Connections promises to generate interest and value across an extensive and diverse range of concentrations.

Since the Second World War, Toronto's image as a rather staid, predominantly British community, has been transformed through massive immigration into what has been aptly described as a "salad bowl" of identifiable ethnic communities with their characteristic languages, neighbourhoods, shops, newspapers, radio programs and sporting events.

Remote and rugged, Michigan's Upper Peninsula (fondly known as "the U.P.") has been home to a rich variety of indigenous peoples and Old World immigrants--a heritage deeply embedded in today's "Yooper" culture. Ojibwes, French Canadians, Finns, Cornish, Poles, Italians, Slovenians, and others have all lived here, attracted to the area by its timber, mineral ore, and fishing grounds. Mixing local happenings with supernatural tales and creatively adapting traditional stories to suit changing audiences, the diverse inhabitants of the U.P. have created a wealth of lore populated with tricksters, outlaws, cunning trappers and poachers, eccentric bosses of the mines and lumber camps, "bloodstoppers" gifted with the lifesaving power to stop the flow of blood, "bearwalkers" able to assume the shape of bears, and more. For folklorist Richard M. Dorson, who ventured into the region in the late 1940s, the U.P. was a living laboratory, a storyteller's paradise. Bloodstoppers and Bearwalkers, based on his extensive fieldwork in the area, is his richest and most enduring work. This new edition, with a critical introduction and an appendix of additional tales selected by James P. Leary, restores and expands Dorson's classic contribution to American folklore. Engaging and well informed, the book presents and ponders the folk narratives of the region's loggers, miners, lake sailors, trappers, and townsfolk. Unfolding the variously peculiar and raucous tales of the U.P., Bloodstoppers and Bearwalkers reveals a vital component of Upper Midwest culture and a fascinating cross-section of American society.

This insightful book is by far the broadest examination of traditional Cajun culture ever assembled. It goes beyond the stereotypes and surface treatment given to Cajuns by the popular media and examines the great variety of cultural elements alive in Cajun culture today—cooking, music, storytelling, architecture, arts and crafts, and festivals, as well as traditional occupations such as fishing, hunting, and trapping. It not only gives fascinating descriptions of elements in Cajun life that have been woven into the fabric of American history and folklore; it also explains how they came to be. Cajun Country reveals the historical background of the Cajun people, who migrated to Louisiana as exiles from their Canadian homeland, and it shows their folklife as a living and ongoing legacy that enriches America.

This teeming compendium of tales assembles and classifies the abundant lore and storytelling prevalent in the French culture of southern Louisiana. This is the largest, most diverse, and best annotated collection of French-language tales ever published in the United States. Side by side are dual-language retellings—the Cajun French and its English translation—along with insightful commentaries. This volume reveals the long and lively heritage of the Louisiana folktale among French Creoles and Cajuns and shows how tale-telling in Louisiana through the years has remained vigorous and constantly changing. Some of the best storytellers of the present day are highlighted in biographical sketches and are identified by some of their best tales. Their repertory includes animal stories, magic stories, jokes, tall tales, Pascal (improvised) stories, and legendary tales—all of them colorful examples of Louisiana narrative at its best. Though greatly transformed since the French arrived on southern soil, the French oral tradition is alive and flourishing today. It is even more complex and varied than has been shown in previous studies, for revealed here are African influences as well as others that have been filtered from America's multicultural mainstream.

... Highlights the artistic achievements of seven prominent Canadian women artists: Marcelle Ferron, Anne Kahane, Rita Letendre, Gathie Falk, Joyce Wieland, Jerry Grey, and Colette Whiten ... who received most of the commissions awarded to women between 1958 and 1988.

Embark on a gripping journey with Gilbert Parker’s The Right of Way, a novel that masterfully blends drama and romance with an exploration of personal and societal conflicts. Set against a backdrop of compelling situations, the story delves into the complexities of morality and human relationships. As Parker’s narrative unfolds, you'll be drawn into a world where choices and consequences intersect in powerful ways. The novel presents a rich tapestry of character development and moral dilemmas, offering readers a thought-provoking look at the struggles and triumphs of its characters. But here’s a question to consider: How do the moral choices faced by the characters in The Right of Way reflect broader themes of justice and personal integrity? Can their experiences shed light on the nature of right and wrong in the context of human relationships and societal expectations? Explore the intricate world of The Right of Way, where each chapter uncovers the nuances of personal and ethical conflicts. This is more than just a story of drama and romance; it’s a profound examination of the choices that shape our lives and the paths we take. Are you ready to delve into the compelling narrative of The Right of Way? Discover a novel that intertwines drama with deep moral questions, providing a captivating and thought-provoking reading experience. Don’t miss the opportunity to explore this powerful tale. Purchase The Right of Way today and let the complex characters and their journeys captivate your imagination.