The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

From the Academy Award–winning Eternal Sunshine of the Spotless Mind (2004) and Academy Award–nominated Adaptation (2002) to the cult classic Being John Malkovich (1999), writer Charlie Kaufman is widely admired for his innovative, philosophically resonant films. Although he only recently made his directorial debut with Synecdoche, New York (2008), most fans and critics refer to “Kaufman films” the way they would otherwise discuss works by directors Woody Allen, Martin Scorsese, or the Coen brothers. Not only has Kaufman transformed our sense of what can take place in a film, but he also has made a significant impact on our understanding of the role of the screenwriter. The Philosophy of Charlie Kaufman, edited by David LaRocca, is the first collection of essays devoted to a rigorous philosophical exploration of Kaufman’s work by a team of capable and critical scholars from a wide range of disciplines. From political theorists to philosophers, classicists to theologians, professors of literature to filmmakers, the contributing authors delve into the heart of Kaufman’s innovative screenplays, offering not only original philosophical analyses but also extended reflections on the nature of film and film criticism.

'Adaptation' concerns Laroche, an eccentric collector of rare orchids (played by Chris Cooper), a journalist called Susan Orlean (played by Meryl Streep) who's writing his story and a screenwriter called Charlie Kaufman (played by Nicolas Cage), who, in adapting the resultant book, writes himself into the movie...

A DNA experiment threatens to decay the minds of mankind unless the genius who began this experiment can find a cure before he becomes the next victim.

"Charlie Kaufman & Duke Johnson's Anomalisa is a stop-motion animated film about a man crippled by the mundanity of his life. Michael (voiced by David Thewlis), a motivational speaker, hears everyone having, quite literally, the same voice and having the same face. From the passengers on the airplane to the employees at the hotel to his ex girlfriend, each of the characters (all voiced by Tom Noonan) have the same voices and faces. Until he meets Lisa (Jennifer Jason Leigh), a mousy woman with poor self-image who sounds and looks completely different than everyone else in the world. Michael and Lisa's instant attraction and affair quickly turns from exciting to boring, though, when she, too, begins to look and sound like everyone else. As Lisa's uniqueness fades, Michael becomes disenchanted, and returns home to his family and friends, all of whom look and sound alike. A meditation on life, love, wants, needs, and perceptions of self and others, Anomalisa upholds the cinematic tradition of Eternal Sunshine of the Spotless Mind, Adaptation., Being John Malkovich, and the filmmaker's other films. The book contains screen grabs from the film, an abridged screenplay, as well as behind-the-scenes images, including shots of the puppets being built, construction of the miniature sets, and the crew painstakingly positioning, and re-positioning the puppets and cameras for each frame of film. The book also contains a foreword written in the style of Studs Terkel's 1975 book, Working, in which a hotel bellman tells his story. Undeniably Kafumanesque in its tone and manner, readers will see this book as a physical embodiment of Kaufman & Johnson's vision."--Publisher's website.

New in the acclaimed series—the clever, colorful new comedy from the Academy Award®-nominated screenwriter of Being John Malkovich, the director of the award-winning BjÖrk music videos, and the producers at Good Machine—coming from Fine Line Features in April 2002. Charlie Kaufman's unconventional worldview is once again in evidence in this powerful satirical exploration of a civilization that idealizes both nature and culture. A philosophical burlesque about an obsessive scientist, a female naturalist, and their discovery—a man raised in the wild. The cast includes Patricia Arquette, Rhys Ifans, Miranda Otto, Tim Robbins, Robert Forster, Rosie Perez, and Mary Kay Place. Approx. 40 photos, color and b/w.

Joel discovers that his girlfriend has had her memories of their tumultuous relationship erased. Not wishing to be left behind he contacts the inventor of the technique to erase his memories too. The resulting confusion is only compounded when he rediscovers his passion for the girl he has forgotten.

Finalist for the International Booker Prize and the National Book Award A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss. ONE OF THE BEST BOOKS OF THE YEAR THE NEW YORK TIMES * THE WASHINGTON POST * TIME * CHICAGO TRIBUNE * THE GUARDIAN * ESQUIRE * THE DALLAS MORNING NEWS * FINANCIAL TIMES * LIBRARY JOURNAL * THE A.V. CLUB * KIRKUS REVIEWS * LITERARY HUB American Book Award winner

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal

From the legendary vice-chairman of Berkshire Hathaway, lessons in investment strategy, philanthropy, and living a rational and ethical life. “Spend each day trying to be a little wiser than you were when you woke up,” Charles T. Munger advises in Poor Charlie’s Almanack. Originally published in 2005, this compendium of eleven talks delivered by the legendary Berkshire Hathaway vice-chairman between 1986 and 2007 has become a touchstone for a generation of investors and entrepreneurs seeking to absorb the enduring wit and wisdom of one of the great minds of the 20th and 21st centuries. Edited by Peter D. Kaufman, chairman and CEO of Glenair and longtime friend of Charlie Munger—whom he calls “this generation’s answer to Benjamin Franklin”—this abridged Stripe Press edition of Poor Charlie’s Almanack features a brand-new foreword by Stripe cofounder John Collison. Poor Charlie’s Almanack draws on Munger’s encyclopedic knowledge of business, finance, history, philosophy, physics, and ethics—and more besides—to introduce the latticework of mental models that underpin his rational and rigorous approach to life, learning, and decision-making. Delivered with Munger’s characteristic sharp wit and rhetorical flair, it is an essential volume for any reader seeking to go to bed a little wiser than when they woke up.