The fear of chairmaking is gone! Worried that you don't have what it takes to create stunning and comfortable chairs? From getting the perfect angle to making sure the size is just right and that each chair is comfortable - chairmaking can be a daunting task for any woodworker. But, never fear! Author Kerry Pierce draws upon decades of professional chairmaking experience to provide a handful of simple jigs that take the fear out of chairmaking. This book shows you how to make a variety of styles and types of chairs, from a ladder-back Shaker chair to a continuous-arm Windsor chair. You'll learn how to weave tape and rush seats, carve and shape wooden seats and much more.

A complete treatise on building Windsor chairs, hand-illustrated by the author.

Windsor chairs are a beautiful and traditional feature in any home. Some three hundred years of tradition lie behind chairs made today. While sound joints are essential, it is the sensitive shaping of each component that leads to a fine chair. This lavish book celebrates their history and explains their heritage. It compares and contrasts the distinct Windsor designs from England and America. Tools, techniques and the selection of materials are extensively covered. Detailed plans and measurements for four chairs [two English, two American] are provided and allow makers on one side of the Atlantic to attempt a chair from the other side. A unique study of a magnificent 18th century armchair brings to life the 260 year old story told by the tool marks and other clues left by the maker. Guidance and techniques explain how to design your own chair from scratch, taking into account the anthropomorphic nature of these chairs and the messages they can send out.

An award-winning designer and builder demonstrates the key design elements behind all chairs and provides jig designs for simple construction.

This work provides an insight into the history of Welsh stick chairs and includes instructions on how to make a chair, covering methods of bending the wood for chair construction. Illustrations show each stage in the building process.

First published in 2002, Living Wood is both a practical manual and an inspirational guide, updating much of the information included in Mike's best-selling book Green Woodwork. Living Wood covers: • Becoming a green woodworke--Mike's story, from playing in the woodlands to owning a share in a woodland in Herefordshire • Buying, managing, and harvesting a woodland; • Developing woodland facilities, including tracks, steps, huts, a barn, a kitchen, and a compost toilet • Setting up a woodland workshop--plans for a shelter and updated designs for a shaving horse, a pole lathe, and other green wood-working tools and devices • Making ladder-back chairs, including cleaving, steam-bending, and techniques for ultra-tight joints without glue • Seating chairs with bark and with cord • A comprehensive list of suppliers, woodland organizations, and books Now in its fourth edition, Living Wood includes a selection of photographs of Mike’s latest workshop at Brookhouse Wood.

Originally published in 1964, The Englishman’s Chair is a history of English chairs, written as a continuous story from the 15th to the 20th Century and because of the revealing powers inherent in chair-making and design, it is also an unconventional footnote to English social history. The changes in taste, and fashion, the increase of skill, the introduction of new materials and the long battle between dignity and comfort are discussed, as is the impact that modern industrial designers have had on chair design.

Scenic effects involving rotating turntables, tracking stage wagons, and the vertical movement of curtains and painted drops have become common in both Broadway and Regional theatre productions. The machines that drive these effects range from small pneumatic cylinders pushing loads of a few pounds an inch or two, to 40 horsepower winches running multi-ton scenery at speeds 6 feet per second or more. Usually this machinery is designed by theatre technicians specifically for a particular show's effect. Compared to general industry, this design process is short, often only a few days long, it is done by one person, design teams are rare, and it is done in the absence of reference material specifically addressing the issues involved. The main goal of this book is to remedy this last situation. Mechanical Design for the Stage will be a reference for you that will: * provide the basic engineering formulas needed to predict the forces, torques, speeds, and power required by a given move * give a technician a design process to follow which will direct their work from general concepts to specific detail as a design evolves, and * show many examples of traditional stage machinery designs. The book's emphasis will be on following standard engineering design and construction practices, and developing machines that are functional, efficient to build, easily maintained, and safe to use.

The definitive work on the production of Windsor furniture, from one of America's premier authorities.