This book is published in English. St. Mungo, the founder of Scotland's largest city, was born around 525 AD. This makes him a contemporary of the legendary King Arthur of Britain, and situates him firmly in the sixth century, the so-called "lost century" when, in the breakdown of the Roman Empire, records were no longer kept and even the method of dating years was lost. Nothing was written about Mungo until the twelfth century, but his story was passed down by his people in the oral tradition. It is this story that Reginald Hale set out to trace, by visiting the places that tradition associates with Mungo's life. The scholarship and enthusiasm he brought to this task have helped to produce a book which not only fills a significant gap in our knowledge of a vital period in the history of Christianity, but also makes fascinating reading in its portrayal of a truly remarkable personality.

Edwin Morgan's restless imagination moved easily between multiple worlds, voices and identities. His own life story, told here for the first time, also reveals a range of identities - as academic, cultural activist, radical writer, international traveller, gay man and national poet. These identities were sometimes in conflict, or kept hidden and apart. Beyond the Last Dragon, written with his full support, explores hitherto unknown archive resources and creative work. It recounts an amazing and sometimes troubled career, using the poet's own letters, poems and plays from the 1930s to the present day to uncover the origins of his remarkable - and life-long - inventiveness and flair. All this is set against Edwin Morgan's moving struggle against 'the last dragon' of cancer, and to remain creatively alive in the face of suffering in the final years of his life. This prize-winning biography was published just days after the poet's death. James McGonigal now adds a new chapter to describe subsequent events.

A renewed Norse threat and an army of Picts raise the stakes as winter descends on the kingdom. Cardhu is lost to the Norse. Further inland a new settlement grows, in the shadow of a ruined tower with a history of its own. At last it seems as if the druid stones will be together again, allowing the place to be protected. But before the spell is cast, the druidess Méabh is abducted, forcing Donnell and his companions on a treacherous journey towards the great capital – where new armies gather. Men are lost along the way, and old adversaries return. But nothing can prepare them for the events that will unfold by the church of Cathures, on the shores of the great River Clud. The fourth instalment of the Druid Stones Saga, tales of Celtic history and magic set in 9th century Scotland.

The last three decades have seen unprecedented flourishing of creativity across the Scottish literary landscape, so that contemporary Scottish poetry constitutes an internationally renowned, award-winning body of work. At the heart of this has been the work of poets. As this poetry makes space for its own innovative concerns, it renegotiates the poetic inheritance of preceding generations. At the same time, Scottish poetry continues to be animated by writing from other places. The Edinburgh Companion to Contemporary Scottish Poetry is the definitive guide to this flourishing poetic scene. Its chapters examine Scottish poetry in all three of the nation's languages. It analyses many thematic preoccupations: tradition and innovation; revolutions in gender; the importance of place; the aesthetic politics of devolution. These chapters are complemented by extended close readings of the work of key poets that have defined this era, including Edwin Morgan, Kathleen Jamie, Don Paterson, Aonghas MacNeacail and John Burnside.