Reprint of the original, first published in 1883.

Examines Indian sculptures in color photographs and detailed explanations.

Drawing together intensive case studies from an international group of scholars, the editors explore the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation.

Drawing together an international group of scholars from a variety of disciplinary and cultural backgrounds, Colonialism and the Object explores the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation. The book includes intensive case-studies of objects from India, Pakistan, New Zealand, China and Africa, all of which were collected by, or exhibited in, the institutions of the British Empire, and key chapters address issues of radical identity across cultural barriers, and the hybird styles of objects which can emerge when cultures meet. Colonialism and the Object is essential reading for all those interested in post-colonial theory, museum studies, material culture and design history.

A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.