An introduction to and advice on book collecting with a glossary of terms and tips on how to identify first editions and estimated values for over 20,000 collectible books published in English (including translations) over the last three centuries-about half are literary titles in the broadest sense (novels, poetry, plays, mysteries, science fiction, and children's books); and the other half are non-fiction (Americana, travel and exploration, finance, cookbooks, color plate, medicine, science, photography, Mormonism, sports, et al).

First published in 1993. This annotated bibliography covers all material relating to A Tale o f Two Cities from Dickens’s first hints of it in his Book o f Memoranda to critical studies published in 1991. It is divided into three main parts: “Text,” “Studies,” and “Selected Bibliography.”

Includes entries for maps and atlases.

The history of printing, books, and libraries, is confined only to a limited extent within the boundaries of individual countries. There are, indeed, few historical developments which have played a more universal role, in reaction against all kinds of particularism, than type design, printing, book production, publishing, illustration, binding, librarianship, journal ism, and related subjects. Their history should be assessed and studied primarily in an international, not in a local, context. The bibliographical resources, however, which the historian of these sub jects has at his disposal correspond hardly at all to the essentially inter national character of the object of his studies. Since the appearance of the retrospective bibliography of BIG MORE and WYMAN, covering the subject comprehensively up to r88o, the only current bibliography has been the lnternationale Bibliographie des Buck-und Bi bliothekswesens. Covering a representative part of newly published liter ature, it appeared from rgz8, but did not survive the Second World War. More recently, several useful, but limited, bibliographies have appeared.

This volume places Dickens at the centre of a dynamic and expanding Victorian print world and tells the story of his career against a background of options available to him. The collection describes a world animated by outpourings of print materials: books, serials, newspapers, periodicals, libraries, paintings and prints, parodies and plagiarisms, censorship, advertising, as well as theatre and other entertainment, and celebrity. It also shows this period as driven by a growing and more literate population, and undergirded by a general conviction that writing was a crucial component of governance and civic culture. The extensive introduction and selected articles anchor Dickens's attempts to establish better conditions for writers regarding copyright protection, pay, status, recognition, and effectiveness in altering public policy. They speak about Dickens's life as playwright, journalist, novelist, editor, magazine publisher, theatrical producer, actor, lecturer, reader of his own works, supporter of charities for impoverished authors and fallen women, exponent of a morality of Christian compassion and domestic affections sometimes put into question by his own actions, proponent and critic of British nationalism, and champion of education for all. This selection of essays and articles from previously published accounts by internationally renowned scholars is of interest to all students and professionals who are fascinated by the composition, manufacture, finance, formats, pictorializations, sales, advertising and influence of Dickens's writing.

'One of the best social commentators on Dickens...models of historical scholarship.'- Gertrude Himmelfarb, Distinguished Professor of History, City University of New York. This classic of Dickens criticism, now in its third edition, provides a fascinating insight into Dickens's thinking and writing on crime. Extraordinary in character, as well as literary skill, he displayed a shrewd insight into the criminal character, whilst demanding tough penalties for those who broke the law. At one stage attracted to a career as a metropolitan magistrate, Dickens turned instead to fiction and discovered there an outlet for his enduring fascination with the darker side of human nature. Thieves, cheats and murderers people the pages of his novels, few of which are without some serious crime. But the treatment of crime for Dickens was far more than an authorial device: it was a focal point for his deep concern with social problems and played a vital role in his attempt to understand these ills. Dickens and Crime continues to be one of the most significant and illuminating studies into Dickens's creative imagination, and its reappearance in print will be warmly welcomed by scholars and general readers alike.