A novel that became an award-winning play and a major film, and that has charmed generations of readers, The Member of the Wedding is a story of the inimitable twelve-year-old Frankie, who is utterly bored with her life until she hears about her older brother’s wedding. Bolstered by lively conversations with her house servant, Berenice, and her six-year-old cousin—and her own unbridled imagination—Frankie takes on an overly active role in the wedding, even hoping to go (uninvited) on the honeymoon. This story is a marvelous study of the agony of adolescence and of wanting to be part of something larger and more accepting than yourself. The Member of the Wedding showcases Carson McCullers at her most sensitive, astute, and lasting best. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

In one volume, the complete short fiction of the author of The Heart Is a Lonely Hunter, including her two most renowned novellas. Carson McCullers—novelist, dramatist, poet—was at the peak of her powers as a writer of short fiction. Here are nineteen stories that explore her signature themes including loneliness in marriage and the tragicomedy of life in the South. Included in this volume are “The Member of the Wedding” and “The Ballad of the Sad Café,” novellas that Tennessee Williams judged to be “assuredly among the masterpieces of our language.” “McCullers patented the Southern gothic genre that embraces grotesque, morbid characters with such pervading themes as unrequited love and wounded adolescence. Largely set in the South and richly autobiographical, her writings have endured because of their great power and originality.” —Library Journal

A Southern woman is undone by love and gossip in the classic novella, one of seven stories in this “brilliant . . . panorama of remarkable talent” (The New York Times). One of the most celebrated and enduringly popular works in Southern literature, this collection assembles Carson McCullers’s best stories, including her beloved novella “The Ballad of the Sad Café.” A haunting tale of love and violence in a small Southern town, the novella introduces readers to Miss Amelia, a formidable woman whose home serves as the town’s gathering place. Among other fine works, the collection also includes McCullers’s first published story, “Wunderkind,” about a musical prodigy who suddenly realizes she will not go on to become a great pianist. First published in 1951, The Ballad of the Sad Café was adapted for the stage by the Edward Albee and later made into a film starring Vanessa Redgrave and Keith Carradine. “McCullers's finest stories.” —The New York Times

A reprint of the 1941 novel about the sad and tragic lives of the Pendertons and the Langdons, two military couples living on an army base in the American South in the 1930s.

The Lonely Hunter is widely accepted as the standard biography of Carson McCullers. Author of such landmarks of modern American fiction as Reflections in a Golden Eye and The Ballad of the Sad Café, Carson McCullers was the enfant terrible of the literary world of the 1940s and 1950s. Gifted but tormented, vulnerable but exploitative, McCullers led a life that had all the elements--and more--of a tragic novel. From McCullers's birth in Columbus, Georgia, in 1917 to her death in upstate New York in 1967, The Lonely Hunter thoroughly covers every significant event in, and aspect of, the writer's life: her rise as a young literary sensation; her emotional, artistic, and sexual eccentricities and entanglements; her debilitating illnesses; her travels in America and Europe; and the provenance of her works from their earliest drafts through their book, stage, and film versions. To research her subject, Virginia Spencer Carr visited all of the important places in McCullers's life, read virtually everything written by or about her, and interviewed hundreds of McCullers's relatives, friends, and enemies. The result is an enduring, distinguished portrait of a brilliant, but deeply troubled, writer.

An absorbing collection of writings about gay and lesbian life in the South.

The classic tale of marriage, infidelity, and homosexual yearning on a Southern army base by the acclaimed author of The Ballad of the Sad Café. Georgia, 1930s. Army bases are notoriously boring places during peacetime, but the quiet life of Captain Penderton is thrown into turmoil by the arrival of dashing ladies’ man Major Langdon. Penderton’s marriage has always been tempestuous, but when his wife Leonora begins an affair with Langdon, Penderton finds himself increasingly unable to mask his attraction to the handsome young private he has assigned to do his yard work. And tensions rise to explosive levels as that private develops a dangerous infatuation with Leonora. A scandal when it was first published in 1941, Reflections in a Golden Eye was later adapted into a film starring Marlon Brando, Elizabeth Taylor, and Robert Forester.

A challenge to traditional criticism, this engaging study demonstrates that issues of sexuality-and same-sex desire in particular-were of central importance in the literary production of the Southern Renaissance. Especially during the end of that period-approximately the 1940s and 1950s-the national literary establishment tacitly designated the South as an allowable setting for fictionalized deviancy, thus permitting southern writers tremendous freedom to explore sexual otherness. In Lovers and Beloveds, Gary Richards draws on contemporary theories of sexuality in reading the fiction of six writers of the era who accepted that potentially pejorative characterization as an opportunity: Truman Capote, William Goyen, Harper Lee, Carson McCullers, Lillian Smith, and Richard Wright. Richards skillfully juxtaposes forgotten texts by those writers with canonical works to identify the complex narratives of same-sex desire. In their novels and stories, the authors consistently reimagine gender roles, centralize homoeroticism, and probe its relationship with class, race, biological sex, and southern identity. This is the first book to assess the significance of same-sex desire in a broad range of southern texts, making a crucial contribution to the study of both literature and sexuality.

“Essential reading for any serious beginning writer . . . illuminating.” —San Francisco Chronicle Carson McCullers is renowned for her Southern Gothic fiction and for such modern classics as The Member of the Wedding. This collection includes an assortment of her earliest work, written mostly before she was nineteen. Included are stories, essays, articles, poems, and writing about writing—including the working outline of “The Mute,” which would become her bestselling novel The Heart is a Lonely Hunter—as well as an introduction by Joyce Carol Oates. As new generations continue to discover the work of Carson McCullers, this volume provides both an enjoyable read and an inspiring look at the beginning of a brilliant literary career.