The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

Caucasian flat-woven carpets and textiles are explored in a fascinating text and 436 beautiful color photographs, including kilims, zilis, khorjins, and mafrash bedding bags. Weaving styles by the nomadic, indigenous peoples include a rich mixture of geometric and figurative forms recognized as uniquely Caucasian. Descriptions of the autor's field visits and investigation into the origins of these pieces are discussed through comparisons with artifacts in the Russian Ethnographic Museum in St. Petersburg.

Rich amalgam of Islamic and North African design styles; most on grids. 340 illus.

Advances in Carpet Manufacture, Second Edition, discusses the manufacture of carpets, an industry that has evolved over hundreds of years, also exploring the new changes and developments in textile science and manufacturing technology that occur every day. This updated edition provides revised, expanded and updated coverage of carpet manufacturing processes and applications. The book begins by reviewing the different types of carpets and their applications, also exploring the structure and properties of carpet materials. Carpet manufacturing techniques are then reviewed, including a new chapter on tufting and yarn manufacturing techniques, and design and manufacture for handmade carpets. Subsequent chapters review the development of carpets with important properties, including new chapters on carpets for acoustics and sound absorption, carpets with increased fire retardancy and those with antimicrobial and soil-resist finishes. With the variety of topics covered and its international team of contributors, the book offers a valuable and informative reference for technologists in the carpet and associated industries. However, it is also a great resource for researchers and students working in applied textile sciences. - Presented by an expert editor with many years of experience in both academic textile research and industry - Provides new research, technologies and other developments in carpet manufacture for academics and developers seeking to update their knowledge - Includes a strong focus on industry needs and developing areas with market potential

* Introduction to an unbelievably rich but previously unknown British private collection of Turkmen tribal carpets, rugs and trappings* Written by the leading expert of Turkmen textiles* See also Turkmen Carpets: The Hoffmeister Collection ISBN 9783897903425 by Elena TsarevaThe publication introduces for the first time the extraordinarily rich yet previously unknown British collection of Turkmen tribal carpets, rugs and trappings by Neville Kingston. The exceptional private collection forms the departure point for an exciting account of the development of the Turkmen weaving tradition, which lies at the heart of Eurasian textiles.Thanks to Elena Tsareva's extensive study of the art of Turkmen carpets in the light of archeological and historical data, a complex picture of central Asian textiles has emerged. It shows how every epoch has contributed to the fundamentals of carpet-weaving and enriched it with new motifs, compositions and techniques.

First published in Great Britain in 1994.

The engaging and accessible volume offers invaluable insights and novel perspectives on what is perhaps the most iconic of all Islamic art forms: the handwoven carpet. With a history stretching back to the fourteenth century and a geographic reach spanning Europe to Eurasia, Mongolia to the Middle East, Islamic carpets boast a degree of innovation and technical skill to rival the world's most exalted works of art. Beauty and brilliance emerge in equal measure from carpets of all forms be they colossal silk rugs exchanged as gifts by sultans and kings or small and sturdy textiles woven for use in nomadic encampments. Some sixty superlatives examples from the Metropolitan Museum's collection—from Persia, India, Turkey, North Africa, and across the Islamic world—are presented here in lavish detail, with concise and approachable texts that position each work in historical and cultural context. Beginning with a discussion of materials and techniques, How to Read Islamic Carpets offers a comprehensive introduction to this captivating art form, and reveals the lasting influence of carpet-weaving traditions in lands far beyond the Islamic world.

Issued in connection with an exhibition held at the Saint Louis Art Museum from March 6 to May 8, 2016.

Between 1400 and 1500 a design revolution in Persia swept away a 2000-year-old tradition of carpet design, replacing abstract geometric patterns with complex floral scrolls dominated by a central medallion derived from the Chinese cloud-collar shape. This revolution represents a major event in world art history, comparable to that which occurred at the same time in Renaissance Italy. It was followed over the next four centuries by a second revolution, during which the principal design elements of the first permeated carpet production at every level throughout Persia and continue to dominate it to this day. AUTHOR: Jim Ford worked for many years for the world-famous international oriental carpet import/export company OCM. In his career he followed in the illustrious footsteps of A. Cecil Edwards (author of The Persian Carpet, Duckworth 1953), as the company's rug-buying agent in Iran, before setting up his own business after the Iranian Revolution with his wife Barbara Lindsay Ford, designing and producing their own contemporary carpets in Nepal. He is the author of one of the best-selling oriental rug books of all time, Oriental Carpet Design: A Guide to Traditional Motifs, Patterns and Symbols, which has been subsequently reprinted on both sides of the Atlantic and translated into German and other languages. SELLING POINT: * Miniature paintings unlock the door to a thorough re-examination of the ubiquitous 'classical' medallion design in Persian carpets, revealing an artistic revolution comparable to that which occurred at the same time in Renaissance Italy 380 colour and 20 b/w photographs

Color photographs and descriptive text explore the skilled creation of rugs from Persia, Tibet, China, and India