Caribbeab-Opedia is a collection of profiles about individuals who contributed or made inputs to the development of our region. It serves as a foundation or starting point suitable for further development that will enhance knowledge about efforts that we as a people invested towards where we are today.

Tied Caribbean Icons is the second and last part of two part sequel of individuals from the West Indies who contributed towards the development of the region.

"The eight essays in this edition analyze Caribbean culture less as commodity to be consumed than as ontological device and discursive tool/weapon."--BOOK JACKET.

Icons of Power investigates why the image of the cat has been such a potent symbol in the art, religion and mythology of indigenous American cultures for three thousand years. The jaguar and the puma epitomize ideas of sacrifice, cannibalism, war, and status in a startling array of graphic and enduring images. Natural and supernatural felines inhabit a shape-shifting world of sorcery and spiritual power, revealing the shamanic nature of Amerindian world views. This pioneering collection offers a unique pan-American assessment of the feline icon through the diversity of cultural interpretations, but also striking parallels in its associations with hunters, warriors, kingship, fertility, and the sacred nature of political power. Evidence is drawn from the pre-Columbian Aztec and Maya of Mexico, Peruvian, and Panamanian civilizations, through recent pueblo and Iroquois cultures of North America, to current Amazonian and Andean societies. This well-illustrated volume is essential reading for all who are interested in the symbolic construction of animal icons, their variable meanings, and their place in a natural world conceived through the lens of culture. The cross-disciplinary approach embraces archaeology, anthropology, and art history.

This - one of a kind - book offers a comprehensive, almost encyclopedic presentation of statistical methods and analytic approaches used in science, industry, business, and data mining, written from the perspective of the real-life practitioner ("consumer") of these methods.

Over the last few decades Caribbean writers - performance poets, newspaper poets, singer-songwriters - have created a genuinely popular art form, a poetry heard by audiences all over the world. At the same time, even at its most literary, Caribbean poetry shares the vigour of the oral tradition. Writers like Nobel Prize winner Derek Walcott, and many other exciting new voices, are exploring ways of capturing the vitality of the spoken word on the page. Both of these traditions are represented in this lively anthology, which traces Caribbean verse from its roots to the present.

Comprising 17 chapters and with a wide geographic reach stretching from the Florida Keys in the north to the Guianas in the south, this volume places a well-needed academic spotlight on what is generally considered an integral topic in Caribbean and circum-Caribbean archaeology. The book explores a variety of issues, including the introduction and dispersal of early cultivars, plant manipulation, animal domestication, dietary profiles, and landscape modifications. Tried-and-true and novel analytical techniques are used to tease out aspects of the Caribbean and circum-Caribbean database that inform the complex and often-subtle processes of domestication under varying socio-environmental conditions. Contributors discuss their findings within multiple constructs such as neolithisation, social interaction, trade, mobility, social complexity, migration, colonisation, and historical ecology. Multiple data sources are used which include but are not restricted to rock art, cooking pits and pots, stable isotopes, dental calculus and pathologies, starch grains, and proxies for past environmental conditions. Given its multi-disciplinary approaches, this volume should be of immense value to both researchers and students of Caribbean archaeology, biogeography, ethnobotany, zooarchaeology, historical ecology, agriculture, environmental studies, history, and other related fields.

This book covers significant new ground, examining the impact and imprint of new leading technology on a range of popular expressions. This technology includes the internet, the computer, the cell phone, television, and radio, among others. Best argues that Caribbean culture has gone wireless, virtual, and simulated in the age of the machines.

"Ever since the collapse of the West Indies Federation in 1958, debate has raged on the subject of regional integration. In this collection, the contributors illustrate that Caribbean people s similarities far outweigh any drawbacks from their diversity. The survival and success of regional institutions in health, social services, youth empowerment, education and agriculture, among others, have served to create a common bond of understanding and appreciation of the oneness of the Caribbean people. While the regional integration movement is primarily an institutional activity, its success will depend largely on the impact on the people of the region by these institutions. The contributors argue that an approach which puts people a the centre of development is necessary for the construction and effective functioning of the CARICOM Single Market and Economy the linchpin of Caribbean survival in the new globalized dispensation. "

Colouring the Caribbean offers the first comprehensive study of Agostino Brunias’s intriguing pictures of colonial West Indians of colour – so called ‘Red’ and ‘Black’ Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race – made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias’s paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias’s work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time.