Never trust a spy! Nicoletta, the Countess Vilandry, is on a dangerous mission--to lure fellow spy Gabriel D'Arcy into bed and into revealing his true loyalties. With such sensual games at play and such strong sensations awakened, suddenly Nicky's dangerously close to exposing her real identity. Gabe knows that the countess has been sent to seduce him. The only question is to what end? He's never met such a captivating woman--and he's determined to enjoy every seductive second she spends as his very willing captive! "Plenty of tension and dangerous excitement blended with poignancy and passion." --RT Book Reviews on Falling for the Highland Rogue

New York Times bestselling author Karen Hawkins sets Scottish hearts afire in this delightfully witty and sexy Regency romance, the first in her Duchess Diaries series. Urged by her favorite nephew, the intimidating Duchess of Roxburghe agrees to transform a thorny Scottish rose into a lovely bloom. But even she isn’t prepared for fiery Rose Balfour. At seventeen, Rose fell wildly in love with Lord Alton Sinclair, known as Lord Sin for his wicked ways. Stung by his indifference, the starry-eyed girl tried to win an illicit kiss, but then panicked and pushed the notorious rakehell into a fountain. Leaving Lord Sin floating among the lily pads to the mocking laughter of his peers, Rose escaped back to the obscurity of the Scottish countryside. Six years later, Sin convinces his aunt, the Duchess of Roxburghe, to invite Rose to her annual house party, where he plans to get revenge by making Rose the laughingstock of polite society. To his astonishment, he finds she has become an alluring woman who threatens to turn the tables on his nefarious plans. Thus Sin and Rose begin an epic battle of the sexes that becomes more passionate at every turn. Eventually, one will have to surrender…but to vengeance? Or to love’s deepest passion?

The final book in the bestselling Books of Beginning trilogy that began with The Emerald Atlas, which the New York Times called “a new Narnia for the tween set.” The adventures of siblings Kate, Michael, and Emma come to a stunning conclusion when they must find the last Book of Beginning—the Book of Death—before the Dire Magnus does, for when all three books are united, their combined power will be unstoppable. Soon Emma is on a journey to places both worldly and otherworldly, confronting terrifying monsters and ghosts, and what is darkest within herself. As the fabric of time begins to fray, she becomes the final piece of an extraordinary puzzle. Only if she can master the powers of this most dangerous book will she, Kate, and Michael be able to save the world from the dramatic, deadly final confrontation between magical and ordinary people that the Dire Magnus has in store.

Captured Countess Nicoletta, the Countess Vilandry, is on a dangerous mission. She must lure fellow spy Gabriel D'Arcy into bed and into revealing his true loyalties. But with such sensual games at play, suddenly Nicky's dangerously close to exposing her real identity. Gabe knows the countess has been sent to seduce him. The only question is why. He's never met such a captivating woman - and he's determined to enjoy every second she spends as his very willing captive! Return of the Prodigal Gilvry Andrew Gilvry has returned to Scottish shores to fulfil a promise made to a dying man. The widowed Rowena MacDonald has been entrusted to his care, and Drew must do all he can to protect her... But Drew's honour is about to be tested - because there's something in Rowena's dove-grey eyes which awakens a flame long extinguished. And on a perilous journey across the Highlands, with only this alluring woman for company, how long can he deny his desires?

Was the “Blood Countess” history’s first and perhaps worst female serial killer? Or did her accusers create a violent fiction in order to remove this beautiful, intelligent, ambitious foe from the male-dominated world of Hungarian politics? In 1611, Countess Erzsébet Báthory, a powerful Hungarian noblewoman, stood helpless as masons walled her inside her castle tower, dooming her to spend her final years in solitary confinement. Her crime: the gruesome murders of dozens of female servants, mostly young girls tortured to death for displeasing their ruthless mistress. Her opponents painted her as a bloodthirsty škrata—a witch—a portrayal that would expand to grotesque proportions through the centuries. In this riveting dramatization of Erzsébet Báthory’s life, the countess tells her story in her own words, writing to her only son—a final reckoning from his mother in an attempt to reveal the truth behind her downfall. Countess Báthory describes her upbringing in one of the most powerful noble houses in Hungary, recounting in loving detail her devotion to her parents and siblings as well as the heartbreak of losing her father at a young age. She soon discovers the price of being a woman in sixteenth-century Hungary as her mother arranges her marriage to Ferenc Nádasdy, a union made with the cold calculation of a financial transaction. Young Erzsébet knows she has no choice but to accept this marriage even as she laments its loveless nature and ultimately turns to the illicit affections of another man. Seemingly resigned to a marriage of convenience and a life of surreptitious pleasure, the countess surprises even herself as she ignites a marital spark with Ferenc through the most unromantic of acts: the violent punishment of an insolent female servant. The event shows Ferenc that his wife is no trophy but a strong, determined woman more than capable of managing their vast estates during Ferenc’s extensive military campaigns against the Turks. Her naked assertion of power accomplishes what her famed beauty could not: capturing the love of her husband. The countess embraces this new role of loving wife and mother, doing everything she can to expand her husband’s power and secure her family’s future. But a darker side surfaces as Countess Báthory’s demand for virtue, obedience, and, above all, respect from her servants takes a sinister turn. What emerges is not only a disturbing, unflinching portrait of the deeds that gave Báthory the moniker “Blood Countess,” but an intimate look at the woman who became a monster.

In its revised and updated fourth edition, this exhaustive encyclopedia provides a record of casualties of war from the last five centuries through 2015, with new statistical and analytical information. Figures include casualties from global terrorism, the wars in Iraq and Afghanistan, and the fight against the Islamic State. New entries cover an additional 20 armed conflicts between 1492 and 2007 not included in previous editions. Arranged roughly by century and subdivided by world region, chronological entries include the name and dates of the conflict, precursor events, strategies and details, the outcome and its aftermath.

Was the “Blood Countess” history’s first and perhaps worst female serial killer? Or did her accusers create a violent fiction in order to remove this beautiful, intelligent, ambitious foe from the male-dominated world of Hungarian politics? In 1611, Countess Erzsébet Báthory, a powerful Hungarian noblewoman, stood helpless as masons walled her inside her castle tower, dooming her to spend her final years in solitary confinement. Her crime: the gruesome murders of dozens of female servants, mostly young girls tortured to death for displeasing their ruthless mistress. Her opponents painted her as a bloodthirsty škrata—a witch—a portrayal that would expand to grotesque proportions through the centuries. In this riveting dramatization of Erzsébet Báthory’s life, the countess tells her story in her own words, writing to her only son—a final reckoning from his mother in an attempt to reveal the truth behind her downfall. Countess Báthory describes her upbringing in one of the most powerful noble houses in Hungary, recounting in loving detail her devotion to her parents and siblings as well as the heartbreak of losing her father at a young age. She soon discovers the price of being a woman in sixteenth-century Hungary as her mother arranges her marriage to Ferenc Nádasdy, a union made with the cold calculation of a financial transaction. Young Erzsébet knows she has no choice but to accept this marriage even as she laments its loveless nature and ultimately turns to the illicit affections of another man. Seemingly resigned to a marriage of convenience and a life of surreptitious pleasure, the countess surprises even herself as she ignites a marital spark with Ferenc through the most unromantic of acts: the violent punishment of an insolent female servant. The event shows Ferenc that his wife is no trophy but a strong, determined woman more than capable of managing their vast estates during Ferenc’s extensive military campaigns against the Turks. Her naked assertion of power accomplishes what her famed beauty could not: capturing the love of her husband. The countess embraces this new role of loving wife and mother, doing everything she can to expand her husband’s power and secure her family’s future. But a darker side surfaces as Countess Báthory’s demand for virtue, obedience, and, above all, respect from her servants takes a sinister turn. What emerges is not only a disturbing, unflinching portrait of the deeds that gave Báthory the moniker “Blood Countess,” but an intimate look at the woman who became a monster.

In the tradition of the preceding volumes - the first of which was published in 1964 - this work synthesizes edited documents, including correspondence, ship logs, muster rolls, orders, and newspaper accounts, that provide a comprehensive understanding of the war at sea in the spring of 1778. The editors organize this wide array of texts chronologically by theater and incorporate French, Italian, and Spanish transcriptions with English translations throughout.

Catherine Coulter's revamped first novel—a gothic regency romance. The #1 New York Times bestselling author's very first novel, rewritten as a Gothic. A woman who makes the wrong choice for a husband may not live to marry the man of her dreams...