Sonny is raised in a white trash family on the wrong side of town. His buddy, Aubrey, has an even worse reputation for hell raising. Both of their lives would have ended badly had they not been invited to work on the biggest ranch in the county. The prize, marriage to the sickly ranch owner’s daughter, Missy. The prize turns into a competition where friends become enemies. During a drunken beige, Beau, the man Sonny calls his father, murders Sonny’s mother and is sent away. It is a tragedy that marks the biggest change in the young cowboy’s life. When Beau is released, revenge becomes all consuming for Sonny. He convinces Aubrey to help him. The two connive to do the old drunk in, but the old sot outfoxes the young cowboys, forcing Sonny to provide him a job on the Forest Ranch. The old man suffers a dehumanizing accident, and witnessing the suffering, Sonny has a change of heart concluding fate has punished Beau and set him free. Freedom from his obsession for revenge allows him to put all his energy into winning the hand of the boss’ daughter, Missy. This becomes a fierce competition with Aubrey. After all, a cowboy dreams of owning the land on which he works. That dream can only come true if he marries into the family. The competition between the two cowboys for Missy’s frail hand is filled with amusing shenanigans as well as tragic consequences. The novel is filled with rich characters scratching out a living on the vast empty ranch land of Central California. Where there is little to go around, cowboys turn to thieving, drinking, womanizing and rabble rousing. But there are consequences to such a hard life, death, accidents and heartache. Silver linings do exist once in a blue moon. Which of the two handsome cowboys have a silver lining in their future? It belongs to only one of them.

An Oprah Magazine Best Romance Novel of 2020 In this brand-new series from award-winning author Rebekah Weatherspoon, a charming cowboy and his sleeping beauty find their modern-day happily ever after . . . With a headline spot on a hit morning show and truly mouth-watering culinary skills, chef Evie Buchanan is perched on the edge of stardom. But at an industry party, a fall lands Evie in the hospital—with no memory of who she is. Scrambling to help, Evie’s assistant contacts the only “family” Evie has left, close friends who run the luxury dude ranch in California where Evie grew up. Evie has no recollection of them—until former rodeo champion Zach Pleasant walks into her hospital room, and she realizes his handsome face has been haunting her dreams . . . Zach hasn’t seen Evie in years—not since their families conducted a campaign to make sure their childhood friendship never turned into anything more. When the young cowboy refused to admit the feelings between them were real, Evie left California, making it clear she never wanted to see Zach again. Now he refuses to make the same mistake twice. Starting fresh is a risk when they have a history she can’t recall, but Zach can’t bear to let go of her now. Can he awaken the sleeping beauty inside her who might still love him?

“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.

"When she discovers that big-headed rancher Jesse Pleasant has a softer side during a painfully awkward showing at a community date auction, former tech consultant Lily-Grace Leroux warms to the sparks flying between them, never dreaming that she could have her own happily ever after."--Provided by publisher.

A Bustle Best Books of Fall 2020 Selection An Amazon Best of the Month Selection A Library Journal Best Book of 2020 An Apple Books Best of the Month Selection A Best Book of Fall 2020 by NPR’s Boston Affiliate A Bookish Most Anticipated Books Selection “An adorable retelling, engaging and character-rich...this kind of mutual empowering is one of Weatherspoon’s hallmarks.” —The New York Times “Heart-melting…a perfect fit for fans of contemporary romance authors Jasmine Guillory and Alexa Martin.” —Booklist From award-winning author Rebekah Weatherspoon comes a thoroughly modern take on the timeless tale of a struggling Cinderella who finds her prince charming at the eleventh hour—and the adventure that ensues the morning after . . . Working as the personal assistant to one of Hollywood’s cruelest divas has left Amanda Queen more determined than ever to sell her screenplay and gain her independence. In the meantime, she’ll settle for a temporary escape. When her employer is felled by the flu on Hollywood’s biggest night of the year, Amanda gets her glam on, struts out the door, and parties with the glitterati. But she never expects to come face to face—and closer than close—with one of the hottest stars in the game . . . Following up his first Oscar win with a steamy after-hours romp with an enigmatic woman seems like the perfect way for actor Sam Pleasant to celebrate—until she suddenly disappears. Worse, she’s vanished with the wrong swag bag: the one containing his Oscar statue, leaving Sam even more intrigued about the beauty’s identity—and wondering if a repeat performance of their amazing night is in the stars. And when a second chance encounter happens, only a trip to Sam’s family ranch—and revealing the whole, not-always-glamorous, truth about themselves—will give them a chance to turn one magical night into forever . . . “Wonderfully inventive…Uniting a heart-stopping hero and a plus-size heroine who knows her own worth, this steamy fairy tale shines.” —Publishers Weekly STARRED REVIEW “One of romance’s brightest stars…[this is] a thoroughly modern Cinderella story.” —Bookpage, Starred Review “Another winner from rising star Weatherspoon.” —Library Journal, Starred Review

"A can't-put-it-down modern Western." —Kirk Siegler, NPR Longlisted for the PEN/ESPN Award for Literary Sports Writing The Last Cowboys is Pulitzer Prize-winning reporter John Branch’s epic tale of one American family struggling to hold on to the fading vestiges of the Old West. For generations, the Wrights of southern Utah have raised cattle and world-champion saddle-bronc riders—many call them the most successful rodeo family in history. Now they find themselves fighting to save their land and livelihood as the West is transformed by urbanization, battered by drought, and rearranged by public-land disputes. Could rodeo, of all things, be the answer? Written with great lyricism and filled with vivid scenes of heartache and broken bones, The Last Cowboys is a powerful testament to the grit and integrity that fuel the American Dream.

"The process by which two neighborhood butchers turned themselves into landed industrialists depended to an extraordinary degree on the acquisition, manipulation, and exploitation of natural resources. Igler examines the broader impact of western industrialism - as exemplified by Miller & Lux - on landscapes and waterscapes, bringing to the forefront the important issues of land reclamation, water politics, San Francisco's unique business environment, and the city's relation to its surrounding hinterlands. He provides a rich discussion of the social relations engineered by Miller & Lux, from the dispossession of Californio rancheros to the ethnic segmentation of the firm's massive labor force."--Jacket.

Two women take a road trip through Brazil in an exploration of identity, desire, and the limitations and possibilities of female sexuality.

“An innovative and original study that sheds light on masculinity, youth culture, performative violence, and the circuit of global imagery.” —Stephan F. Miescher, author of Making Men in Ghana During the 1950s and 60s in the Congo city of Kinshasa, there emerged young urban male gangs known as “Bills” or “Yankees.” Modeling themselves on the images of the iconic American cowboy from Hollywood film, the Bills sought to negotiate lives lived under oppressive economic, social, and political conditions. They developed their own style, subculture, and slang and as Ch. Didier Gondola shows, engaged in a quest for manhood through bodybuilding, marijuana, violent sexual behavior, and other transgressive acts. Gondola argues that this street culture became a backdrop for Congo-Zaire’s emergence as an independent nation and continues to exert powerful influence on the country’s urban youth culture today. “Aligns social banditry with popular cultural formations and subcultures. This has been a longstanding feature of Didier Gondola’s scholarship that is of great interest.” —Peter J. Bloom, University of California, Santa Barbara “Its approach in terms of poverty and unemployment combined with a subtle interest in performance and the creation of an original culture makes this book an eye-opener. Both the dramatic subject and the author’s vivid style make it a pleasure to read and also food for thought regarding issues that haunt not only Africa but also the world at large.” —American Historical Review

Native Americans who populated the various ranchos of Mexican California as laborers are people frequently lost to history. The "rancho period" was a critical time for California Indians, as many were drawn into labor pools for the flourishing ranchos following the 1834 dismantlement of the mission system, but they are practically absent from the documentary record and from popular histories. This study focuses on Rancho Petaluma north of San Francisco Bay, a large livestock, agricultural, and manufacturing operation on which several hundredÑperhaps as many as two thousandÑNative Americans worked as field hands, cowboys, artisans, cooks, and servants. One of the largest ranchos in the region, it was owned from 1834 to 1857 by Mariano Guadalupe Vallejo, one of the most prominent political figures of Mexican California. While historians have studied Vallejo, few have considered the Native Americans he controlled, so we know little of what their lives were like or how they adjusted to the colonial labor regime. Because VallejoÕs Petaluma Adobe is now a state historic park and one of the most well-protected rancho sites in California, this site offers unparalleled opportunities to investigate nineteenth-century rancho life via archaeology. Using the Vallejo rancho as a case study, Stephen Silliman examines this California rancho with a particular eye toward Native American participation. Through the archaeological recordÑtools and implements, containers, beads, bone and shell artifacts, food remainsÑhe reconstructs the daily practices of Native peoples at Rancho Petaluma and the labor relations that structured indigenous participation in and experience of rancho life. This research enables him to expose the multi-ethnic nature of colonialism, counterbalancing popular misconceptions of Native Americans as either non-participants in the ranchos or passive workers with little to contribute to history. Lost Laborers in Colonial California draws on archaeological data, material studies, and archival research, and meshes them with theoretical issues of labor, gender, and social practice to examine not only how colonial worlds controlled indigenous peoples and practices but also how Native Americans lived through and often resisted those impositions. The book fills a gap in the regional archaeological and historical literature as it makes a unique contribution to colonial and contact-period studies in the Spanish/Mexican borderlands and beyond.