This book brings home the story of how three clustered villages grew into a primate city, in which a garrison town, a port city and the capital of an empire merged into one entity—Calcutta. This and its companion volume Birth of a Colonial City examine the geopolitical factors that were significant in securing Calcutta's position in the light of growing influence of the East India Company and subsequently the British Empire. A definitive history of Calcutta in its nascent years, this book discusses the challenges of city-planning, the de-industrialization at the hands of British imperialists, the catastrophic fall of the Union Bank, the advent of British capital, and the rise of the Bengali business enterprise in the colonial era. It also underlines how Calcutta facilitated the development of a political consciousness and the pivotal political and cultural role it played when the movement for independence took hold in the country. This volume will be of great interest to scholars and researchers of modern South Asian history, British Studies, city and area studies.

Explores how the British Empire responded to the environmental challenges of the world's largest tidal delta.

Long before Calcutta was ‘discovered’ by Job Charnock, it thrived by the Hugli since times immemorial. This book, and its companion Colonial Calcutta, is a biographical account of the when, the how and the what of a global city and its emergence under colonial rule in the 1800s. Ranjit Sen traces the story of how three clustered villages became the hub of the British Empire and a centre of colonial imagination. He examines the historical and geopolitical factors that were significant in securing its prominence, and its subsequent urbanization which was a colonial experience without an antecedent. Further, it sheds light on Calcutta’s early search for identity — how it superseded interior towns and flourished as the seat of power for its hinterland; developed its early institutions, while its municipal administration slowly burgeoned. A sharp analysis of the colonial enterprise, this volume lays bare the underbelly of the British Raj. It will be of great interest to scholars and researchers of modern history, South Asian history, urban studies, British Studies and area studies.

Britain's overseas history has never been well supplied with comprehensive bibliographical aids, and, despite extensive public interest in the subject, the position has steadily worsened. Following the recent Oxford History of the British Empire, this volume is therefore designed to provide a general source of reference and bibliographical guidance, at once wide-ranging, up-to-date, and accessible.

This book is a cutting edge study examining the attitudes to both nature and the built environment of the designer, the client and the society in which an intervention (be it architecture, landscape design or a piece of art) is made. The legacy of the Modernist view of nature and the environment is also addressed, and the degree to which such ideas continue to impinge on contemporary interventions is assessed.

"Middle-class Hindus have worked to modernize Kālīghāṭ - the most famous Hindu temple in Kolkata - over the past long century. Rather than being rejected with the onslaught of European modernity, the temple became a facet through which Hindus could produce and publicize their modernity, as well as their cities' and their nation's"--

This book foregrounds the subjectivity of ‘acting women’ amidst violent debates on femininity and education, livelihood and labour, sexuality and marriage. It looks at the emergence of the stage actress as an artist and an ideological construct at critical phases of performance practice in British India. The focus here is on Calcutta, considered the ‘second city of the Empire’ and a nodal point in global trade circuits. Each chapter offers new ways of conceptualising the actress as a professional, a colonial subject, simultaneously the other and the model of the ‘new woman’. An underlying motif is the playing out of the idea of spiritual salvation, redemption and modernity. Analysing the dynamics behind stagecraft and spectacle, the study highlights the politics of demarcation and exclusion of social roles. It presents rich archival work from diverse sources, many translated for the first time. This book makes a distinctive contribution in intertwining performance studies with literary history and art practices within a cross-cultural framework. Interdisciplinary and innovative, it will appeal to scholars and researchers in South Asian theatre and performance studies, history and gender studies.

The origin of the Kolkata(=Calcutta) Police dates from the landing of job Charnock in Sutanati, the embryo of the metropolis, on 24th August 1690. The modern Police Force in India begins from the appointment of a Commissioner of Police in Calcutta on Ist November 1856. The Commissionerate system of Policing is thus the contribution of Calcutta to India. The Kolkata Police is yet to conclude its year-long 150th aniversary celebration in November 2006. The evolution of the Calcutta Police has not yet been documented; so is also the history of Lalbazar, its headquarters. The Origin of the Kolkata Police by P.T. Nair is the first documented history of the city's guardians of law and order. He has not spared any pains in unearthing all documents of the Calcutta Police from 1690 to 1866 and present them in this seminal work.