In her witty, southern-fried suspense novels, Sarah Shankman delivers nonstop action with a hilarious bite. Now she sends her acclaimed, irreverent heroine -- New Orleans writer Samantha Adams -- to a southwestern New Age hot spot, to unearth a secret past that was supposed to be six feet under. My dearest Sugar. I must see you. It's urgent. I need your help. The letter that arrived from Sam's mother was postmarked Santa Fe, penned in her mother's handwriting, and disclosed details only Johanna Adams could know. There was just one catch: Johanna Adams had been dead for thirty-four years. The mind-blowing missive could have been an entry from Sam's latest book of bizarre anecdotes, American Weird -- or an elaborate hoax. Either way, it instantly rekindled Sam's impossible wish that her mother hadn't really died in a plane crash when Sam was a child. Fueled by her journalistic instincts -- and a daughter's need for closure -- Sam touches down among Santa Fe's tourists and crystal gazers, jewelry shops and fast-food stands. But only when she summons the courage to knock on the door of Room 409 at the La Fonda Hotel does her surreal, mother-seeking adventure take off with no turning back.

The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon

The Father of Jesus is the only One True God. And he has only one person—not three. As the son of the king shares in the ‘royalty’ of his father but not in his father’s person, so do Jesus and the Holy Spirit share in the ‘divinity’ of God, but not in God’s person. God, Jesus, and the Holy Spirit are three distinct and separate persons sharing in one divinity, with the Father of Jesus as being the “Almighty God,” Jesus as being the “Divine Son of God,” and the Holy Spirit as being the “Divine Spirit of God.” Another thing, Jesus is inherently divine—not human. He is divine made man, not man made divine. And even during the time that he was living in the world as man, his divinity was yet all perfectly intact with him as God’s Son. Amen.

Men who do "women's work" have consistently been the butt of jokes, derided for their lack of drive and masculinity. In this eye-opening study, Christine Williams provides a wholly new look at men who work in predominantly female jobs. Having conducted extensive interviews in four cities, Williams uncovers how men in four occupations—nursing, elementary school teaching, librarianship, and social work—think about themselves and experience their work. Contrary to popular imagery, men in traditionally female occupations do not define themselves differently from men in more traditional occupations. Williams finds that most embrace conventional, masculine values. Her findings about how these men fare in their jobs are also counterintuitive. Rather than being surpassed by the larger number of women around them, these men experience the "glass escalator effect," rising in disproportionate numbers to administrative jobs at the top of their professions. Williams finds that a complex interplay between gendered expectations embedded in organizations, and the socially determined ideas workers bring to their jobs, contribute to mens' advantages in these occupations. Using a feminist psychoanalytic perspective, Williams calls for more men not only to cross over to women's occupations, but also to develop alternative masculinities that find common ground with traditionally female norms of cooperation and caring. Until the workplace is sexually integrated and masculine and feminine norms equally valued, it will unfortunately remain "still a man's world." This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995. Men who do "women's work" have consistently been the butt of jokes, derided for their lack of drive and masculinity. In this eye-opening study, Christine Williams provides a wholly new look at men who work in predominantly female jobs. Having conducted ex

Written as a poignant response to the male-tainted advice in Steve Harvey's bestselling relationship hit Act Like A Lady, Think Like A Man, this revised and updated book is a fitting rebuttal on men, sex, relationships and women getting what they really "reeeeally" want. As a current CBS Personality on Atlanta's V103 and Former Sirius Radio host on Jaime Foxx's 'Foxxhole', former NFL wife Shanae Hall does not shy away from the difficult conversations in life. In her own funny, fresh, and bold way Shanae prides herself in telling it like it is. In Why Do I Have to Think Like a Man?, which is co-written with her mother Rhonda Frost, the two women hilariously chronicle their experiences of marriage, divorce, and the dating pool, which has included bad boys, professional athletes, 'the nice guy,' the married guy, and powerful businessmen.

Have you ever asked yourself what changed when you were "born again?" You look in the mirror and see the same reflection - your body hasn't changed. You find yourself acting the same and yielding to those same old temptations - that didn't seem to change either. So you wonder, Has anything really changed? The correct...

Gina promised herself that she would get married before she was twenty-five years old because they were in the race that when the woman was over twenty-five years old, she would be an old maid forever, just like her cousins and her aunts. Gina works as a waitress in an expensive restaurant at night and studies in the morning. Ace is the man she secretly loves and her co-worker as a waiter, he did nothing but tease her. Unexpectedly, Ace suddenly proposed marriage to her, even though he wasn't courting her. But Ace Durant's unromantic words were hardly the proposal of her dreams. Sees this as perhaps her chance to get married before she is twenty-five years old, and thus she can break the spell in their family beliefs. Gina decided to take Ace's offer, but she had also a proposal on her own. Never had such words affected the cold-hearted Ace. The undercover agent who pretended to be a waiter had told her that the only reason he would marry her was to protect her as if Gina's world collapsed when she heard that. But he was finding it increasingly difficult to keep their temporary marriage strictly in name only. Can Ace avoid Gina's venom and her seduction of him?

In this quietly revolutionary work of social observation and medical philosophy, Booker Prize-winning writer John Berger and the photographer Jean Mohr train their gaze on an English country doctor and find a universal man--one who has taken it upon himself to recognize his patient's humanity when illness and the fear of death have made them unrecognizable to themselves. In the impoverished rural community in which he works, John Sassall tend the maimed, the dying, and the lonely. He is not only the dispenser of cures but the repository of memories. And as Berger and Mohr follow Sassall about his rounds, they produce a book whose careful detail broadens into a meditation on the value we assign a human life. First published thirty years ago, A Fortunate Man remains moving and deeply relevant--no other book has offered such a close and passionate investigation of the roles doctors play in their society. "In contemporary letters John Berger seems to me peerless; not since Lawrence has there been a writer who offers such attentiveness to the sensual world with responsiveness to the imperatives of conscience." --Susan Sontag