A compelling new account of religion in Roman Britain, weaving together the latest archaeological research and a new analysis of ancient literature to illuminate parallels between past and present Two thousand years ago, the Romans sought to absorb into their empire what they regarded as a remote, almost mythical island on the very edge of the known world—Britain. The expeditions of Julius Caesar and the Claudian invasion of 43 CE, up to the traditional end of Roman Britain in the fifth century CE, brought fundamental and lasting changes to the island. Not least among these was a pantheon of new classical deities and religious systems, along with a clutch of exotic eastern cults, including Christianity. But what homegrown deities, cults, and cosmologies did the Romans encounter in Britain, and how did the British react to the changes? Under Roman rule, the old gods and their adherents were challenged, adopted, adapted, absorbed, and reconfigured. Miranda Aldhouse- Green balances literary, archaeological, and iconographic evidence (and scrutinizes the shortcomings of each) to illuminate the complexity of religion and belief in Roman Britain. She examines the two-way traffic of cultural exchange and the interplay between imported and indigenous factions to reveal how this period on the cusp between prehistory and history knew many of the same tensions, ideologies, and issues of identity still relevant today.

NEW YORK TIMES BESTSELLER • From the governor of Maryland, the “compassionate” (People), “startling” (Baltimore Sun), “moving” (Chicago Tribune) true story of two kids with the same name: One went on to be a Rhodes Scholar, decorated combat veteran, White House Fellow, and business leader. The other is serving a life sentence in prison. The chilling truth is that his story could have been mine. The tragedy is that my story could have been his. In December 2000, the Baltimore Sun ran a small piece about Wes Moore, a local student who had just received a Rhodes Scholarship. The same paper also ran a series of articles about four young men who had allegedly killed a police officer in a spectacularly botched armed robbery. The police were still hunting for two of the suspects who had gone on the lam, a pair of brothers. One was named Wes Moore. Wes just couldn’t shake off the unsettling coincidence, or the inkling that the two shared much more than space in the same newspaper. After following the story of the robbery, the manhunt, and the trial to its conclusion, he wrote a letter to the other Wes, now a convicted murderer serving a life sentence without the possibility of parole. His letter tentatively asked the questions that had been haunting him: Who are you? How did this happen? That letter led to a correspondence and relationship that have lasted for several years. Over dozens of letters and prison visits, Wes discovered that the other Wes had had a life not unlike his own: Both had had difficult childhoods, both were fatherless; they’d hung out on similar corners with similar crews, and both had run into trouble with the police. At each stage of their young lives they had come across similar moments of decision, yet their choices would lead them to astonishingly different destinies. Told in alternating dramatic narratives that take readers from heart-wrenching losses to moments of surprising redemption, The Other Wes Moore tells the story of a generation of boys trying to find their way in a hostile world.

Saint Patrick Retold draws on recent research to offer a fresh assessment of Patrick's travails and achievements. This is the first biography in nearly fifty years to explore Patrick's career against the background of historical events in late antique Britain and Ireland.

This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today. WORKac: We’ll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm’s career over the course of three Five-Year Plans (Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits and opportunities of collaborative creativity and practice. WORKac has achieved international acclaim, winning design competitions in Russia, Gabon, and China, and in 2015 the practice was named the 2015 AIANY State Firm of the Year. Showcasing projects for MoMA PS1, Edible Schoolyards NYC, Anthropologie, Diane von Furstenberg, Creative Time, and many more, the book is a tasting menu of everything the practice embraces: never assuming what architecture “is” but always imagining together what it can become. From residential interiors to futuristic masterplans of ecological cities, WORKac samples the wide spectrum of their critical, witty, and dialogued work.