An edgy, affecting, and darkly funny debut novel — narrated by Skunk, an eleven-year-old girl in a coma — that explores innocence and its betrayal as powerfully and unforgettably as do Lullabies for Little Criminals and The Lovely Bones Skunk Cunningham’s world is a small one, populated by her family; her teachers and schoolmates; and her neighbours, the quiet Buckley family and the five terrifying Oswald girls and their thug of a father, Bob. When Saskia Oswald, with her stilettos and tight pants, asks shy Rick Buckley for a ride in his new car, he can’t believe his luck. But after a quick fumble, Saskia broadcasts Rick’s deficiencies to anyone who will listen, including her younger sisters. This act of thoughtless cruelty will see Rick dragged off by the police, humiliated, and “broken,” — and, in a tragic chain of events, will leave Skunk hanging on to her young life by a thread. From her hospital bed, Skunk shows us her hapless father finding love, and her idealistic favourite teacher losing it; “Broken” Buckley spiralling into madness; and the Oswald clan coming apart at the seams. As we inch ever closer to the mystery behind her coma, Skunk’s innocence becomes a beacon by which we navigate a world as comic as it is tragic, and as engaging as it is finally uplifting. Broken introduces Daniel Clay as a brilliant and utterly original voice in international fiction.

A broken pot is made whole again, and within its golden repair we see a world of meaning. Kintsugi is the art of embracing imperfection. In Western cultures, the aim of repair has been to make the broken item 'as good as new'. Kintsugi on the other hand, is a Japanese art that leaves an obvious repair – one that may appear fragile, but which actually makes the restored ceramic piece stronger, more beautiful, and more valuable than before. Leaving clear, bold, visible lines with the appearance of solid gold, it never hides the story of the object's damage. Kintsugi traces memory, bringing together the moment of destruction and the gold seams of repair through finely-honed skills and painstaking, time-consuming labour in the creation of a new pot from the old. There is a story to be told with every crack, every chip. This story inevitably leads to kintsugi's greatest strength. an intimate metaphoric narrative of loss and recovery, breakage and restoration, tragedy and the ability to overcome it. A kintsugi repair speaks of individuality and uniqueness, fortitude and resilience, and the beauty to be found in survival. Kintsugi leads us to a respectful and appreciative acceptance of hardship and ageing. Author Bonnie Kemske explores kintsugi's metaphorical power as well as exploring the technical and practical aspects of the art, meeting with artists and ceramists in Japan and the US to discuss their personal connection to this intricate technique. With the inclusion of diary entries, personal stories, and in-depth exploration of its origin and symbolism, this book shows kintsugi's metaphoric strength as well as its striking aesthetic, making it a unique and powerful art form that can touch our lives.

The Japanese Pottery Handbook, first published by Kodansha in 1979, has become a classic, beloved by anyone interested in pottery for its practical, step-by-step approach, and homespun charm. Now, thirty-five years since its publication, authors Penny Simpson and Lucy Kitto have refreshed their work, expanding and adding to the material, re-designing the pages, and re-drawing many of the delightful illustrations. The book has a cleaner, more modern look, yet retains the simple, friendly, and distinctively Japanese sensibility of the original. In addition to the new layout and drawings, the authors have tweaked the text and expanded several sections (including the discussion of underglazing and overglazing, and the Tea Ceremony and its utensils). There’s also a new page showing different types of brushes; and the Information chapter has been updated to include websites and recent books. The book is a manual to the way pots are made in Japan, their forms, and their decorations.The authors give a thorough account of both traditional and modern techniques and also describe in detail tools, materials, glazes, and the setup of workshops and kilns. Lucy Kiitto’s sprightly drawings infuse each page with life and clarity. Pottery terms and expressions are listed with their Japanese equivalents, and the new edition keeps the bi-lingual text, making it easier for the exchange of ideas between foreign students studying in Japan and Japanese potters.