Chronicles a year in the life of Bridget Jones, a single, thirtysomething woman on a perpetual quest for self-improvement, as she struggles to cope with relationships, weight control, and the other baffling complexities of modern life.

Bridget Jones, beloved Singleton and global phenomenon, is back with a bump in Bridget Jones's Baby: The Diaries. 8:45 P.M. Realize there have been so many times in my life when have fantasized about going to a scan with Mark or Daniel: just not both at the same time. Before motherhood, before marriage, Bridget with biological clock ticking very, very loudly, finds herself unexpectedly pregnant at the eleventh hour: a joyful pregnancy which is dominated, however, by a crucial but terribly awkward question – who is the father? Mark Darcy: honourable, decent, notable human rights lawyer? Or Daniel Cleaver: charming, witty, notable fuckwit? 9:45 PM It’s like they’re two halves of the perfect man, who’ll spend the rest of their lives each wanting to outdo the other one. And now it’s all enacting itself in my stomach. In this gloriously funny, touching story of baby-deadline panic, maternal bliss, and social, professional, technological, culinary and childbirth chaos, Bridget Jones – global phenomenon and the world’s favorite Singleton – is back with a bump.

When Helen Fielding first wrote Bridget Jones’s Diary, charting the life of a 30-something singleton in London in the 1990s, she introduced readers to one of the most beloved characters in modern literature. The book was published in 40 countries, sold more than 15 million copies worldwide, and spawned a best-selling sequel, Bridget Jones: The Edge of Reason. The two books were turned into major blockbuster films starring Renée Zellweger, Hugh Grant and Colin Firth. With her hotly anticipated third instalment, Bridget Jones: Mad About the Boy, Fielding introduces us to a whole new enticing phase of Bridget’s life set in contemporary London, including the challenges of maintaining sex appeal as the years roll by and the nightmare of drunken texting, the skinny jean, the disastrous email cc, total lack of twitter followers, and TVs that need 90 buttons and three remotes to simply turn on. An uproariously funny novel of modern life, Bridget Jones: Mad About the Boy is a triumphant return of our favourite Everywoman.

With another devastatingly hilarious, ridiculous, unnervingly accurate take on modern womanhood, Bridget Jones is back. (v.g.) Monday 27 January "7:15 a.m. Hurrah! The wilderness years are over. For four weeks and five days now have been in functional relationship with adult male, thereby proving am not love pariah as recently feared." Wednesday 5 March "7:08 p.m. Am assured, receptive, responsive woman of substance. My sense of self comes not from other people but . . .from . . .myself? That can't be right." Lurching from the cappuccino bars of Notting Hill to the blissed-out shores of Thailand, everyone's favorite Singleton Bridget Jones begins her search for The Truth in spite of pathetically unevolved men, insane dating theories, and Smug Married advice. She experiences a zeitgeist-esque Spiritual Epiphany somewhere between the pages of How to Find the Love You Want Without Seeking It (can self-help books really help self?), protective custody, and a lightly chilled Chardonnay.

“The best, the original, the seminal” Mail on Sunday Bridget Jones’s Diary turns 25 this year. Winner of the 1997 British Book of the Year, and named by the Guardian as one of the ten books which best defines the 20th Century, the book has gone on to become a multi-million copy selling international phenomenon, spawning three blockbuster movies, a whole new literary genre, a lexicon of ‘smug marrieds’, ‘singletons’, ‘emotional f***wittage’ and ‘mummy pants’, and the familiar cry of ‘I am Bridget Jones’. This special bumper anniversary compendium also features an introduction and commentary from Helen Fielding, and over 100 pages of rare material taken from 25 years of her writing, including: * Extracts from Helen’s early journalism * A selection of the original Independent newspaper columns. * Bridget Jones interviews Colin Firth * Later columns on #MeToo, Brexit, and Bridget’s lockdown life * A selection of hilarious restaurant reviews featuring the real life inspirations for Jude, Shazzer, Auntie Una, Mum and Daniel Cleaver

Reading level: 5 [blue].

“A wild and wonderful ride” from a comic memoirist “who writes brilliantly about Germany and Germans . . . and being young and insane. . . . just read it, ok?” (Dave Barry, Pulitzer Prize–winning, New York Times–bestselling author of Best. State. Ever). You know that feeling you get watching the elevator doors slam shut just before your toxic coworker can step in? There’s a word for this mix of malice and joy, and the Germans invented it. It’s Schadenfreude, deriving pleasure from others’ misfortune. Misfortune happens to be a specialty of Rebecca Schuman—and this is great news for the Germans. For Rebecca adores the Vaterland with a single-minded passion. Let’s just say the affection isn’t mutual. Schadenfreude is the story of a teenage Jewish intellectual who falls in love—with a boy (who breaks her heart), a language (that’s nearly impossible to master), a culture (that’s nihilistic, but punctual), and a landscape (that’s breathtaking when there’s not a wall in the way). Rebecca is a misunderstood 90’s teenager with a passion for Pearl Jam and Ethan Hawke circa Reality Bites, until two men walk into her high school Civics class: Dylan Gellner, with deep brown eyes and an even deeper soul, and Franz Kafka, hitching a ride in Dylan’s backpack. These two men are the axe to the frozen sea that is Rebecca’s spirit, and what flows forth is a passion for all things German. At once a snapshot of a young woman finding herself, and a country starting to stitch itself back together after nearly a century of war, Schadenfreude, A Love Story is a hilarious and heartfelt memoir proving that sometimes the truest loves play hard to get. “Spit-out-your-schnitzel funny.” —Pamela Druckerman, New York Times–bestselling author of Bringing Up Bébé

The Norton Critical Edition of Pride and Prejudice has been revised to reflect the most current scholarly approaches to Austen’s most widely read novel. The text is that of the 1813 first edition, accompanied by revised and expanded explanatory annotations. This Norton Critical Edition also includes: · Biographical portraits of Austen by members of her family and, new to the Fourth Edition, those by Jon Spence (Becoming Jane Austen) and Paula Byrne (The Real Jane Austen: A Life in Small Things). · Fourteen critical essays, eleven of them new to the Fourth Edition, reflecting the finest current scholarship. Contributors include Janet Todd, Andrew Elfenbein, Felicia Bonaparte, and Tiffany Potter, among others. · “Writers on Austen”—a new section of brief comments by Mark Twain, Virginia Woolf, Henry James, and others. · A Chronology and revised and expanded Selected Bibliography.

Bridget Jones, the main character in the novel and the film, "Bridget Jones's Diary, " shares her own ideas on homemaking, cooking, relationships, weight loss, and other subjects in a parody of a self-help book.

One of the Guardian's Best Books on Food of 2017 Shortlisted for the Fortnum and Mason's Debut Food Book Award Winner of World Gourmand Award for Food Writing. 'A work of rare joy... I could not love it more' SARAH PERRY. 'A cookbook for readers' NIGELLA LAWSON. Paddington Bear's marmalade, a Neopolitan pizza with Elena Ferrante, afternoon tea at Manderley... Here are 100 delicious recipes inspired by cookery writer Kate Young's well-stocked bookshelves. From Before Noon breakfasts and Around Noon lunches to Family Dinners and Midnight Feasts, The Little Library Cookbook captures the magic and wonder of the meals enjoyed by some of our best-loved fictional characters. 'If food can comfort, so can books' THE GUARDIAN. 'Bringing together two of our greatest loves, food and books... An absolute joy' STYLIST. 'Has great charm and is a very good read... Part of the delight is in seeing what Young has come up with' DIANA HENRY.