(Faber Piano Adventures ). Enjoy 10 outstanding arrangements of popular hits by today's leading artists such as Ed Sheeran, Meghan Trainor, Imagine Dragons, and more. In keeping with the "ChordTime" concept, this collection motivates the Level 2B student to learn the building block harmonies of current pop music: the I, IV, V, and vi chords. Songs include: Brave (Sara Bareilles) * High Hopes (Panic! At the Disco) * Like I'm Gonna Lose You (Meghan Trainor feat. John Legend) * Meant to Be (Bebe Rexha feat. Florida Georgia Line) * The Middle (Zedd, Maren Morris & Grey) * Perfect (Ed Sheeran) * Rather Be (Clean Bandit feat. Jess Glynne) * This Is Me (from The Greatest Showman ) * Thunder (Imagine Dragons) * Try Everything (Shakira, from Zootopia ).

"An extraordinary, innovative, and generative book." - George Lipsitz, author of How Racism Takes Place

Global Perspectives on Nationalism takes an interdisciplinary approach informed by recent theorisations of nationalism to examine perennial questions on the topic. The idea of nationalism centres on questions of ethnicity, culture, religion, language, and access to resources. What determines consciousness of nationalism? How is nationalism manifested, shaped, or countered through literary and cultural productions? The contributors highlight topical areas in studies of nationalism including ecology, natural resources, sustainability, globalisation, the Anthropocene, postcolonialism, indigeneity, folklore, popular culture, and queer theory. They develop innovative perspectives on nationalism through in-depth analyses of the theoretical, political, literary, linguistic, cultural, and ecological dimensions of nationalism in Argentina, Australia, Bangladesh, Bosnia and Herzegovina, China, Germany, Greece, India, Indonesia, Lebanon, Nepal, Nigeria, Poland, Scotland, Turkey, the United States, and elsewhere. This volume underscores the importance of generative dialogue between disciplines in assessing the implications of nationalism for everyday life through five thematic sections: (I) Ethnicity, Ideology, and Narration; (II) Religion, Identity, and Heritage; (III) Linguistics, Tradition, and Modernism; (IV) Music, Lyricism, and Poetics; and (V) Ecology, Environment, and Non-Human Lives. This book will be of particular value to students and researchers in philosophy, literary studies, and political theory with interests spanning ecology, ethnicity, folklore, gender, heritage, identity, linguistics, nationalism, nationhood, religion, and sexuality.

This work, a companion to the author's Broadway Sheet Music: A Comprehensive Listing of Published Music from Broadway and Other Stage Shows, 1918 through 1993 (McFarland 1996), provides information about all sheet music published (1843-1918) from all Broadway productions--plus music from local shows, minstrel shows, night club acts, vaudeville acts, touring companies, and shows on the road that never made it to Broadway--and all the major musicals from Chicago.

"Apart from what is essentially Scott, this bibliography further discloses his often anonymous reappearance in 164 anthologies and again, now indirectly, in countless printings deriving from his original work - in shabby chapbooks, grand suites of illustrations, operas, plays, and endless reams of sheet music. After 160 years, interest in Scott continues as strong as ever.

In this innovative resource, Thomas P. Walsh has compiled a unique collection of some 1,400 published and unpublished American musical compositions related to the Philippines during the American colonial era from 1898 to 1946. The book reprints a number of hard-to-find song lyrics, making them available to readers for the first time in more than a century. It also provides copyright registration numbers and dates of registration for many published and unpublished songs. Finally, more than 700 notes on particular songs and numerous links provide direct access to bibliographic records or digital copies of sheet music in libraries and collections.

An illustrated history of America's musical heritage ranges from the earliest examples of Native American traditional song to the innovative sound of contemporary rock and jazz.