Following on the heels of the best-selling Sand in My Bra, this sequel is a collection of hilarious women's travel stories. From Australia to Zambia and everywhere in between, these true stories are full of bust-a-gut laughter. Nothing helps a travel story more than something going wrong -- the frustration, embarrassment, and inconvenience provide great material for stories once the anguish has faded. The adventurers here encounter just about every unexpected mishap imaginable.

The best travel stories often hatch when things go completely wrong, and this second title in a series of women's travel humor capitalizes on that phenomenon with more sidesplitting stories of female misadventure around the world.

Lingerie is the foundation for every woman's wardrobe, but it's also where we feel the most pressure to be beautiful—and feel the most shame at falling short of impossible standards. Concerns about our age, body type, family expectations, jobs, and romantic partners crowd into the dressing room with us. The result is a bra that fits other people's standards instead of our own bodies. As a bra-fitter at a high-end department store for more than a decade, Natalee Woods watched women bravely facing down their fears and embracing what worked for them. FULL SUPPORT shares their stories.

Isolated on a Maui mountaintop, Cassandra has only her imagination to keep her company. Shut in due to her heart condition and shut out emotionally by her father, she meets the Menehune in a dream. Their "Gift" enables her to take the first step away from her loneliness. Along the way she finds an amazing woman in the grandmother she never knew and experiences true friendship with a new classmate. Eventually she learns that to love another she must open her heart, even if it means it may break.

NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

Freshman Liz Bennet refuses to let her name-or Jane Austen-define her. Even though she's one of five sisters named after the Bennet sisters in "The Book, " she can't afford to let her life parallel The Book. Liz's big plans for her future don't mesh with the life laid out for a fictional young woman 200 years ago.

Although few recognize the name of Bras-Coupé today, Bryan Wagner’s riveting history The Life and Legend of Bras-Coupé illustrates why the saga of this notorious escaped slave should be a touchstone among scholars and students of the African diaspora. After losing an arm in a pitched battle with the New Orleans police in the 1830s, Bras-Coupé hid for several years in a swamp near the city. During this time, law enforcement widely publicized their manhunt for him through newspapers, wanted posters, and other media. Messages from the mayor’s office promoted a violent image of Bras-Coupé, casting him as the primary reason police needed the right to use deadly force in the course of their duties. After a former friend betrayed and killed the bandit in July 1837, local officials displayed Bras-Coupé’s corpse in the Place d’Armes, where they ordered slaves to bear witness. The Bras-Coupé legend grew after his death and took on fantastic dimensions. Storytellers gave him superpowers. His skin, it was alleged, could not be punctured by bullets. His gaze could turn men to stone. Folklorists have transcribed many such examples of the tradition, and writers, including George Washington Cable and Robert Penn Warren, have adapted it into novels. Over time, new details appeared in the mythology and the legend transformed. Some said that he was an African prince before he was kidnapped and brought to Louisiana; others, that he was the most famous performer at Congo Square, playing an indispensable role in the preservation of African music and dance. Sidney Bechet, one of the city’s most celebrated composers and reed players, even suggested it was Bras-Coupé who invented jazz. Including fugitive slave advertisements, arrest records, and journalism from the 1830s, this critical edition collects the most important primary materials related to Bras-Coupé’s story. Wagner’s timely and deft examination of this unique historical figure reveals how a single man’s life, shaped by the horrors of slavery and the cultural mélange of Louisiana, can evolve into legend.