"No word has evoked as much passion in recent times as the word 'globalization,' which carries an array of meanings among different people and disciplines. But the fact is that globalization is an historical process that has connected the world and influenced it, for better or worse, in every aspect of life. A World Connected: Globalization in the 21st Century is a collection of more than 100 thought-provoking essays by renowned scholars, journalists and leading policymakers published over the past decade by the flagship publication of the Yale Center for the Study of Globalization, YaleGlobal Online. The essays are grouped by chapters on Global Economy and Trade, Security, Diplomacy, Society, Culture, Health and Environment, Demography and Immigration, Anti-Globalization, Innovation and Global Governance and offer insights about globalization trends for the future. The volume contains a general introduction by the editors and a preface by Yale University President Richard C. Levin"--Provided by publisher.

An Intimate And Insightful Portrait Of A Remarkable Teacher And Spiritual Leader J. Krishnamurti (1895 1986) Was Born In Madanapalle, A Small Town West Of Chennai, To Brahmin Parents. In 1909, At The Age Of Fourteen, He Was Proclaimed As A Saviour And Subsequently Taken To England By Annie Besant. There, He Was Educated Privately And Groomed For The Role Of World Teacher. In 1929, However, He Rejected The Mantle And Disbanded The Organization Of Which He Was The Head, Declaring That He Did Not Want Disciples, Thereby Unleashing A Storm Of Controversy. A Gentle, Unassuming Teacher, Over The Next Half-Century Krishnamurti Would Travel The World Bearing His Message, Inspiring The Likes Of Jawaharlal Nehru, Aldous Huxley, George Bernard Shaw And The Dalai Lama. For The First Time, The Complete Biography Of J. Krishnamurti Is Available In One Volume: The Years Of Awakening, 1895 To 1935 Recounts His Childhood Days And Grooming For His Messianic Role; The Years Of Fulfilment, 1935 To 1980, A Comprehensive Account Of The Years He Spent Spreading His Extraordinary Philosophy Of Enlightenment And Truth; And The Open Door, 1980 To 1986, The Final Chapter Of An Epic Life. Mary Lutyens, Who Had Known Krishnamurti Since She Was Three Years Old, Has Drawn On The Unpublished Letters And Personal Recollections Of The Great Man To Bring Us An Unforgettable And Affecting Account Of The Life Of This Beloved Religious Figure Who Touched The Hearts And Minds Of Millions.

From starry-eyed fans with dreams of fame to cotton entrepreneurs turned movie moguls, the Bombay film industry has historically energized a range of practices and practitioners, playing a crucial and compelling role in the life of modern India. Bombay Hustle presents an ambitious history of Indian cinema as a history of material practice, bringing new insights to studies of media, modernity, and the late colonial city. Drawing on original archival research and an innovative transdisciplinary approach, Debashree Mukherjee offers a panoramic portrait of the consolidation of the Bombay film industry during the talkie transition of the 1920s–1940s. In the decades leading up to independence in 1947, Bombay became synonymous with marketplace thrills, industrial strikes, and modernist experimentation. Its burgeoning film industry embodied Bombay’s spirit of “hustle,” gathering together and spewing out the many different energies and emotions that characterized the city. Bombay Hustle examines diverse sites of film production—finance, pre-production paperwork, casting, screenwriting, acting, stunts—to show how speculative excitement jostled against desires for scientific management in an industry premised on the struggle between contingency and control. Mukherjee develops the concept of a “cine-ecology” in order to examine the bodies, technologies, and environments that collectively shaped the production and circulation of cinematic meaning in this time. The book thus brings into view a range of marginalized film workers, their labor and experiences; forgotten film studios, their technical practices and aesthetic visions; and overlooked connections among media practices, geographical particularities, and historical exigencies.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-10-1948 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 101 VOLUME NUMBER: Vol. XIII. No. 20 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 17-91, 93-94 ARTICLE: 1. New India And Fundamental Rights 2. Conflicting Ideologies 3. Employment Exchanges AUTHOR: 1. Rev. Jerome D'Souza S. J. 2. Dr. Sita Ram 3. Mr. Rameshwar Agnibhoj KEYWORDS: 1. Fundamental rights after Indian independence, Fundamental rights in India and world, Constitution and fundamental rights 2. United Nations Organization, Political Ideologies, World Conflicts 3. Employment Exchange, Training of personnel, Ministry of Labour Document ID: INL-1948 (J-D) Vol-II (09)

Poet, lyricist and screenplay writer, Javed Akhtar is that rare individual celebrated in the diverse worlds of popular cinema and of literature and letters. Zanjeer, Deewaar and Sholay, with screenplays written by him in partnership with Salim Khan, are milestones in the history of Indian cinema. Javed Akhtar's book of poetry, Tarkash, published both in Urdu and Hindi, has enjoyed enormous critical as well as commercial success. The songs he has written for the Hindi screen have also been trendsetters, and today Javed Akhtar is among the most respected names in the Indian film industry. Here, Nasreen Munni Kabir talks with this hugely creative writer about his early influences, his relationship with his parents, his life and work in films where he began as a clapper boy in the mid-sixties, and his successful partnership with Salim Khan. An original thinker, Javed Akhtar turns his analytical gaze to the conventions of Hindi cinema, its songs and its stories. He is illuminating about many aspects of screenplay, dialogue writing and lyric writing, bringing alive his understanding of these creative forms with his descriptions of the way well-known film dialogue and famous songs canme to be written. Akhtar speaks with clarity and honesty about his development as a poet and his growth as a politically-aware person. Sparkling with Akhtar's wit, intelligence and skill as a raconteur, this well-illustrated book will appeal to everyone interested in cinema and the arts.