Examines the different ways people die, the role of the medical examiner, and what happens to the body after death.

To what extent are the dead truly dead? In medieval society, corpses were assigned special functions and meanings in several different ways. They were still present in the daily life of the family of the deceased, and could even play active roles in the life of the community. Taking the materiality of death as a point of departure, this book comprehensively examines the conservation, burial and destruction of the corpse in its specific historical context. A complex and ambivalent treatment of the dead body emerges, one which necessarily confronts established modern perspectives on death. New scientific methods have enabled archaeologists to understand the remains of the dead as valuable source material. This book contextualizes the resulting insights for the first time in an interdisciplinary framework, considering their place in the broader picture drawn by the written sources of this period, ranging from canon law and hagiography to medieval literature and historiography. It soon becomes obvious that the dead body is more than a physical object, since its existence only becomes relevant in the cultural setting it is perceived in. In analogy to the findings for the living body in gender studies, the corpse too, can best be understood as constructed. Ultimately, the dead body is shaped by society, i.e. the living. This book examines the mechanisms by which this cultural construction of the body took place in medieval Europe. The result is a fascinating story that leads deep into medieval theories and social practices, into the discourses of the time and the daily life experiences during this epoch.

By the time Nate Fisher was laid to rest in a woodland grave sans coffin in the final season of Six Feet Under, Americans all across the country were starting to look outside the box when death came calling. Grave Matters follows families who found in "green" burial a more natural, more economic, and ultimately more meaningful alternative to the tired and toxic send-off on offer at the local funeral parlor. Eschewing chemical embalming and fancy caskets, elaborate and costly funerals, they have embraced a range of natural options, new and old, that are redefining a better American way of death. Environmental journalist Mark Harris examines this new green burial underground, leading you into natural cemeteries and domestic graveyards, taking you aboard boats from which ashes and memorial "reef balls" are cast into the sea. He follows a family that conducts a home funeral, one that delivers a loved one to the crematory, and another that hires a carpenter to build a pine coffin. In the morbidly fascinating tradition of Stiff, Grave Matters details the embalming process and the environmental aftermath of the standard funeral. Harris also traces the history of burial in America, from frontier cemeteries to the billion-dollar business it is today, reporting on real families who opted for more simple, natural returns. For readers who want to follow the examples of these families and, literally, give back from the grave, appendices detail everything you need to know, from exact costs and laws to natural burial providers and their contact information.

Before there was a death care industry where professional funeral directors offered embalming and other services, residents of the Arkansas Ozarks—and, for that matter, people throughout the South—buried their own dead. Every part of the complicated, labor-intensive process was handled within the deceased's community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstitions. These traditions, especially in rural communities, remained the norm up through the end of World War II, after which a variety of factors, primarily the loss of manpower and the rise of the funeral industry, brought about the end of most customs. Gone to the Grave, a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed though obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services.

Did you know the human body contains silicon, a common component in computer devices? The silicon in the human body could be used to operate the device you are using right now. Unless you favor old-school communication, in which case you may prefer a pencil. There's enough carbon in the human body to make 16,000 pencils. In the event you run out of paper, you could scribble on your arms, legs, and back. After all, the human body is covered with about two square yards of skin...plenty of writing surface to spare. The human body is a wonderful resource...mustn't let it go to waste. That's the point behind Grave Anatomy: 101 Uses for a Dead Human Body, a lighthearted, whimsical, well-researched look into what makes up the human body...and what can be made out of it. Examining the historical, scientific, and speculative benefits of a stiff, this book discusses: how 19th century British colonists in Egypt supposedly used mummies to power locomotives, because wood and coal were scarce; how some of the key ingredients to a 4th of July picnic (charcoal bricks, matches, fireworks) are all found in the human body; and how a long-distance runner could stay hydrated for over 40 hours with the 10 gallons of water found in the average person.

"Morbid and illuminating" (Entertainment Weekly)—a young mortician goes behind the scenes of her curious profession. Armed with a degree in medieval history and a flair for the macabre, Caitlin Doughty took a job at a crematory and turned morbid curiosity into her life’s work. She cared for bodies of every color, shape, and affliction, and became an intrepid explorer in the world of the dead. In this best-selling memoir, brimming with gallows humor and vivid characters, she marvels at the gruesome history of undertaking and relates her unique coming-of-age story with bold curiosity and mordant wit. By turns hilarious, dark, and uplifting, Smoke Gets in Your Eyes reveals how the fear of dying warps our society and "will make you reconsider how our culture treats the dead" (San Francisco Chronicle).

Between the late 1970s and the late-1980s, Guatemala was torn by mass terror and extreme violence in a genocidal campaign against the Maya, which becameknown as "La Violencia." More than 600 massacres occurred, one and a half million people were displaced, and more than 200,000 civilians were murdered, most of them Maya. Buried Secrets brings these chilling statistics to life as it chronicles the journey of Maya survivors seeking truth, justice, and community healing, and demonstrates that the Guatemalan army carried out a systematic and intentional genocide against the Maya. The book is based on exhaustive research, including more than 400 testimonies from massacre survivors, interviews with members of the forensic team, human rights leaders, high-ranking military officers, guerrilla combatants, and government officials. Buried Secrets traces truth-telling and political change from isolated Maya villages to national political events, and provides a unique look into the experiences of Maya survivors as they struggle to rebuild their communities and lives.

“Wise, vulnerable, and surprisingly relatable . . . funny in all the right places and enormously helpful throughout. It will change how you think about death.” —Rachel Held Evans, New York Times–bestselling author of Searching for Sunday We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and—when it can be avoided no longer—letting the professionals take over. Sixth-generation funeral director Caleb Wilde understands this reticence and fear. He had planned to get as far away from the family business as possible. He wanted to make a difference in the world, and how could he do that if all the people he worked with were . . . dead? Slowly, he discovered that caring for the deceased and their loved ones was making a difference—in other people’s lives to be sure, but it also seemed to be saving his own. A spirituality of death began to emerge as he observed the family who lovingly dressed their deceased father for his burial; the nursing home that honored a woman’s life by standing in procession as her body was taken away; the funeral that united a conflicted community. Through stories like these, told with equal parts humor and poignancy, Wilde’s candid memoir offers an intimate look into the business of death and a new perspective on living and dying. “Open[s] up conversations about life’s ultimate concerns.” —The Washington Post “As a look behind the closed doors of the death industry, as well as a candid exploration of Wilde’s own faith journey, this book is fascinating and compelling.” —National Catholic Reporter “[A] stunner of a debut.” —Rachel Held Evans, author of Inspired