Reveals the historical impact of dream rhetoric on Chinese modernity and nation-building Realism and the rhetoric of dreams intersected in modern Chinese literature from the May Fourth Era in the early twentieth century through the period just following the end of the Cultural Revolution in 1976. The Edge of Knowing investigates this relationship, showing how writers’ attention to dreams demonstrates the multiple influences of Western psychology, utopian desire for revolutionary change, and the enduring legacy of traditional Chinese philosophy. At the same time, modern Chinese writers used their work to represent social reality for the purpose of nation building. Recent political usage of dream rhetoric in the People’s Republic of China attests to the continuing influence of dreams on the imagination of Chinese modernity. By employing a number of critical perspectives, The Edge of Knowing will appeal to readers seeking to understand the complicated relationship between literary form and Chinese history and politics.

"Diana Pharaoh Francis delivers a downright terrific read." --Devon Monk, nationally Bestselling Author of Hell Bent on Trace of Magic "A vividly written world of magic and kick-ass action." --D. B. Reynolds, author of the Vampires in America Series The road to hell is paved with good intentions. And a pound of flesh. Magical tracking expert Riley Hollis is on a mission to save five teenagers lost inside a mountain. But nothing is what it seems, and soon Riley finds herself bruised, bloodied, and embroiled in a battle to bring down a sadistic criminal dealing in human souls and the darkest of magics. Her only hope may be to swallow her pride and ask for help from her not-quite-ex-boyfriend and his notorious brother--Tyet criminal boss, Gregg Touray. Even that may not be enough to protect her. Something has gone very wrong in the trace dimension and in Riley's head. If she doesn't figure out how to handle the past, the present, the trace, and the bad guys, the road to hell is going to look like a great alternative. Diana Pharaoh Francis is the acclaimed author of a dozen novels of fantasy and urban fantasy. Her books have been nominated for the Mary Roberts Rinehart Award and RT's Best Urban Fantasy. Edge of Dreams is the second in her exciting new urban fantasy series--The Diamond City Magic novels. Visit her at dianapfrancis.com and find her on Facebook.

Table of contents

"A major contribution to literary and cultural studies—bold, illuminating, and persuasively argued."—Karla Holloway, Duke University

Robert Hansen, Alaska's most notorious serial killer, hunted his victims. Andrea Altiery was one of his victims. Andrea's body has never been located or recovered. After leaving Alaska in 1983, author Robert Algeri, spent the next thirteen years unsuccessfully trying to piece together what happened to his friend, Andrea Altiery Fearing the worst, Robert returned to Anchorage, Alaska in 1996 hoping to gain insight into Andrea's fate. Andrea's Dream, Enchanted Alaskan Proprietress' pages are filled with delicious tension as he gets bruised, battered and beaten down across the city of Anchorage, Alaska in his grass-roots search for Andrea Altiery Realizing the fragile futility of his actions, Robert becomes entangled in an urban Alaska adventure while searching for lost love; love that never gets found; and love that maybe never was.

The peril and promise of contemporary Jewish identity.

Few scary stories begin with a disclaimer that they are fictional. Instead, they claim to be true even when they are not. Such stories blur the line between fiction and reality, pushing audiences to consider where fiction ends and reality begins. These kinds of horror stories comprise the understudied subgenre of liminal horror. As the first book on this subject, this volume surveys a variety of liminal horror films. It discusses the different variations within liminal horror's sub-genres and considers why horror films are obsessed with the natures of, and borders between, fiction and reality. After first laying out the basic traits of the horror genre in the context of liminality, this book then dives into film more specifically and how the medium is uniquely situated to explore the movement between the fictional and the real. Through lenses such as dreaming, memory, and perception, the following chapters explore the role liminal horror plays in the the human psyche's subconscious/unconscious, and the various functions of the human mind in perceiving, or misperceiving, reality.

First publication of an index-card diary in which Nabokov recorded sixty-four dreams and subsequent daytime episodes, allowing the reader a glimpse of his innermost life.

""A vast treasure chest, a bewildering collection . . . to dazzle and fascinate everyone who lifts the lid."-Geoffrey Grigson"--